Marginalia64 .pdf



Nom original: Marginalia64.pdf
Titre: Microsoft Word - Marginalia64.doc
Auteur: Norbert Spehner

Ce document au format PDF 1.3 a été généré par Word / Mac OS X 10.4.11 Quartz PDFContext, et a été envoyé sur fichier-pdf.fr le 18/03/2011 à 00:45, depuis l'adresse IP 88.185.x.x. La présente page de téléchargement du fichier a été vue 2092 fois.
Taille du document: 1.5 Mo (30 pages).
Confidentialité: fichier public


Aperçu du document


Marginalia
Bulletin bibliographique des études sur les littératures et le film populaires n° 64

SCIENCE-FICTION FANTASTIQUE FANTASY ROMAN POLICIER
WESTERN RÉCIT DE GUERRE ROMAN HISTORIQUE BD ÉROTICA
LITTÉRATURE DE JEUNESSE

MARS 2010
Marginalia est publié 4 fois par an par
NORBERT SPEHNER
565, rue de Provence, Longueuil, J4H 3R3 (Québec/Canada)
nspehner@sympatico.ca

généralités
Rappel : la rubrique intitulée « Généralités » présente des ouvrages dans
lesquels on mélange les genres, les
inclassables, les études sur le roman et le
film d’aventures, l’humour et le comique,
la culture populaire en général, ainsi que
certaines « curiosités » éditoriales...

LITTÉRATURE
COELSCH-FOISNER, Sabine (ed.), H i g h
Culture versus Popular Culture, Heidelberg,
Universitäts Verlag Winter, (Wissenschaft und
Kunst, 12), 2009, xi, 208 pages.
DIMMOCK, Matthew & Andrew HADFIELD
(eds.), Literature and Popular Culture in
Early Modern England, Farnham (UK), &
Burlington (VT), 2009, xi, 219 pages.
DOSSIER : « Vingt-cinq ans après », dans Le
Rocambole, no 48-49, 2009, 325 pages.
« Sous ce titre, Le Rocambole rappelle les
différentes étapes des recherches dans le
domaine de la littérature populaire, en partant
des travaux publiés dans les années 1950 et
retrace, à partir de 1984 de manière très
détaillée, les nombreuses activités, les diverses
manifestations et surtout les publications de
chercheurs souvent isolés et en dehors des
lieux de recherches institutionnels. Les
exemples de Maurice Dubourg et de Francis
Lacassin sont ici mentionnés. Le bilan est plus
qu'encourageant et il invite et incite à
poursuivre les chantiers ouverts. Ce dossier
présente également un ensemble de réflexions
théoriques et des exemples de recherches.
C'est un véritable manuel du chercheur en
littérature populaire qui est ici édité. Dans ce
même numéro du Rocambole, le lecteur trouve
de belles "Révélations de Rocambole" sur la
« Série Blonde », première collection du Fleuve
Noir, sur le sous-genre « Eros et guerre »
(avec reproduction de quelques couvertures...)
et les éditions Grand Damier avec leurs
multiples collections. Et des "Révélations" sur
B. R. Bruss et Roger Vilatimo aussi, et quelques
démasquages. _Et encore un complément au
dossier "Eugène Sue à l'étranger" (n°42), avec
un texte rare de Sue publié en préface à un
roman espagnol._Et une étude de Maïa Peyré
sur le cycle "La Roue du temps". Et le sixième
épisode du feuilleton théorique de Colas Duflo
sur Fantômas : "Le Policier apache, ou le
péritexte éditorial populaire "._Et trois récits de

Marie Aycard publiés en 1840 et 1842 ! »
[Info :Fabula,org]
DREW, Bernard A.,
Literary Afterlife :
Posthumous Continuations of 325 Author’s
Fictional Characters, Jefferson (NC),
McFarland, 2009, 420 pages.
« This is an encyclopedic work, arranged by
broad categories and then by original authors,
of literary pastiches in which fictional
characters have reappeared in new works after
the deaths of the authors that created them. It
includes book series that have continued under
a deceased writer’s real or pen name,
undisguised offshoots issued under the new
writer’s name, posthumous collaborations in
which a deceased author’s unfinished
manuscript is completed by another writer,
unauthorized pastiches, and “biographies” of
literary characters. »
EARLE, David, Re-Covering Modernism :
Pulp, Paperbacks, and the Prejudice of
F o r m , Farnham (UK), & Burlington (VT),
Ashgate, 2009, vii, 246 pages.
EARLE, David, All Man ! Hemingway, 1950’s
Mens Magazines,
and the Masculine
Persona, Kent, Ken State University Press,
1999, 177 pages.
ERISMAN. Fred,
From Birdwomen to
Skygirls : American Girls’s Aviation
Stories, Fort Worth (TX), Texas Christian
University Press, 2009, 261 pages.
« Close on the heels of the American public’s
early enthusiasm over the airplane came
aviation stories for the young. From 1910 until
the early 1960s, they exalted flight and painted
the airplane as the most modern and
adventuresome of machines. Most of the books
were directed at boys; however, a substantial
number sought a girls’ audience.
Erisman’s account of several aviation series
and other aviation books for girls fills a gap in
the history and criticism of American popular
culture. It examines the stories of girls who
took to the sky, of the sources where authors
found their inspiration, and of the evolution of
aviation as an enterprise open to all. »
FANTINA, Richard, Victorian Sensational
Fiction : The Daring Work of Charles
Reade, New York, Palgrave Macmillan, 2010,
224 pages.
« Sensation fiction emerged in the 1860s, and
immediately generated alarm as many critics
viewed the genre as a threat to prevailing
Victorian values. Charles Reade, along with
Wilkie Collins and Mary Elizabeth Braddon, was

among the most well-known sensation
novelists. With its explicit critique of power
relations in the fields of medicine, criminal
justice, and sexual mores, Reade’s work
anticipates Michel Foucault’s theories
elaborated a century later. Reade’s work also
provides rare glimpses of alternative sexualities
and gender identities in nineteenth-century
fiction. »

Literature and Popular Culture, Lanham
(MD), Lexington Books, mars 2010.
Moral dilemmas and the narrative arts / John
M. Parrish and Margaret S. Hrezo -- Dilemmas
of stability and regime change. The Deadwood
dilemma: freedom versus law / Paul Cantor -Political assassination in popular fiction and
political thought: Trotsky, Arendt, and Stephen
King / Charles Turner -- Dilemmas of public
leadership. Of Hoplites and Hobbits: Dilemmas
of Leadership in Aeschylus’ the Suppliants and
J. R.R. Tolkien’s Lord of the Rings / A. Craig
Waggaman -- Defining dilemmas down: the
case of 24 / John M. Parrish -- Dilemmas of
institutional evil. Modes of moral reasoning in
Uncle Tom’s Cabin / Joel Johnson -- The crisis
of slavery in Harry Potter / Susan McWilliams -Dilemmas of community and choice.
Responsible life in Paradise / Margaret Seyford
Hrezo -- Amoral dilemmas and the temptation
to tyranny in A simple plan / Travis D. Smith.

GABRIELE, Alberto, Reading Popular Culture
in Victorian Print : Belgravia and
S e n s a t i o n a l i s m , New York, Palgrave
MacMillan, (Nineteenth-Century Major Lives
and Letters), 2009, 275 pages.
« Reading Popular Culture in Victorian Print: Belgravia
and Sensationalism is a comprehensive study of
the whole run of the monthly periodical Belgravia
under the direction of Mary Elizabeth Braddon.
It traces the material history of the magazine,
its production and global distribution while at
the same time placing its history and content in
the context of Victorian popular culture and
Victorian discursive formations. Among the
questions Reading Popular Culture in Victorian Print
investigates are the status of authors in the
marketplace, the innovative place Belgravia
holds in the history of print culture, the rhetoric
of sensationalism in fiction, journalism and precinema, the representation of trade with India,
and the use of urban space as a branding
strategy. It makes the claim that the periodical
is the sensation novel of the 1860s. »

GOKULSING, K. Moti & Wimal DISSANAYAKE
(eds.), Popular Culture in a Globalized
India, London & New York, Routledge, 2009,
xx, 285 pages.
HAMEL, Pierre, Promenades poétiques dans
l’oeuvre de Pierre Benoit, Montigny-leBretonneux, Yvelinédition, (Le dormeur du val),
2009, 278 pages.

LHÔTE, Jean-Marie, Bizarre : anthologie,
Paris, Berg International, 2009, 672 pages.
« La revue B i z a r r e , « revue littéraire et
artistique » fortement influencée par le
surréalisme, donne, de 1953 à 1968, 48
livraisons. Fondée par Michel Laclos, éditée par
Eric Losfeld puis, à partir de 1955, par JeanJacques Pauvert elle annonce, par son titre
même, ses ambitions et son contenu. Laclos et
ses auteurs se passionnent pour les sujets les
plus étranges et affichent des goûts
éclectiques. Grands amateurs de littérature, ils
consacrent le premier numéro à Gaston Leroux
et au roman policier, un autre – dirigé par
Raymond Queneau – aux fous littéraires, un
autre encore à Raymond Roussel. Ils sont
parmi les premiers à parler de science fiction et
abordent également la question des
« monstres » qui nous entourent. Raymond
Queneau, mais aussi Jean-Christophe Averty,
Michel Leiris, Jean-Marie Lhôte ou François
Caradec contribuent à la revue. Bizarre accueille
également de nombreux dessinateurs refusés
par les grands organes de presse.
Annonciatrice des bouleversements de Mai 68,
la revue Bizarre a occupé une place considérable
dans le paysage culturel français.
Ce livre reprend en fac-similé une sélection des
meilleures pages de tous les numéros de
Bizarre, chacun précédé d’une notice qui en
précise le contenu complet, afin de donner au
lecteur un aperçu du foisonnement intellectuel
et artistique des 15 années d’existence de la
revue. »

HREZO, Margaret S. & John M. PARRISH (eds.),
Damned if You Do : Dilemmas of Action in

MATUS, Jill L.,
Unconscious

GIRONDE,Michel (dir.), Les Mémoires de la
violence. Littérature, peinture, photographie, cinéma, Paris, L’Harmattan, (Groupe
Eidos-Retina), 2009, 244 pages.
« Le passé du XXème siècle, avec son cortège
d'horreurs, semble hanter, tel un spectre, les
productions artistiques contemporaines._Les
succès controversés des Bienveillantes de
Jonathan Littell ou de Inglorious Basterds de
Quentin Tarentino attestent que le besoin de
mémoire est toujours aussi vivace, mais
interrogent les modes de revenance du
passé. »

3

Shock, Memory and the
in
Victorian
Fiction,

Cambridge, Cambridge University Press, 2009,
x, 247 pages. [Avec entre autres des études de
The Mystery of Edwin Drood et Dr Jekyll and
Mister Hyde]

BAROT, Emmanuel et al., Camera politica :
dialectique du réalisme dans le cinéma
politique et militant, Paris, J. Vrin,
(Philosophie et cinéma), 2009, 126 pages.
BINDER, Nora Annika,
Kurzweilig
Neurosen : zum Faszinationspotential von
Ally McBeal und M o n k , Marburg, Tectum
Verlag, 2009, 177 pages.
BLEEK,
Jennifer, Blick und Welt :
filmästhetische Konstruktionen beim
frühen Terence Malik, München, Fink Verlag,
2009, 231 pages.
BOUTET, Marjolaine & Marc CHALVIN, Les
Séries télé pour les nuls, Paris, Éditions
Générales First, (Pour les nuls), 2009, 348
pages.

SPARKS, Tabitha, The Doctor in the
Victorian Fiction : Family Practices, Farham
(UK), Burlington (VT), Ashgate, 2009, 177
pages.
Doctoring the marriage plot : Harriet
Martineau’s Deerbrook and George Eliot’s
Middlemarch -- Textual healing : George
MacDonald’s Adela Cathcart -- Medical
malpractice at mid-century : Braddon’s The
doctor’s wife and Gaskell’s Wives and
daughters -- Myopic medicine and far-sighted
femininity : Wilkie Collins’s Armadale and Heart
and science -- New women, avenging doctors :
Gothic medicine in Bram Stoker and Arthur
Machen -- The "fair physician" : female doctors
and the late-century marriage plot -Conclusion : "the overstimulated nerve ceases
to respond" : Arthur Conan Doyle’s medical
modernism.

BOWMAN, Paul, Theorizing Bruce Lee. FilmFantasy-Fighting Philosophy, Amsterdam &
New York, Rodopi, 2010, 255 pages.
« Theorizing Bruce Lee is a unique work, which
uses cultural theory to analyse and assess
Bruce Lee, and uses Bruce Lee to analyse and
assess cultural theory. Lee is shown to be a
major ‘event’ in both global film and global
popular culture – a figure who’s central to
many intercultural encounters, texts, and
practices. Many key elements of film and
cultural theory are employed to theorize Bruce
Lee, and Lee is shown to be a complex – and
consequential – multimedia, multidisciplinary
and multicultural phenomenon. Theorizing
Bruce Lee is essential reading for anyone
interested in Bruce Lee in popular culture and
as an object of academic study. »

UHLMANN, Anthony (ed.), Literature and
Sensation, Newcastle, Cambridge Scholars,
2009, 322 pages.
The essays in this volume cover literature and
sensation in all its facets, drawing upon a
range of approaches from evolutionary theory,
theories of mind, perception, philosophy and
aesthetics. The works considered are drawn
from various literary periods and genres, from
the nineteenth century to contemporary prose
and poetry, including experiments in new
media. 'Literature and Sensation' offers
detailed and subtle readings of literature
according to the sensations they represent,
incite, or evoke in us, and will be of interest to
readers of literary theory, ethics and
aesthetics, and theorists of new media art.
[Sommaire très fourni disponible ici :
http://catdir.loc.gov/catdir/toc/fy0905/200937
9849.html

CHIBNAL, Stephen,
The British B Film,
London, British Film Institute, 2009, 256
pages.
This is the first book to provide a thorough
examination of the British 'B' movie, from the
war years to the 1960s. The authors draw on
archival research, contemporary trade papers
and interviews with key 'B' filmmakers to map
the 'B' movie phenomenon both as artefact and
as industry product, and as a reflection on their
times.
1. Big Ships and Little Ships: The Bs at War 2. 'What's on with it?' The Rise and Fall of the
Bs
3. The 'B' Factories: Companies, Studios and
Producers - 4. Behind the Scenes - 5. On the
Screens
6. The Men from the Yard - 7. Britain in the Bs
- 8. The Best of the Bs Appendix Revolving Bs:
Second Features on the Gaumont British,
Odeon and Rank Circuits

CINÉMA & TÉLÉVISION
BANDINI, Nicola,
Filmwaffen : von
Babelsberg bis Hollywood : Kinohelden
und ihre Waffen : Spezialeffekte und ihre
M a c h e r , Bad Ems, VSMedien, 2008, 115
pages. Les armes des héros dans le film de
guerre, le western, les polars et autres films de
gangsters, la fantasy, la science-fiction.

4

CAPUA, Michelangelo, William Holden : A
Biography, Jefferson (NC), McFarland, 2010,
viii, 203 pages.
CHRISTIANSON, Eric & Christopher PARTRIDGE
(eds.),
Holy Terror : Understanding
Religion and Violence in Popular Culture,
Oakville (CT), Equinox Pub., 2010, 256 pages.
COLLECTIF, Gossip Girl : le guide de la
série, Enghien-les-Bains, Éditions Premium,
(Bio), 2010, 96 pages.
DAMOUR, Christophe, Al Pacino, le dernier
tragédien, Paris, Scope, (Jeux d’acteurs),
2009, 127 pages.
DECHANT, Katja,
Soap Operas als
Alltagsratgeber ? Kulturalanalytische
Beobachtungen zu konstruierten Weiblichkeit in D e s p e r a t e
Housewives,
Saarbrücken, VDM Verlag Dr. Müller, 2009, 112
pages.
DEHÉE, Yannick & Christian-Marc BOSSÉNO
(dirs.), Dictionnaire du cinéma populaire
français, Paris, Nouveau Monde, 2009, 887
pages. [nouvelle édition].

LOCKE, Brain,
Racial Stigma on the
Hollywood Screen from World War II to
the Present : The Orientalist Buddy Film,
New York, Palgrave, Macmillan, 2009, 208
pages.
Introduction: Two's Company: Flash Gordon
(1980) and Lethal Weapon (1987, 1989, 1992,
1998) _Strange Fruit: Bataan (1943) _White
and Black to the Brink: China Gate (1957),
Pork Chop Hill (1959), All the Young Men
(1960) _The Blaxploitation Buddy Film: Three
the Hard Way (1974), Cleopatra Jones and the
Casino of Gold (1975), Brotherhood of Death
(1976) _The Orientalist Buddy Film and the
'New Niggers': Blade Runner (1982, 1992,
2007) _Ghosts of Los Angeles: Rising Sun
(1993) _'Domo Arigato, Mr. Roboto': T h e
Matrix (1999) and the Virtual Asian _Pearl
Harbor Eclipsed?: The Last Samurai (2003),
Crash (2004).
McNAIR, Brian, Journalists on Film : Heroes
and Villains, Edinburgh, Edinburgh University
Press, 2010, 256 pages.
« In this book, leading journalism studies
scholar Brian McNair explores how journalists
have been represented through the prism of
one of our key cultural forms, cinema. Drawing
on the history of cinema since the 1930s, and
with a focus on the period 1997-2008, McNair
explores how journalists have been portrayed
in film, and what these images tell us about the
role of the journalist in liberal democratic
societies. Separate chapters are devoted to the
subject of female journalists in film, foreign
correspondents, investigative reporters and
other categories of news maker who have
featured regularly in cinema. »
MILLS, Brett,
The Sitcom, Edinburgh,
Edinburgh University Press, 2009, 182 pages.
MÜHLBEYER, Harald,
Perception is a
Strange Thing : die Filme von Terry Gillian,
Marburg, Schüren, 2010, 240 pages.
PEARSON, Sidney A., Print the Legend :
Politics, Culture, and Civic Virtue in the
Films of John Ford, Lanham (MD), Rowman &
Littlefield, 2009, x, 195 pages.
PORTER, Darwin, Steve McQueen King of
the Cool : Tales of a Lurid Life, New York,
Blood Moon Productions, 2009, 466 pages.

DE VITO, John & Frank TROPEA,
Epic
Television Miniseries : A Critical History,
Jefferson (NC), McFarland, 2009, 219 pages.
« To paraphrase silent movie queen Norma
Desmond in Billy Wilder’s classic 1950 film
Sunset Boulevard, “The epic miniseries are big!
It’s television that got small!” This is especially
true when one compares such iconic epic
miniseries as Rich Man, Poor Man (1976),
R o o t s (1977), H o l o c a u s t (1978), Shogun
(1980), The Winds of War (1983), War and
R e m e m b r a n c e (1988-89) and Angels in
America (2003) to today’s ordinary television
programming. This work traces the historical
trajectory of the epic miniseries and delves into
the character archetypes and themes that recur
in the genre, giving close critical attention to
more than 40 miniseries. A filmography is
included. »
FOUBERT, Jean, L’art audio-visuel de David
Lynch, Paris, L’Harmattan, (Champs visuels),
2009, 254 pages. Biblio., pp. 199-212. Filmo.,
pp. 213-219.
FRANGIONI, David, Clint Eastwood Icon :
The Essential Film Art Collection, San
Rafael (CA), Insight Editions, 2009, 208 pages.
JULLIER, Kaurent & Jean-Marc LEVERATTO,
Les Hommes-objets au cinéma, Paris,
Armand Colin, (Les fiches de Monsieur
Cinéma), 2009, 128 pages.
LANGNER, Julia, Verzweifelte Hausfrauen ?
Erscheinungsformen der Macht in
Desperate Housewives, Marburg, Tectum
Verlag, 2009, 146 pages.

RIMGAILA, Salys,
The Musical Comedy
Films of Grigorii Aleksandrov : Laughing
Matters, Bristol, Intellect, 2009, 352 pages.
« Grigorii Aleksandrov's musical comedy films,
created with composer Isaak Dunaevskii, were
the most popular Russian cinema of the 1930s1940s. This study presents the untold history

5

of the films, situating them in the Stalin era,
and suggesting new interpretations of
individual films. »

'Superheroes! Capes and Crusaders in Comics
and Films' »
SUTTON, David, Hollywood Blockbusters :
The Anthropology of Popular Movies,
Oxford, Berg Publishers, 2010, 192 pages.
« Why do 'Jaws', 'Field of Dreams', 'The Big
Lebowski', and 'The Godfather' remain
strikingly popular in this age of fragmented
audiences and ever-faster spin cycles?
"Hollywood Blockbusters: The Anthropology of
Popular Movies" argues that these films
continue to captivate audiences because they
play upon underlying tensions and problems in
American culture, much like the myths that
anthropologists study in non-Western
contexts. »

SAINT-MAURICE, Thibaut de, Philosophie en
séries, Paris, Ellipses, 2009, 176 pages.
« Au programme : 24 Heures Chrono - la
morale, le devoir - Alias - le sujet, la
conscience_Desperate Housewives - le bonheur
- Dexter - la justice - Dr House - la raison et le
réel, la vérité - Grey’s Anatomy - le travail Les Experts - la démonstration, théorie et
expérience - Lost - la société - Nip/Tuck - la
matière et l’esprit - Prison Break - la
liberté_Rome - l’histoire - Six Feet Under l’existence et le temps - The Soprano l’inconscient, etc. »
SCHNURR, Sebastian, Die Darstellung der
Gewalt im US-amerikanischen Spielfilm :
zwischen (Selbst)-Zensur und Freedom of
Speech, Saarbrücken, VDM Verlag Dr. Müller,
2009, 104 pages.
SOLOMON, Matthew, Disappearing Tricks :
Silent Film, Houdini, and the New Magic of
the Twentieth Century, Champaign (IL),
University of Illinois Press, 2010, 200 pages.
SPONAGLE, Michele,
Dog River Confidential : The Super, Even More Complete
Corner Gas Guide, Toronto, Penguin Bokks of
Canada, 2009, 211 pages. [Corner Gas est une
série tv canadienne très populaire)
STEINWENDER, Harald, Sergio Leone : er
war einmal in Europa, Berlin, Bertz +
Fischer, (Depp Focus), 2009, 400 pages.

Toubib or not toubib ? TV la question !
ENGUERRAND, Sabot & Véronique MEGLIOLI,
Dr. House : pourquoi est-il aussi
méchant ?, Enghien-les- Bains, Premium,
(Bio), 2009, 195 pages.
LUCAS, Mark, Mister Hugh Laurie et docteur
House : bilan complet, Lausanne, Favre,
2010, 207 pages.
ROSIN, James,
Quincy M. E. : The
Television Series, Duncan (OK), BearManor
Media, 2009, 208 pages.

ABONNEMENTS
(version imprimée seulement)
Un an : 4 numéros
Canada : 9$ - France : 13 euros
USA : 12$ - Europe : 13 euros

STULLER, Jennifer K., Ink-Stained Amazons
and Cinematic Warriors : Superwomen in
Mythology, London, I.B. Tauris, 2010, 272
pages. Préface de Roz Kaveney.
« From 'Wonder Woman' to Buffy Summers,
Emma Peel to Sydney Bristow, 'Charlie's
Angels' to 'The Powerpuff Girls', Superwomen
are more than just love interests or sidekicks
who stand by their Supermen. In her new
book, Stuller shows how the female hero in
modern mythology has broken through the
boy's club barrier of tradition and reveals the
pivotal role of high-heeled crime fighters in
popular culture. Featuring spies and sexuality,
daddy's girls and super-mothers, this is a
comprehensive, engaging and thoughtprovoking guide to female detectives, metahumans and action heroines, as well as their
creators,
directors,
performers,
and
consumers. The book also includes a glossary
of modern mythic women, from Aeon to Zoe,
as well as a foreword by acclaimed cultural
commentator Roz Kaveney, author of

Pour les correspondants français et/ou européens,
j’accepte tout mode de paiement négociable dans
une banque française.
Chèques ou mandats à l’ordre de
NORBERT SPEHNER
565, rue de Provence
Longueuil (Qué.), Canada J4H 3R3

6

Barbey-d'Aurevilly: Lo fantástico como
necesidad - María Goicoechea de Jorge:
Ciborgmanía: Las fantasías posthumanas María Rosa Burillo Gadea: El fenómeno de la
entropía en la narrativa fantástica de Pynchon Asunción López-Varela Azcárate: Complejidad,
tecnología y escenarios culturales de lo
fantástico - Aurora Conde Muñoz: De magos,
héroes y tumbas - Pilar Andrade Boué: El doble
como elemento fantástico en el cine - Juan G.
Etxeberria: Lo Fantástico: La razón produce
monstruos ... pero se disfrutan en el cine Arturo Villarrubia Jiménez-Momediano: Cine y
literatura de ciencia ficción: crónica de un
divorcio - David Felipe Arranz Lago: La
homogeneización del discurso fantástico
posmoderno: Sergéi Lukyanenko, Timur
Bekmambetov y Guillermo del Toro.

ÉCRITS SUR
L’IMAGINAIRE

BALLESTÉ, Jacques & Solange HIBBS (dirs.),
Le Temps des possibles : regards sur
l’utopie en Espagne au XIXe siècle,
Carnières-Morlanwelz (Belgique), Lansman,
(Hispania, 12), 2009, 163 pages.
BENECKE, Mark, Kathrin SONNTAG, Nastassia
PALANETSKAYA & Ewelin WARZYNIAK,
Vampire unters Uns !, Remda-Teichel,
Edition Roter Drache, 2009, 124 pages.

SCIENCE-FICTION
FANTASTIQUE FANTASY

BERTHIN, Christine,
Gothic Hauntings :
Melancoly Crypts and Textual Ghosts, New
York, Palgrave Macmillan, mai 2010, 216
pages.
Introduction - Transgenerational Haunting: The
Subject as Other - Discourse and its Other: The
Figural and the Real - Gothic as Poetics_The
Melancholy Crypt of Frankenstein - Secretions
and Secretaries: The Secret of Dracula- The
Raising of the Dead: Art and Melancholy.

LITTÉRATURE
ALTHANS, Katrin, Aboriginal Gothic in Black
Australian Literature and Film, Göttingen,
Niedersachs,V & R Unipress, 2010, 246 pages.
ANDRADE, Pila, Arno GIMBER & Maria
GOICOECHEA (dirs.), Espacios y tiempos de
lo fantastico : una mirada desde el siglo
X X I , Frankfurt am Main, Berlin, etc, Peter
Lang, 2010, 293 pages.
Contenido: David Roas: La risa grotesca y lo
fantástico - Felipe González Alcázar: Notas
sobre algunos valores de lo fantástico en la
poética - Arno Gimber: Sueños de deseos y
sueños de horror. Configuraciones románticas
de lo fantástico - Jorge Blas Relaño: Música y
dimensiones oníricas en el romanticismo
alemán: de Wilhelm Heinrich Wackenroder a
ETA Hoffmann - Isabel García Adánez: La
esperpéntica pesadilla de la historia alemana:
Alemania. Un cuento de invierno de Heinrich Heine Sela Bozal: El discurso fantástico en la
literatura y los dibujos de Kubin - Carmen
Gómez García: ¿Sueño o visión? Lo fantástico
en el expresionismo alemán: El loco de Georg
Heym - Javier del Prado Biezma: Función
ideológica de lo fantástico en Victor Hugo María Luisa Guerrero: L'Ensorcelée de Jules

CAMPBELL, Lori M.,
Portals of Power :
Magical Agency and Transformation in
Literary Fantasy, Jefferson (NC), McFarland,
(Critical Explorations in SF and Fantasy),
2010, 224 pages.
PART I. Women and Other Magical Creatures:
Portals in Romance and Fairy Tale - 1. Who
“Wears the Pants” in Faërie? The Woman
Question in William Morris’s The Wood Beyond
the World
2. “For I am but a girl”: The
Problem of Female Power in Ford Madox Ford’s
The Brown Owl PART II :Charms, Places, and
Little Girls: Portals in Children’s Literature - 3.
E. Nesbit and the Magic Word: Empowering
Child and Woman in Real-World Fantasy - 4.
Lost Boys to Men: Romanticism and the Magic
of the Female Imagination in J.M. Barrie’s Peter
Pan and Frances Hodgson Burnett’s The Secret
Garden
PART III - Haunted Houses and the

7

Hidden Self: Portals in the Gothic, Low Fantasy,
and Science Fiction - 5. Confronting Chaos at
the In-Between: William Hope Hodgson’s The
House on the Borderland - 6. The Society
Insider/Outsider and the Sympathetic
Supernatural in Fantastic Tales by Edith
Wharton and Oscar Wilde
PART IV Haunting History: The Portal in Modern/
Postmodern Fantasy - 7. One World to Rule
Them All: The Un-Making and Re-Making of the
Symbolic Portal in J.R.R. Tolkien’s The Lord of
the Rings - 8. Harry Potter and the Ultimate
In-Between: J.K. Rowling’s Portals of Power 9. Portals Between Then and Now: Susan
Cooper, Alan Garner, Diana Wynne Jones, Neil
Gaiman, and Jonathan Stroud.

Paris, L’Harmattan, (Approches littéraires),
2009, 476 pages.
CLUTE, John,
Canary Fever : Reviews,
Harold Wood (UK), Beccon, 2009, xii, 415
pages.
COVERLEY, Merlin, Utopia, Harpenden (UK),
Pocket Essentials, 2009, 160 pages.
COLLANI, Tania, Le merveilleux dans la
prose surréaliste européenne, Paris,
Hermann, (Savoir. Lettres), 209, 512 pages.
Thèse de doctorat remaniée, 2005.
COLLINS, Jo& John JERVIS (eds.), Uncanny
Modernity. Cultural Theories, Modern
Anxieties, New York, Palgrave Macmillan,
Introduction; J.Collins & J.Jervis - Uncanny
Presences; J.Jervis - Night and the Uncanny;
E.Bronfen_Uncanny Reflections, Modern Illusions:
Sighting the Modern Optical Uncanny; T.Gunning
- As it Happened... Borderline, the Uncanny and
the Cosmopolitan; J.Donald - Access Denied:
Memory and Resistance in the Contemporary
Ghost Film; S.Brewster - The Uncanny After
Freud: The Contemporary Trauma Subject and
the Fiction of Stephen King; R.Luckhurst 'Neurotic Men' and a Spectral Woman: Freud,
Jung and Sabina Spielrein; J.Collins - The Urban
Uncanny; J.Wolfreys - Profane Illuminations,
Delicate and Mysterious Flames: Mass Culture
and Uncanny Gnosis; M . S a l e r - 'On the
Psychology of the Uncanny': Ernest Jentsch;
translated by R.Sellars - Terrorism and the Uncanny,
or, The Caves of Tora-Bora; David Punter

CASTILLO, David R., Baroque Horrors :
Roots of the Fantastic in the Age of
Curiosities, Ann Arbor, University of Michigan
Press, mars 2010, 200 pages.
[Sur l’horreur et le macabre dans la littérature
espagnole entre 1500 et 1700]
Introduction: a taste for the macabre in the
age of curiosities -- Miscellanea: the garden of
curiosities and macabre theater -- Sins of our
fathers (and spouses): the preternatural in
baroque exemplary tales -- Zayas’ bodyworks:
protogothic moral pornography or a baroque
trap for the gaze -- Monsters from the deep:
Lozano’s La cueva de Hercules and the politics
of horror.
CHEN, Fan Fan (ed.), Fantastic Literature :
Six Lectures, Taïwan, Laboratory of Fantastic
Literature and the New Rhetoric Press, National
Dong Hwa University, 2009, 225 pages.
Préface de FanFan Chen – A propos du genre
fantastique comme exemple de la recherche en
littérature générale et comparée (Roger
Bozzetto) – Panorama sur la science-fiction
(Roger Bozzetto) – La littérature fantastique au
Japon (Chikawi Shinoda) – Kyoka Izumi &
K o y r a H i r i j i (Chikawi Shinoda) – The
Construction of Fantastic Spaces : Tlön, Les
Cités obscures and The Cognitive Power of
Fiction (Alessandro Ribéri) – Séminaire sur
Cortazar (Alessandro Ribéri) [Texte en englais,
en français et en chinois]

COVERLEY, Merlin, Utopia, Harpenden (UK),
Pocket Essentials, 2009, 160 pages.
DI FOLCO, Philippe (dir.), Le Dictionnaire de
la mort, Paris, Larousse, (In Extenso), 2010,
1136 pages.
DOSSIER, Fantasmagories du Moyen Age,
in Senefiance, no 56, Presses de l,Université
de Provence, décembre 2009. [sommaire
chargé avec, entre autres, des textes sur
Tolkien, C. S.Lewis, Dumas].Ce numéro est
dirigé par Elodie Burle-Errecade et Valérie
Naudet.
DUGGETT, Tom,
Gothic Romanticism :
Architecture, Politics and Literary Form,
New York, Palgrave, Macmillan, 2010, 240
pages.

CHIANG, Doug, Sci-Fi Art : créer un univers
de science-fiction, Paris, Fleurus, 2009, 143
pages. Ed. or. : Mechanika: Creating the Art
of Science Fiction, 2008.
CHORDAS, Nina, Forms in Early Modern
Utopia : The Ethnography of Perfection,
Burlington (VT), Ashgate, 2010, 150 pages.
CHRAÏBI, Aboukar & Carmen RAMIREZ (eds.),
Les Mille et une nuits et le récit oriental,

FAY, Thomas (ed.), The Philosophy of
Horror, Lexington (KY), University Press of
Kentucky, (The Philosophy of Popular Culture),
2010, 272 pages.
Introduction / Thomas Fahy -- Horror and the
Idea of Everyday Life: On Skeptical Threats in
Psycho and The Birds / Philip J. Nickel -Through a Mirror, Darkly: Art-Horror as a

8

Medium for Moral Reflection / Philip Tallon -The Justification of Torture-Horror: Retribution
and Sadism in Saw, Hostel, and The Devil’s
Rejects / Jeremy Morris -- Hobbes, Human
Nature, and the Culture of American Violence in
Truman Capote’s In Cold Blood / Thomas Fahy
-- Making Their Presence Known: TV’s GhostHunter Phenomenon in a "Post-" World /
Jessica O’Hara -- The Vampire with a Soul:
Angel and the Quest for Identity / Amy Kind -Ideological Formations of the Nuclear Family in
The Hills Have Eyes / Lorena Russell -Zombies of the World, Unite: Class Struggle
and Alienation in Land of the Dead / John Lutz
-- The Fall of the House of Ulmer: Europe vs.
America in the Gothic Vision of The Black Cat /
Paul A. Cantor -- From Domestic Nightmares to
the Nightmare of History: Uncanny Eruptions of
Violence in King’s and Kubrick’s Versions of The
Shining / John Lutz -- "Hot with Rapture and
Cold with Fear": Grotesque, Sublime, and
Postmodern Transformations in Patrick
Süskind’s Perfume / Susann Cokal -- Shock
Value: A Deleuzean Encounter with James
Purdy’s Narrow rooms / Robert F. Gross -Making Monsters: The Philosophy of
Reproduction in Mary Shelley’s Frankenstein
and the Universal Films Frankenstein and The
Bride of Frankenstein / Ann C. Hall -- Kitsch
and Camp and Things That Go Bump in the
Night; or, Sontag and Adorno at the (Horror)
Movies / David MacGregor Johnston.

are examined in texts by Bachmann, Fouqué,
Fontane, Goethe, Nietzsche, Nelly Sachs,
Thomas Mann and Wagner, and these and
many others confirm that metamorphosis is
used historically, scientifically, for religious
purposes; to highlight identity, sexuality, a
dream state, or for metaphoric, metonymic or
allegorical reasons. »
GARBER, Klaus, Arkadien. Ein Wunschbild
der europäischen Literatur, München, Fink
Verlag, 2009, 160 pages.
GOMEL, Elana, Postmodern Science Fiction
and Temporal Imagination, New York,
Continuum, (Continuum Literary Studies),
2010, 192 pages.
Introduction: Time enough for world -- Time
machines: H.G. Wells and the invention of
postmodernity -- Strangled by the time loop:
paradoxes of determinism -- ’My name is
might-have-been’: contingency, counterfactuals and moral choice -- Everyday
apocalypse: the ethics and aesthetics of the
end of time -- Conclusion: Beyond millennium.
GRECO, Pietro, L’astro narrante : la luna
nella scienza e nella letteratura italiana,
Milano. Springer Italia, 2009, 294 pages.
GRÜNBERG, Marion,
Frauenbilder in
Schwartz. Die stilbildenden Wirkung
weiblicher Imagos und Einfluss auf die
Entwicklung weiblicher Gothics, Saarbrücken, VDM Verlag Dr. Müller, 2008, 272
pages.

FERLAMPIN-ACHER, Christine & Denis HÜE,
Mythes et réalités du roi Arthur, Rennes,
Éditions Ouest-France, (Histoire), 2009, 127
pages.
FREUD, Sigmund, L’Inquiétante étrangeté,
Paris, Interférences, 115 pages. Réédition de
ce texte fondamental datant de 1919. Avec des
photomontages de Paula Ginemez.

HAUSMANN, Matthias, Die Ausbildung der
Anti-Utopie im Frankreich des 19.
Jahrhunderts. Von Charles Nodier über
Emile Souvestre und Jules Verne zu Albert
R o b i d a , Heidelberg, Winter Universitäts
Verlag, (Studia Romanica, 150), 2009, 612
pages.
Die Studie versucht, eine Forschungslücke zu
schließen, indem sie die Geschichte der AntiUtopie, die bislang noch nicht umfassend als
eigenständige Gattung behandelt worden ist,
von ihren Anfängen bis hin zur Etablierung
desjenigen literarischen Modells nachzeichnet,
das durch die großen Gattungsvertreter des 20.
Jahrhunderts (Samjatin, Huxley, Orwell) zum
Paradigma wurde. Dieses Modell wurde bereits
von bislang zu wenig beachteten französischen
Anti-Utopien des 19. Jahrhunderts erreicht,
wobei Emile Souvestres Le monde tel qu'il sera
(1845) und Jules Vernes Frühwerk Paris au XXe
siècle
(1863)
eine
Schlüsselstellung
einnehmen.

GALLAGHER, David,
Métamorphosis.
Transformation of the Body and the
Influence of Ovid’s metamorphosis on
Germanic Literature of the Nineteenth and
Twentieth Centuries, Amsterdam, New York,
Rodopi, 2009, 470 pages.
« Specifically selected texts for analysis include
Jeremias Gotthelf’s Die schwarze Spinne
(1842) with the terrifying metamorphoses of
Christine
into
a
black
spider,
the
metamorphosis of Gregor Samsa in Kafka’s Die
Verwandlung
(1915),
ambiguous
metamorphoses in E. T. A. Hoffmann’s D e r
goldne Topf (1814), Hermann Hesse’s Piktors
V e r w a n d l u n g e n (1925), Der Steppenwolf
(1927) and Christoph Ransmayr’s Die letzte
Welt (1988). Other mythical metamorphoses

9

HEILMAN, Eric, Les Utopies à l’épreuve de
l’art : Ilotopie, Montpellier, Entretemps;
Ilotopie, 2008, 223 pages.

créateur et sa créature,
l'imaginaire se mêlent.

la

science

et

HÖTTE, Kristina, Der mythische und der
moderne Dracula. Vampirismus bei Bram
Stoker’s Dracula und in dem Fall Fritz
Haarman,
dem
«
Vampire
von
Hannover », München, Grin verlag, 2009, 84
pages.

HESSEL, Stephen & Michèle HUPPERTS (eds.),
Fear Itself : Reasoning the Unreasonable,
Amsterdam/New York, et al., Rodopi, 2010,
xiii, 178 pages.
Stephen Hessel: Introduction
Early Modern Reflections on Fear
Madeleine Harwood: “Witches, live witches!
The house is full of witches!” The Concept of
Fear in Early Modern Witchcraft Drama
Stephen Hessel: Horrifying Quixote: The Thin
Line between Fear and Laughter
Feminised Fear
Laura Hubner: Pan’s Labyrinth, Fear and the
Fairy Tale
Susan Yi Sencindiver: Sexing or Specularising
the Doppelgänger: A Recourse to Poe’s “Ligeia”
Fear at the Movies
Steven Allen: Bringing the Dead to Life Animation and the Horrific
Eric K.W. Yu: A Traditional Vengeful Ghost or
the Machine in a Ghost? Narrative Dynamics,
Horror Effects, and the Posthuman in Ringu
Fear, Power, and Politics
Michèle Huppert: Terrified and Terrifying: An
Examination of the Defensive Organisation of
Fundamentalism
C. Ferguson McGregor: Rending the TerrorHorror Nexus: The Manifest Lie and its Role in
Facilitating Acts of Illegitimate Political Violence
Societal Fear
Henriette Dahan Kalev: Zionism, Post-Zionism
and Fear of Arabness
Belinda Morrissey and Kristen Davis: Fear and
Horror in a Small Town: The Legacy of the
Disappearance of Marilyn Wallman.

HUGUES, William & Andre Smith (eds.),
Queering the Gothic,
New
York
&
Manchester, Manchester University Press,
2009, xii, 195 pages.
Introduction: Queering the gothic / William
Hughes and Andrew Smith -- 'Love in a
convent': or, Gothic and the perverse father of
queer enjoyment / Dale Townshend -- 'Do you
share my madness?': Frankenstein's queer
gothic / Mair Rigby -- Daniel Deronda's Jewish
panic / Royce Mahawatte -- 'That mighty love
which maddens one to crime': medicine
masculinity, same-sex desire and the gothic in
Teleny / Diane Mason -- Gothic landscapes,
imperial collapse and the queering of Adela
Quested in E.M. Forster's A passage to India /
Ardel Thomas -- Antonia White's Frost in May:
gothic mansions, ghosts and particular
friendships / Paulina Palmer -- Devouring
desires: lesbian gothic horror / Gina Wisker -'The taste of blood meant the end of
aloneness': vampires and gay men in Poppy Z.
Brite's Lost souls / William Hughes -- Michael
Jackson's queer funk / Steven Bruhm -- Death,
art, and bodies: queering the queer gothic in
Will Self's Dorian / Andrew Smith.
ILIE, Paul, The Grostesque Aesthetic in
Spanish Literature : from Golden Age to
Modernism, Newark, Juan de la Cuesta, (Juan
de la Cuesta Hispanic Monographs), 2009, 300
pages.
ILLMERT, Horst,
Bibliographie Science
Fiction & Fantasy : Buch-Erstausgaben,
1945-1995 : 50 Jahre alternative Weltentwürfe in Deutschland, Wiesbaden, O.
Harrassowitz, 1998, 363 pages.
INSUA, Mariela & Lygia Rodrigues Vivianna
PERES (eds.), Monstruos y prodigios en la
literatura hispanica, Madrid, Iberoamericana
& Frankfurt am Main, Vervuert, 2009, 272
pages.
JACKSON, Kevin,
Bite : A Vampire
Handbook, London, Portobello Books, 2009,
160 pages.
JAHN, Angela,
Die Unsterblichkeit des
künstlichen Menschen in der Literatur,
Hamburg, Diplomica Verlag, 2009, 86 pages.

HEUDIN, Jean-Claude, Robos et avatars : le
rêve de Pygmalion, Paris, Odile Jacob,
(Sciences), 2009, 157 pages.
Depuis l'aube de l'humanité, l'homme tente de
reproduire le vivant. Parmi les légendes qui ont
influencé cette quête, le mythe de Pygmalion
tient une place particulière. Aidé par Vénus
dans la genèse d'une beauté artificielle, le roi
antique succomba à son irrésistible charme.
Depuis, les descendantes de Galatée ont pris
de multiples formes : des statues vivantes aux
automates, des robots aux cyborgs et aux
clones, des intelligences artificielles aux
avatars, jusqu'aux fantômes qui hantent la
mémoire de nos ordinateurs. Ce livre
rassemble
une
collection
d'images
spectaculaires qui illustrent l'évolution des
robots et des avatars. Il nous révèle les
tendances d'un avenir symbiotique où le

10

JONES, Gwyneth,
Imagination/Space :
Talks and Essays on Fiction, Feminism,
Technology and Politics, Seattle (WA),
Acqueduct Press, 2009, 264 pages.
« Imagination/Space: Essays and Talks on
Fiction, Feminism, Technology, and Politics
collects twenty-one pieces of nonfiction by
Gwyneth Jones, the 2008 recipient of the
Science Fiction Research Association's Pilgrim
Award, which is conferred annually on science
fiction's premiere critics for lifetime
achievement. The contents of Imagination/Space range from Jones's acceptance
speech for the Pilgrim Award to her detailed
notes on shadowing a scientist in a lab in
preparation for writing her Philip K. Dick
Award-winning novel, Life, to her critical
reconsideration of the feminist sf canon. Her
sharp analyses and observations make this a
must-read for anyone who cares about
feminism, science fiction, or both. »

to the Neo-Victorian, New York, palgrave,
Macmillan, 2009, x, 245 pages.
KORYNCINSKA, Monica,
Der « realismo
magico » und die phantastischen
Literatur : ein interkultureller Vergleich,
Saarbrücken, VDM Verlag Dr. Müller, 2008, 120
pages.
KÜLLMER, Carolin Miriam, Der weibliche
Vampir in der Literatur des 19.
Jahrhunderts, München, Grin Verlag, 2009,
136 pages.
LEE, Robert A., Gothic to the Multicultural :
Idioms of Imagining in American Literary
Fiction, Amsterdam & New York, Rodopi,
(Costerys), 2009, 543 pages.
MIES, Juliane, Neue Monster : postmoderne
Horrortexte und ihre Authorinnen, Köln,
Böhlau Verlag, (Literatur-Kultur-Geschlecht,
56), 2010, 304 pages.
MILLER, J. Hillis, The Medium is the Maker :
Browning, Freud, Derrida and the New
Telepathics Ecotechnologies, Brighton (UK)
& Portland (OR), Sussex Academic Press, 2009,
xiii, 93 pages.
MONNET, Agnieska Soltysik, The Poetics and
Politics of American Gothic : Gender and
Slavery in Nineteenth-Century American
Literature, Farnham (UK) & Burlington (VT),
Ashgate, 2010, 200 pages.

KELLER, Jost, Den Bösen sind sie los, die
Bösen sind gebleiben : die Säkulisierung
des Teufels in der Literatur um 1800,
Duisburg, Universität’s Verlag, Rhein-Rhur,
2009, 455 pages.
KELSO, Sylvia, Three Observations and a
Dialogue : Around and About SF, Seattle,
Aqueduct Press, (Conversation Pieces), 2009,
122 pages.
« The correspondence with Lois McMaster
Bujold about the Vorkosigan Novels] became
"Letterspace: In the Chinks Between Published
Fiction and Published Criticism," which is
published here. Also included are "Third Person
Peculiar: Reading between Academic and SFCommunity Positions in (Feminist) Sf"," a
critical essay discussing the intricacies of an
Australian feminist scholar writing about
science fiction; "Tales of Earth: Terraforming in
Recent Women's Sf"," which considers
colonialism in science fiction by women; and
"Loud Achievements: Lois McMaster Bujold's
Science Fiction through 1997," which closely
examines Bujold's Vorkosigan novels. »

PAIK, Peter Yoonsuk,
From Utopia to
Apocalypse : Science Fiction and the
Politics of Catastrophe, Minneapolis,
University of Minnesota Press, 2010, 232
pages.
« In From Utopia to Apocalypse, Peter Y. Paik shows
how science fiction generates intriguing and
profound insights into politics. He reveals that
the fantasy of putting annihilating omnipotence
to beneficial effect underlies the revolutionary
projects that have defined the collective
upheavals of the modern age. Paik traces how
this political theology is expressed, and indeed
literalized, in popular superhero fiction,
examining works including Alan Moore and
Dave Gibbons’s graphic novel Watchmen, the
science fiction cinema of Jang Joon-Hwan, the
manga of Hayao Miyazaki, Alan Moore’s V for
Vendetta, and the Matrix trilogy. Superhero
fantasies are usually seen as compensations for
individual feelings of weakness, victimization,
and vulnerability. But Paik presents these
fantasies as social constructions concerned with
questions of political will and the disintegration
of democracy rather than with the psychology
of the personal. »

KERNER, Charlotte, Die Fantastischen 6. Die
Lebensgeschichte von Stephen King, Philip
K. Dick, Stanislas Lem, J. R. R. Tolkien,
Bram Stoker, Mary Shelley, Landsberg,
Beltz, 2010, 304 pages.
KNIGHT, Stephen Thomas, Merlin : Knowledge and Power Through the Ages, Ithaca,
Cornell University Press, 2009, xvii, 275 pages.
KONTOU, Tatiana,
Spiritualism and
Women’s Writing : from the fin de siècle

PERLICH, John & David WHITT (eds.),
Millenial Mythmaking : Essays on the

11

Power of Science Fiction and Fantasy
Literature, Films and Games, Jefferson
(NC), McFarland, 2010, 212 pages.
P r e f a c e : “There and Back Again…”
1.Contrasting Colors - 1.Sorting Heroic
Choices: Green and Red in the Harry Potter
Septology_(KIRSTIN CRONN-MILLS a n d
JESSICA SAMENS) - 2. The Complexity of Evil
in Modern Mythology: The Evolution of the
Wicked Witch of the West (JASON EDWARDS
and BRIAN KLOSA) - 3. Polysemous Myth:
Incongruity in Planet of the Apes (RICHARD
BESEL a n d RENEÉ SMITH BESEL)
New
Champions - 4. The Hero with the Thousandand-First Face: Miyazaki’s Girl Quester in
Spirited Away and Campbell’s Monomyth (DEE
GEORTZ) - 5. The Odyssey of Madame Souza:
A Heroine’s Quest in The Triplets of
Belleville_(DAVID WHITT) - 6. Rethinking the
Monomyth: Pan’s Labyrinth and the Face of a
New Hero(ine) (JOHN PERLICH)
- No
B o u n d a r i e s - 7. Actors and Their Mythic
Heroes: From the Doctor to Captain Kirk
(DJOYMI BAKER) - 8. Running Free in Angelina
Jolie’s Virtual Body: The Myth of the New
Frontier and Gender Liberaton in Second Life
(ELLEN GORSEVSKI) - 9. So Where Do I Go
from Here? Ghost in the Shell and Imagining
Cyborg Mythology for the New Millennium_(JAY
SCOTT CHIPMAN)
- Epilogue: “Always in
Motion Is the Future…”

SAMUEL, Lawrence R., Future : A Recent
History, Austin, University of Texas Press,
2009, 244 pages.
The shape of things to come, 1920-1939 –
Great days comings, 1940-1945 – The best is
yet to come, 1946-1964 – Future shock, 19651979 – The empire strikes back, 1980-1994 –
The matrix, 1995.
SANTAMARIA, Simonetta,
Vampiri : da
Dracula a Twilight, Roma, Gremese, 2009,
191 pages.
SAPEGNO, Maria Serena & Laura SALVINI
(eds.), Figurazioni del possibile : sulla
fantascienza femminista, Pavona, Iacobelli,
2008, 152 pages.
SCHLESAK, Dieter, Der Tod und der Teufel;
Materialen zu Vlad der Todesfürst. Die
Dracula-Korrektur, Ludwisburg, Pop Verlag,
2009, 229 pages.
VAN NESS, Sara J., Watchmen as Literature
A Critical Study of the Graphic Novel,
Jefferson (NC), McFarland, 2010, 219 pages.
WALSER, Melanie, Vampire Literature as a
Reflection on Society’s Other, München,
Meidenbauer, Martin, 2010, 114 pages.
WARNES, Christopher, Magical Realism and
the Postcolonial Novel : Between Faith and
Irreverence, New York, Palgrave Macmillan,
2009, 208 pages.
WASSON, Sarah,
Urban Gothic of the
Second World War : Dark London, New
York, Palgrave Macmillan, 2010, 224 pages.
WENK, Christian, Abjection, Madness and
Xenophobia in Gothic Fiction, Berlin,
Wissenschaftlicher Verlag Berlin, 2008, 287
pages.
YARGON, Werwölfe, Vampire & Bestin der
Nacht, Leipzig, Bohmeier, 2010, 88 pages.
YOUNGQUIST, Paul, Cyberfiction : After the
Future, New York, Palgrave Macmillan, 2010,
272 pages.
ZAHNIA, Susanne, Monsters on the Margin –
The Abject in Literature : A Study of the
Phantom of the Opera, Dracula and She,
Saarbrücken, VDM Verlag, 2009, 188 pages.
« The first part of the book introduces the
reader to Kristeva’s theory of the abject. After
defining the terms abject and monster, it will
be shown that these two concepts can be
successfully linked. In the second part of the
book, the theoretical insights will be used for
the analysis of three monster stories from the
late 19th and early 20th century, namely Henry
Rider Haggard’s She, Bram Stoker’s Dracula
and Gaston Leroux’s The Phantom of the
Opera. By concentrating on a period of
approximately 30 years it will be shown that
the problems,

PLASCHKA, Oliver, Verlorene Arkadien : das
pastorale Motiv in der englischen und
amerikanischen fantastischen Literatur :
H.P Lovecraft, James Branch Cabell, Mervy
Peake, William Gibson, thèse, Université de
Heidelberg, 2009, 272 pages.
POWERS, Kimberly, Escaping the Vampire :
Desperate for the Immortal Hero, Colorado
Springs, David C. Cook, 2009, 192 pages.
Attention : propagande religieuse pour jeunes
filles en mal d’amour !
POZZUOLI, Alain, La Bible Dracula :
dictionnaire du vampire, Paris, Le Pré aux
Clercs, 2010, 653 pages.
Beau titre antinomique...La Bible... Dracula !
Esentiellement une remise à jour des deux
versions précédentes de ce dictionnaire.
PYRHÖNEN, Heta, Bluebeard Gothic : Jane
Eyre and its Progeny, Toronto, Toronto
University Press, 2009, 404 pages.
RUAUD, André-François, Le Dico féérique 1 :
Le règne humanoïde, Lyon, Les Moutons
électriques, (Bibliothèque des miroirs, 6),
2010, 304 pages.

12

spellbound. His Black Magic novels like The
Devil Rides Out created an oddly seductive and
luxurious vision of Satanism, but in reality he
was as interested in politics as occultism.
Wheatley was closely involved with the secret
intelligence community, and this powerfully
researched study shows just how directly this
drove his work, from his unlikely warnings
about the menace of Satanic Trade Unionism to
his role in a British scheme to engineer a
revival of Islam. Drawing on a wealth of
unpublished material, Phil Baker examines
Wheatley’s key friendship with a fraudster
named Eric Gordon Tombe, and uncovers the
full story of his sensational 1922 murder. Baker
also explores Wheatley’s relationships with
occult figures such as Rollo Ahmed, Aleister
Crowley, and the Reverend Montague
Summers, the shady priest and demonologist
who inspired the memorably evil character of
Canon Copely-Syle, in To The Devil – A
Daughter. »

SCIENCE FICTION STUDIES
no 110, March 2010
THE 2009 SFS SYMPOSIUM: HISTORIES OF
SCIENCE FICTION
Rob Latham. Introduction
Roger Luckhurst: Science Fiction and Cultural
History
De Witt Douglas Kilgore: Difference Engine:
Aliens, Robots, and Other Racial Matters in the
History of Science Fiction
Veronica Hollinger.: A History of the Future:
Notes for an Archive
OTHER ARTICLES
Laurel Bollinger : Symbiogenesis, Selfhood,
and Science Fiction
Lisa Swanstrom : Capsules and Nodes and
Ruptures and Flows: Circulating Subjectivity in
Neal Stephenson’s Snow Crash
Robert P. Fletche : The Hacker and the
Hawker: Networked Identity in the Science
Fiction and Blogging of Cory Doctorow
REVIEW-ESSAY
Umberto Rossi. A Curate’s Egg: Baxter’s J.G.
Ballard’s Surrealist Imagination: Spectacular
Authorship

BERNARDEZ, Aurora & Carles Alvarez GARRIGA
(eds.), Julio Cortazar : papeles inesperados, Ciudad de Buenos Aires, Alfaguara,
2009, 486 pages.
BINDER, Hartmut, Gustav Meyrink : ein
Leben im Bann der Magie, Prag, Vitalis,
2009, 784 pages.
BLOOM, Harold (ed. + intro.), Ray Bradbury,
New York, Bloom’s Literary Criticism, 2010,
246 pages. (Rééd.).
BOLDY, Steven, A Companion to Jorge Luis
Borges, Woodbridge, Tamesis, 2009, x, 208
pages.
BURNS, Jennifer, Goddess of the Market :
Ayn Rand and the American Right, Oxford &
New York, Oxford University Press, 2009, 369
pages.
BUTLER, Rex, Borges’s Short Stories :A
Reader’s Guide, New York, Continuum,
(Reader’s Guides), 2010, 192 pages.
CAVALLERO, Dani,
The Mind of Italo
Cavino : A Critical Exploration of His
Thoughts and Writings, Jefferson (NC),
NcFarland, 2010, 210 pages.

anxieties and scientific developments of the
late Victorian era influenced and determined
the character of the monster. 

A PROPOS DES AUTEURS
ANDRE-DRIUSSI, Michael (ed.), The Wizard
Knight Companion : A Lexicon for Gene
Wolfe’s The Knight and the Wizard, Albany
(CA) , Sirius Fiction,2009, 132 pages.
« The Wizard Knight Companion is a brief
alphabetical dictionary for Gene Wolfe's twovolume The Wizard Knight series. Its entries
identify the characters in the novel, dive into
the mysteries in the text, and explore the
Norse, Celtic, and Arthurian sources for names
and words in the novels. It includes a map of
the region, a cosmology, and a synopsis of the
narrative. »
Le même éditeur vient de rééditer Lexicon
Urthus (1994) : 1200 entrées, 440 pages.

CHASSAGNOL, Monique (dir.), Peter Pan,
Paris, Autrement, (Figures mythiques), 2010,
174 pages. [En collaboration avec Nathalie
Prince et Isabelle Cani]
Se subdivise ainsi : Prologue (M. Chassagnol) –
I. Naissance et renaissance d’un personnage
(M. Chassagnol) – II. Désirs d’enfance (M.
Chassagnol) – III. Peter Pan, un conte à
rebours (Nathalie Prince) – IV. Le siècle de
Peter Pan (Isabelle Cani) – Epilogue : Peter Pan
passeur vers l’âge adulte. + Biblio.

BAKER, Phil, The Devil is a Gentleman : The
Life and Times of Dennis Wheatley, Cambs
(UK), Dedalus Books, 2009, 699 pages.
« One of the giants of popular fiction, with total
sales of around fifty million books, Dennis
Wheatley held twentieth-century Britain

13

CLARKE, Amy M., Ursula K. le Guin’ Journey
to Post-Feminism, Jefferson, (NC), McFarland, 2010, 212 pages.
COLLECTIF, Miscellanées : recueil de textes
2006-2009 [Aloysius Bertrand], La
Madeleine, Association pour la mémoire
d’Aloysius Bertrand, 2009, 144 pages.
COSTES, Alexandre, Boris Vian : le corps de
l’écriture. Une lecture psychanalytique du
désir d’écrire vianesque, Limoges, LambertLucas, 2009, 254 pages.

Back in the Twilight Zone

DOSSIER : Vies imaginaires, in Spicilège –
Cahiers Marcel Schwob, no 2, Société Marcel
Schwob, 2009, 134 pages.
Ce deuxime numéro des
cahiers Marcel
Schwob est consacré à Vies imaginaires. Il est
accompagné du fac-similé du manuscrit de
« L’essai sur l’art de la biographie », texte de la
préface à Vies Imaginaires.
Sommaire sur le site de Fabula.org.

BAPTISTE, Tracey, Stephenie Meyer,
Philadelphia (PA), Chelsea House, (Who Wrote
What ?), 2010, 112 pages.[Biographie]
BEAHM, George, Bedazzled : A Book about
Stephenie Meyer and The Twilight
Phenomenon, Nevada City (CA), Underwood
Books, 2009, 256 pages.
BRUNER, Kurt & Olivia,
The Twilight
Phenomenon : Forbidden Fruit or Thrist
Quenching Fantasy, Shippenburg (PA),
Destiny Image, 2009, 173 pages.
HOPKINS, Ellen (ed.), A New Dawn : Your
Favorite Authors on Stephenie Meyer’s
Twilight Series, Dallas, BenBella Books,
(Smart Pop), 2009, 186 pages. [Nvle édition]
ROBERTS, Dave, The Twilight Gospel : The
Spiritual Roots of the Stephenie Meyer
Vampire Saga, Toronto, Monarch Books,
2009, 160 pages.
SCHANTIN, Diane, Parables from Twilight :
A
Bible
S t u d y, Bloomington (IN),
AuthorHouse, 2009, 80 pages.
SPENCER, Liv, Love Bites : The Unofficial
Saga of Twilight, Toronto, ECW Press, 160
pages.

EWERS, Hanns Heinz Ewers, Edgar Allan Poe.
Essai, Paris, Zulma, (le Visage Vert), 2009, 94
pages.
Auteur de Mandragore et de L’Araignée, Hanns
Heinz Ewers (1871-1943), généralement plus
connu pour ses contes cruels et son goût de la
provocation, se livre ici à un exercice
d’admiration inattendu. C’est l’occasion pour
l’esthète allemand d’analyser le processus
créatif chez Edgar Poe et de définir sa
conception de l’Artiste. En complément à l’essai
d’Ewers, notre édition propose des variations
autour du Corbeau : l’original d’Edgar Poe
(1849), ainsi que la traduction allemande
(inédite) d’Ewers et une traduction française
peu connue de William L. Hughes, illustrées par
John Tenniel, C. J. Staniland et Gustave Doré.
FERNANDEZ FERRE, Antonio, Ficciones de
Borges : en las galerias del laberinto,
Madrid, Catedra, 2009, 527 pages.
FISCH, Audrey A., Frankenstein. Icons of
Modern Culture, Westfield (UK), Helm
Information, 2009, xiii, 306 pages.
FLYNN, Annette U., The Quest for God in the
Work of Borges, London & New York,
Continuum, (Continuum Literary Studies
Series), 2009, x, 220 pages.
FORD, Paul (ed.),
Yours, Jack : The
Inspirational Letters of C. S. Lewis,
London, Harper, 2008, vi, 391 pages.
GAIMAN, Neil,
Don’t Panic : Douglas
Adam’s The Hitchhiker’s Guide to the
Galaxy,London, Titan Books, 2009, xii, 275
pages.

GASQUET, Lawrence, Lewis Carroll et la
persistance de l’image, Pessac, Presses
Universitaires de Bordeaux, (Gulf Stream),
2009, 304 pages.
GEORGE, Jodi-Anne, B e o w u l f (Reader’s
Guides to Essential Criticism), New York,
Palgrave, Macmillan, 2010, 192 pages.
GREEN, André,
L’Aventure négative :
lecture psychanalytique de Henry James,
Paris, Hermann, (Psychanalyse), 2009, 159
pages.

14

LILJA, Hans-Ake, Lilja’s Library : The World
of Stephen King, Forest Hill (MD), Cemetary
Dance Publishers, 2010, 512 pages.
Lilja's Library: The World of Stephen King is a
brand new massive collection of over 150 of
those reviews, over 40 of those interviews, and
other special features of interest to King
readers everywhere. If you've never been to
the website, you're in for a real treat as you
catch-up with over 500 pages of articles and
features that are sure to please any kind of
Stephen King fan, from the general reader to
the die-hard collector. And for Lilja's constant
readers, there's original material in this special
volume that has never appeared anywhere on
his website before, and every article and
review has been updated and revised for this
release.You have to see the table of contents to
understand just how much great material is in
this massive book, but just a few of the
interviews include: Stephen King (twice!),
Frank Darabont, Marsha DeFilippo, Mick Garris,
Peter Straub, and many other people who have
been involved in King's prolific career. The
reviews include detailed commentary on wellknown works by and about Stephen King, along
with details about the rare works you might not
have heard of, including the original scripts for
Hearts in Atlantis, Stud City, and dozens of
others; the original pilot for The Dead Zone
that never aired on TV;

DRACULA STUDIES
no 11, December 2009
Brigitte Boudreau, "Mother Dearest, Mother
Deadliest: Object Relations Theory and the
Trope of Failed Motherhood in Dracula." pp. 522.
Peter Golz, "Fear and Laughing in Sunnydale:
Buffy vs. Dracula." pp. 23-41.
Duncan Light, "When Was Dracula First
Translated into Romanian?" pp. 42-60.
Susan Parlour, "Vixens and Virgins in the
Nineteenth-Century Irish Novel: Representations of the Feminine in Bram Stoker's
Dracula." pp. 61-80.

GREEN, Raquel Atena, Borges y Revista
multicolor de los sabados. Confabulados
en una scritura de la infamia, New York,
Berlin, et al., Peter Lang, 2010, 196 pages.
GUSKE, Anke, Setting Out to Explore the
Place of Evil in the Mind : Erklärung des
Bösen in der englischen Gothic Novel
1764-1824, thèse, Freie Universität, Berlin,
2009, 217 pages.
HELLER, Anne C., Ayn Rand and the World
She Made, New York, Doubleday/Nan A.
Talese, 2009, 592 pages.
HOLLINGSWORTH, Christopher (ed.), Alice
Beyond Wonderland : Essays for the
Twenty-First Century, Iowa City, University
Press, 2009, xxviii, 227 pages.
JENZ, Gabriele, Der König von Narnia – Ein
übersetzungsvergleich : die deutsche
übertragungen von C. S. Lewis, The Lion,
The Witch and the Wardrobe : eine
übersetzungskritische Untersuchung,
Saarbrücken, VDM Verlag Dr. Müller, 2009, 128
pages.
KEMPF, Sabrina, Intermediale Weltreise :
Jules Verne Le Tour du monde en 80 jours
in Roman, Theater und Film, Saarbrücken,
VDM Verlag Dr. Müller, 2008, 156 pages.
KLOCZKO, Édouard J., L’Encyclopédie des
elfes : d’après l’oeuvre de J. R. R. Tolkien,
Paris, Le Pré aux Clercs, (Fantasy), 2008, 182
pages.
KNIGHT, Denis D., The Selected letters of
Charlotte Perkins Gilman, Tuscaloosa (AL),
University of Alabama Press, 2009, xxv, 367
pages.
KÖBEL, Jana,
Ann Radcliffe und die
Sentimentale Tale of Terror : die sensible
Heldin im englischen Schauerroman des
18. Jahrhunderts, Saarbrücken, VDM verlag
Dr. Müller, 2008, 116 pages.

A SIGNALER :

BIBLIOGRAPHIE DE HARRY POTTER
SUR INTERNET
Il y a quelques semaines, je m’apprêtais à faire
un numéro hors série sur les études consacrées
à Harry Potter quand je suis tombé sur le site
remarquable de Cordélia Rémi qui avait déjà
(bien) fait tout le travail. Alors pour une
compilation exhaustive des études sur le
phénomène Harry Potter, on se rend sur le site
suivant:

www.eulenfeder.de/hpliteratur.html

15

MÜLLER, Klaus, Hans Christian Andersen
und die Heterogenität der Moderne,
Tübingen, Francke Verlag, 2009, vii, 238
pages.
NAHSON, Daniel,
La Critica del mito :
Borges y la literatura como sueno de vida,
Madrid, Iberoamericana & Frankfurt am Main,
Vervuert, 2009, 362 pages.
NANNICI STREITBERGER, Chiara M.C., La
Revanche de la discontinuité : bouleversements du récit chez Bachmann,
Calvino & Perec, Berlin, et al., Peter Lang,
(Nouvelle poétique comparatiste), 2009, 322
pages.
OSTUNI, Ricardo A., Borges y el tango,
Buenos Aires, Lumire, 2009, 79 pages. Préface
de Leon Benaros.
OVEN, James A.(ed.), Secrets of the Dragon
Riders : Your Favorite Authors on
Christopher Paolini’s Inheritance Cycle :
Completely Unauthorized, Dallas (TX),
BenBella Books, (Smart Popo), 2010, 192
pages.
PECHMANN, Alexander (dir.), Frankenstein
(Mary Shelley), München dtv, 2009, 299 pages.
Le roman est complèté par du matériel critique
et des études sur sa genèse, sa réception,
etc...

legendary Californian author and, ultimately,
makes a compelling case for the philosophical
and psychoanalytic significance of Philip K.
Dick’s popular and influential science fiction.
ROGAK, Lisa, Haunted Heart : The Life and
Times of Stephen King, New York, St
Martin’s Griffin, 2010, 336 pages.
SCHEMMEL, Bernhard (idée) & Winfried
SCHLEYER (Texte), E.T.A. Hoffmann und
sein Werk, Bamberg, Museen der Stadt
Bamberg, (Schriften der Stadt Bamberg),
2009, 63 pages.
SCHMEUSER, Amelie, Das Phantastische in
den Märchen E.T.A. Hoffmanns, Saarbrücken, VDM Verlag Dr. Müller, 2008, 140
pages.
SCHMIDT, Petra, Bram Stoker’s Dracula
und Mircea Eliades Domnisoara Christina
aus quellengeschichtlicher Sicht
SCHULTHE, Hendrik, Hainish – Die fremdvertrauten Welten der Ursula K. Le Guin :
Ethnologie
trifft
Science
F i c t i o n,
Saarbrücken, VDM Verlag Dr. Müller, 2008, 228
pages.
SCHWEIKERT, Rudi, Die Jules-Verne-Welten
in Arno Schmidts « Die Schule der
Atheisten », München, Text & Kritik, 2009,
140 pages.
SENDING, Anja,
Gustav Meyrinks Der
Golem . Phantastische Literatur im
Kontext des Fin de siècle, Saarbrücken, VDM
Verlag Der. Müller, 2008, 124 pages.
SKULKI, Birgit, Die mediale Verkörperung
des Bösen : am Beispiel Bram Stoker’s
D r a c u l a , mémoire, Université de Vienne
(Wien), 2009, 122 pages.
STETOFF, Rebecca, Stephen King, Salt Lake
City (UT), Benchmark Books, (Today’s Writers
and Their Works), 2010, 160 pages.
SUSINA, Jan, The Place of Lewis Carroll in
Children’s Literature, New York, Routledge,
(Children’s Literature and Culture), 2010, xvi,
232 pages.
STOYE, Sebastian, Zwiegesichtige Zauberer : Merlins und Clinschors Vervandte in
Tolkien’s Der Herr der Ringe, Saarbrücken,
VDM Verlag Dr. Müller, 2009, 100 pages.
TORERO-IBAD, Alexandra,
Libertinage,
science
et
philosophie
dans
le
matérialisme de Cyrano de Bergerac, Paris,
Campion, (Libre pensée et littérature
clandestine, 34), 2009, 660 pages
VINCENT, Bev, The Stephen King Illustrated Companion, New York, Fall River Press
[Barnes & Noble], 2009, 176 pages.
WINNIGTON, G. Peter, Mervyn Peakes Vast
Alchemies : The Illustrated Biography,
London, P. Owen, 2009, 314 pages.

PYRHÖNEN, Heta, Bluebeard Gothic : Jane
Eyre and its Progeny, Toronto, University of
Toronto Press, 2009, 304 pages.
« Bluebeard,' the tale of a sadistic husband
who murders his wives and locks away their
bodies, has inspired hundreds of adaptations
since it first appeared in 1697. In Bluebeard
Gothic, Heta Pyrhönen argues that Charlotte
Brontë's 1847 classic Jane Eyre can be seen as
one such adaptation, and that although critics
have been slow to realize the connection,
authors rewriting Brontë's novel have either
intuitively or intentionally seized on it. »
RAUCHFUSS, Marcus, The Stars are Right !
Der Cthulhu Mythos 70 Jahre nach
Lovecrafts Tod : eine Untersuchung über
die Einflüsse einer literarischen Idee auf
Medien und Subkulturen, Saarbrücken, VDM
verlag Dr. Müller, 2009, 88 pages.
RICKELS, Laurence A., I Think I Am : Philip
K. Dick, Minneapolis, University of Minnesota
Press, 2010, 432 pages.
« I Think I Am: Philip K. Dick explores the
science fiction author’s meditations on psychic
reality and psychosis, Christian mysticism,
Eastern religion, and modern spiritualism.
Covering all of Dick’s science fiction, Rickels
corrects the lack of scholarly interest in the

16

Oakes, Margaret J.: "Secret Domination or
Civic Duty: The Source and Purpose of Magical
Power in Harry Potter."
Carey, Brycchan: "Hermione and the HouseElves Revisited: J.K. Rowling, Antislavery
Campaigning, and the Politics of Potter."
Bealer, Tracy L.: "(Dis)Order and the Phoenix:
Love and Political Resistance in Harry Potter."
Friedman, Leslee: "Militant Literacy: Hermione
Granger, Rita Skeeter, Dolores Umbridge, and
the (Mis)use of Text."
Johnson, Michael K: "Doubling, Transfiguration,
and Haunting: The Art of Adapting Harry Potter
for Film."

SPEHNER, Norbert, Dracula, (écrits sur
Dracula, et Bram Stoker en trois
volumes ),
Marginalia, hors série 10,
11, 12, janvier 2010, 32, 41 et 31 pages.
Documents en ligne :
www.scribd.com/marginalia

DERRA, Sylvia, Rezeption der Harry-Potter
Bücher : Beschreibungen, Analysen, Erklärunsansätzte, Saarbrücken, VDM Verlag Dr.
Müller, 2009, 196 pages.
GUNELIUS, Susan, Harry Potter : un succès
mondial démystifié, Paris, Economica, 2009,
xv, 173 pages.
KARG, Ina & Iris MENDE, Kulturphänomen
Harry Potter : Multiadressiertheit und
internationalität eines nationalen Literatur
–und Medienevents, Götiingen, V & Unipress,
2010, 258 pages.
KNAP, Anja, Rassistiche Tendenzen bei den
Harry Potter Antagonisten ? Eine sozialpädagogische Studie zu den harry Potter
Büchern, Saarbrücken, VDM Verlag Dr. Müller,
2008, 140 pages.
MINI-DOSSIER : HARRY POTTER

KUZMUTZ, Olaf (dir.), Harry, hol doch mal
den Besen ! Ein Kerhaus nach zehn PotterJahren, Wölfenbuttel, Bundesakademie für
kulturelle Bildung, 2009, 104 pages.
Kutzmutz, Olaf: "Vorbemerkung."
Kutzmutz, Olaf/Wilharm, Sabine: "'Es war Liebe
auf den ersten Buchstaben.' Olaf Kutzmutz im
Gespräch mit P o t t e r -Illustratorin Sabine
Wilharm."
Draesner, Ulrike: "Ist das fair? Anmerkungen
zu Harry Potter auf deutsch."
Kutzmutz, Olaf/Humann, Klaus: "'Wir haben
den Kehraus schon lange hinter uns.' Olaf
Kutzmutz im Gespräch mit Potter-Verleger
Klaus Humann."
Kutzmutz, Olaf: "Die heile Welt des Horrors.
Harry Potter und der Halbblutprinz und
Stephen Kings Puls."
Manz, Katrin: "Die Post-Potter-Ära. Ein Blick
auf Ersatzlesestoffe und ihre Machart."
Bräunlein, Jürgen: "'Ich hatte für mein Leben
genug Ärger.' Potters Parallelwelt adieu!."

ANATOL, Giselle Liza, Reading Harry Potter
Again : New Criticial Essays, Santa Barbara
(CA), ABC-Clio, 2009, 237 pages.
Anatol, Giselle Liza: "Introduction."
Damour, Lisa: "Harry the Teenager: Muggle
Themes in a Magical Adolescence."
Stephens, Rebecca L.: "The Lightning Bolt Scar
as a Lightning Rod: J. K. Rowling's Harry Potter
Series and the Rhetoric of the Extreme Right."
Duthie; Peggy Lin: "The Potterverse and the
Pulpits: Beyond Apologia and Bannings."
Donaher, Patricia/Okapal, James M.:
"Causation, Prophetic Visions, and the Free Will
Question in Harry Potter."
Hopkins, Lisa: "Harry Potter and Narratives of
Destiny."
Lavoie, Chantel M.: "The Good, the Bad, and
the Ugly: Lies in Harry Potter."
Gallardo-C., Ximena/Smith, C. Jason: "Happily
Ever After: Harry Potter and the Quest for the
Domestic."
Anatol, Giselle Liza: "The Replication of
Victorian Racial Ideology in Harry Potter."
Rangwala, Shama; "A Marxist Inquiry into J.K.
Rowling's Harry Potter Series."

LINZER, Claudia,
« Mudbloods » und
« Halfbreeds » : Rassismus und Identitätszuschreibung in den Harry Potter

17

Romanen, Marburg, Tectum Verlag, 2009, 318
pages. texte de la thèse :"Mudbloods" und
"Halfbreeds". Der Umgang mit dem Thema
der "rassischen" Identitäts-zuschreibung
bei Harry Potter, mit besonderem
Schwerpunkt auf Band 5, 6 und 7. Wien
2008 (MA thesis [Diplomarbeit], Universität
Wien, Austria).

lawsuit: Utilizing the archetypal hero's journey
as part of case strategy."
Burge, Mark Edwin: "Who wants to be a
muggle? The diminished legitimacy of law as
magic."
Kleinberger, Daniel S.: "Agents of the good,
servants of evil: Harry Potter and the law of
agency."
Dickerson, Darby: "Professor Dumbledore's
wisdom and advice."

RUAUD, André-François, Les nombreuses
vies de Harry Potter, Lyon, les Moutons
électriques, (La Bibliothèque rouge, vol. 17),
2009, 288 pages.

A SIGNALER

Sur les chemins du
merveilleux

THOMAS, Jeffrey E. & Franklin G. SNYDER
(eds.), Harry Potter and the Law, Durham
(NC), Carolina Academic Press, 2010, 422
pages.
Gava, John/Paterson, Jeannie Marie: "What
role need law play in a society with magic?"
Liemer, Susan P.: "Bots and gemots: AngloSaxon legal references in Harry Potter."
Barton, Benjamin H.: "Harry Potter and the
half-crazed bureaucracy."
Morriss, Andrew P.: "Moral choice, wizardry,
law, and liberty: A classical liberal reading of
the role of law in the Harry Potter series."
Schwabach, Aaron: "Harry Potter and the
unforgivable curses."
Rapp, Geoffrey Christopher: "Sirius Black: A
case study in actual innocence."
Watson, Geoffrey R.: "The persecution of Tom
Riddle: A study in human rights law."
Fishman, Joel: "Punishment in the Harry Potter
novels."
Wright, Danaya C.: "Hogwarts, the family, and
the state: Forging identity and virtue in Harry
Potter."
Law, Wendy N./Teller, Anna K.: "Harry Potter
and the development of moral judgment in
children."
Loffredo, Ben: "Harry Potter and the curse of
difference."
Davis, Benjamin G.: "When Harry met Martin:
Imagination, imagery, and the color line."
Sulentic, Alison McMorran: "Harry Potter and
the image of God: How house-elves can help us
to understand the dignity of the person."
Snir, Avichai/Levy, Daniel: "Economic growth in
the Potterian economy."
Gouvin, Eric J.: "The magic of money and
banking."
Schooner, Heidi Mandanis: "Gringotts: The role
of banks in Harry Potter's wizarding world."
Ledwon, Lenora: "Harry Potter goes to law
school."
Beazley, Mary Beth: "Which spell: Learning to
think like a wizard."
Robbins, Ruth Anne: "Harry Potter as client in a

Le bulletin bibliographique de Jean-Luc Triolo
est publié mensuellement sur le site
www.actusf.com
Par ailleurs, Triolo a une grosse liste de livres
québécois (SF/Fantasy/Fantastique) ainsi que
des revues à vendre. Les personnes intéressées
peuvent le contacter à l’adresse :
jean-luc.triolo(AT)wanadoo.fr

CINÉMA & TÉLÉVISION
ANON, Torchwood : The Official Magazine
Yearbook, London, Titan Books, 2009, 94
pages.
BASSIL-MOROZOW, Helena Victor,
Tim
Burton : The Monster and the Crowd , a
Post-Jungian Perspective, New York,
Routledge, 2010, 216 pages.
BECKMANN, Annika et al., (dirs.), Horror als
Alltag : Texte zu Buffy the Vampire Slayer,
Berlin, Verbrecher Verlag, 2010, 280 pages.
BISHOP, Kyle William, American Zombie
Gothic : The Rise and Fall (and Rise) of the
Walking Dead in Popular Culture, Jefferson
(NC), McFarland, 2010, 247 pages.
This book provides a cultural and critical
analysis of the cinematic zombie tradition,
starting with its origins in Haitian folklore and
tracking the development of the subgenre into
the twenty-first century. Closely examining
such influential works as Victor Halperin’s
White Zombie, Jacques Tourneur’s I Walked
with a Zombie, Lucio Fulci’s Zombi 2, Dan
O’Bannon’s The Return of the Living Dead,
Danny Boyle’s 28 Days Later, and, of course,
Romero’s entire “Dead” series, it establishes
the place of zombies in the Gothic tradition.

18

CALLAGHAN, Richard, Assigned : The Unofficial and Unautorized Guide to Sapphire
and Steel, Prestatyn (UK), Telos Publishing,
2010, 200 pages. [Série de SF britannique,
1979-1982]
« Sapphire & Steel charted the efforts of two
mysterious 'agents', named Sapphire (Joanna
Lumley) and Steel (David McCallum), as they
were given a number of 'assignments'.
featuring everything from a faceless man and a
vengeful soldier, to living nursery rhymes and a
time-trapped motorway cafe.The series was
innovative, intelligent and terrifying, and it has
stayed in the memories of all who saw it. »

C h a p t e r , London, BBC Books, 2010, 704
pages.
DIBS, Basma, Dracula : Vom Monster zum
Liebhaber für die Ewigkeit. Horrorfilminhalte und die Ängste einer Gesellschaft,
Saarbrücken, VDM Verlag Dr. Müller, 2008, 144
pages.
DRENKPOHL, Ann-Kristin,
Maschinen
Sprechen : Science Fiction, Wien, Passagen
Verlag, 2009, 202 pages.
Technik. Macht. Stimme. Mit Beginn der
Science Fiction im 19. Jahrhundert treten
vermehrt sprechende Automaten auf. Die
Versuche des Menschen, seinen Schöpfungen
Sprache einzuhauchen, sind vielfältig. Die
Autorin analysiert ausgewählte Dialoge in Film
und Literatur.

CASAS, Quim, Jesus Garay : cineasta de
l’obsessio, Filmoteca de Catalunya, Portic,
(Cineastes, 12), 2009, 210 pages.
CELKO, Max, Das Konzept Exploitation und
das jugendliche Publikum : Strategien und
Wirkunsweisen von Jugendmarketing bei
Horror-und Science Fiction Medien,
Saarbrücken, VDM verlag Dr. Müller, 2008, 216
pages.

FICHTER, Martin, David Bordwell on T h e
Planet of the Apes : die neoformalische
Filmtheorie und das New-HolllywoodCinema, Saarbrücken, VDM Verlag Dr. Müller,
2009, 424 pages.
FITZPATRICK, Liza, Avatar : le livre, Paris,
L’Archipel, 2009, 105 pages. Traduction de :
The Art of Avatar : James Cameron’s Epic
A d v e n t u r e , New York, Harry N. Abrams,
Préface de Peter Jackson. Avant-propos de Jon
Landau. Postface de James Cameron.
GINATTA, Laura, Il Futuro e gia passato. La
fantascienza da Blade Runner a M a t r i x,
Recco, le Mai, 2009, 352 pages.
GODULLA, Alexander, Öffentiliche Kommunikation im Science-Fiction Film : Median
der Gegenwart im Spiegel der Zukunft,
Saarbrücken, VDM Verlag Dr. Müller, 2009, 180
pages.
GRAF, Natascha, Düstere Bilder, skurrile
Gestalten und märchenhafte Welten : drei
Filme Tim Burtons im Vergleich, Marburg,
Tectum verlag, 2009, 125 page.

CHOI, Jinhee & Mitsuyo WADA-MARCIANO
(eds.), Horror to the Extreme : Changing
Boundaries in Asian Cinema, Hong King,
Hong Kong University Press, (TransAsia :
Screen Culture), 2009, ix, 273 pages.
« This book compares production and
consumption of Asian horror cinemas in
different national contexts and their
multidirectional dialogues with Hollywood and
neighboring Asian cultures. Individual essays
highlight common themes including technology,
digital media, adolescent audience sensibilities,
transnational co-productions, pan-Asian marketing techniques, and variations on good vs. evil
evident in many Asian horror films.
Contributors include Kevin Heffernan, Adam
Knee, Chi-Yun Shin, Chika Kinoshita, Robert
Cagle, Emilie Yeh Yueh-yu, Neda Ng Hei-tung,
Hyun-suk Seo, Kyung Hyun Kim, and Robert
Hyland. »

HANTKE, Steffen, American Horror Film :
The Genre at the Turn of the Millenium,
Jackson, University Press of Mississippi, 2010,
275 pages.
They don’t make ’em like they used to: on the
rhetoric of crisis and the current state of
American horror cinema / Steffen Hantke -Bloody America: critical reassessments of the
trans/-national and of graphic violence. The
American horror film? globalization and
transnational U.S.-Asian genres / Christina
Klein -- A Parisian in Hollywood: ocular horror
in the films of Alexandre Aja / Tony Perrello -"The pound of flesh which I demand":
American horror cinema, gore, and the box
office, 1998-2007 / Blair Davis and Kial Natale

COMPAGNON, Beatrice, Femmes fatales;
Analyse von fantastischer Literatur und
deren Verfilmung nach Finné am Beispiel
von
C a r m i l l a und Bruges-la-Morte,
Saarbrücken, VDM Verlag Dr. Müller, 2009, 132
pages.
CURTI, Roberto,
Demoni e dei. Dio, el
diavolo, la religione nel cinema horror
americano, Torino, Lindau, (Saggi), 2009, 20
pages.
DAVIES, Russell T. & Benjamin COOK, Dr.
Who : The Writer’s Tale : The Final

19

-- A (post)modern house of pain: FearDotCom
and the prehistory of the post-9/11 torture film
/ Reynold Humphries -- The usual suspects:
trends and transformations in the subgenres of
American horror film. Teenage traumata:
youth, affective politics, and the contemporary
American horror film / Pamela Craig and Martin
Fradley -- Traumatic childhood now included:
Todorov’s Fantastic and the uncanny slasher
remake / Andrew Patrick Nelson -- Whither the
serial killer movie? / Philip L. Simpson -- A
return to the graveyard: notes on the spiritual
horror film / James Kendrick -- Look back in
horror: managing the canon of American horror
film. Auteurdemmerung: David Cronenberg,
George A. Romero, and the twilight of (North)
American horror auteur / Craig Bernardini -How the masters of horror master their
personae: self-fashioning at play in the
masters of horror DVD extras / Ben Kooyman - "The kids of today should defend themselves
against the ’70s": simulating auras and
marketing nostalgia in Robert Rodriguez and
Quentin Tarantino’s Grindhouse / Jay McRoy -Afterword. Memory, genre, and selfnarrativization, or, why I should be a more
content horror fan / David Church.

LEUTRAT, Jean-Louis, Un autre visible » le
fantastique au cinéma, Le Havre, De l’indice
éditeur, 2009, 262 pages.
MELCHIOR, Ib & Robert SKOTAK, Six Cult
Films from the Sixties, Albany (GA),
BearManor Media, 2009, 296 pages.
Les six « chefs-d’oeuvre » présentés sont :
Repticulus, The Angry Red Planet, Journey to
the Seventh Planet, The Time Travelers,
Robinson Crusoe on Mars, Planet of the
Vampires. Toute un époque !
PARKIN, Lance & Lars PEARSON (eds.), Time,
Unicorporated 1 : The Doctor Who Fanzine
Archives, Des Moines (IA), Mad Norvegian
Press, 2009, 268 pages.
PFETCHER, Martin, It Looked Like but it
Wasn’t : das Groteske in Filmen von David
Lynch, Saarbrücken, VDM Verlag Dr. Müller,
2009, 140 pages.
RADEMACHER, Marco, Der Herr der Ringe
als Prototyp des Filmgenres Fantasy, Saarbrücken, VDM Verlag Dr. Müller, 2008, 76
pages.
RICHARD, Andy, Asian Horror, Harpenden
(UK), Kamera Books, 2010, 160 pages.
RICHTER, Thomas, Faszinierend. Star Trek
und die Wisschenchaften, Bd. 2, Kiel,
Ludwig Verlag, 2010, 264 pages.
ROBB, Brian J., Timeless Adventures : How
Doctor Who Conquered TV, Harpenden (UK),
Kamera Books, 2009, 256 pages.
RUSSELL, Gary, The Torchwood Encyclopedia, London, Random House UK, 2009, 192
pages.

HAYWARD, Philip (ed.),
Terror Tracks :
Music, Sound and Horror Cinema, London,
Equinox, 2009, x, 286 pages.
JENEWEIN, Henri-Paul, Stop Motion : von
Willis H. O’Brien und Ray Harryhasuen zu
Tim Burton, Saarbrücken, VDM Verlag Dr.
Müller, 2009, 96 pages.
KING, Stephen, Stephen King Goes to the
Movies, Burton (MI), Subterranean Press,
2009, 400 pages.
The #1 bestselling author reflects on the
filming of five of his most popular short stories,
each tale included in this collection. Those
movies are The Shawshank Redemption, 1408,
Children of the Corn, The Mangler, and Hearts
in Atlantis.Includes an introduction, his brief
personal commentary, and behind-the-scenes
insights by Stephen.

SANDERS, Steven (ed.), The Philosophy of
Science Fiction Film, Lexington, University of
Lexington Press, (Philosophy and Popular
Culture), 2010, 240 pages.
Preface and Acknowledgments
An Introduction to the Philosophy of Science
Fiction Film : Steven M. Sanders
Part 1. Enigmas of Identity and Agency
What Is It to Be Human? Blade Runner and
Dark City : Deborah Knight and George
McKnight - Recalling the Self: Personal Identity
in Total Recall : Shai Biderman - Picturing
Paranoia: Interpreting Invasion of the Body
Snatchers : Steven M. Sanders - The
Existential Frankenstein : Jennifer L. McMahon
Part 2. Extraterrestrial Visitation, Time
Travel, and Artificial Intelligence
Technology and Ethics in The Day the Earth
Stood Still : Aeon J. Skoble - Some Paradoxes
of Time Travel in The Terminator and 12
Monkeys : William J. Devlin
2001: A Philosophical Odyssey : Kevin L.

KRAMER, Peter, 2001 : Space Odyssey,
London, British Film Institute, (BFI Film
Classics), 2010, 96 pages.
KULLSTROM, Chris, Monster Parties and
Games : Fifteen Film-Based Activities,
jefferson (NC), McFarland, 2009, 218 pages.
LASAGNA, Roberto & Lino MOLINARIO, I film
di Dario Argento, Alessandria, Ed. Falsopiano.
(Falsopiano Light), 2009, 176 pages.

20

Stoehr - Terminator-Fear and the Paradox of
Fiction : Jason Holt
Part 3. Brave Newer World: Science
Fiction Futurism
The Dialectic of Enlightenment in Metropolis
Jerold J. Abrams - Imagining the Future,
Contemplating the Past: The Screen Versions of
1984 : R. Barton Palmer - Disenchantment and
Rebellion in Alphaville : Alan Woolfolk - The
Matrix, the Cave, and the Cogito - Mark T.
Conard

BUFFY, THE VAMPIRE SLAYER
à l’université !

Aux États-Unis, la série Buffy est très prisée
par les intellectuelles féministes, d’où une
prolifération incroyable de « buffy studies ».
J’avais d’abord envisagé de publier un numéro
hors série de Marginalia sur le sujet, mais
comme dans le cas de Harry Potter, j’ai été
devancé, notamment par Alysa Hornyk e t
Derik A. Badman qui ont chacun un site
bibliographique remarquablement fourni sur le
sujet :

SHALL, Andrew & Robin STOATE, Back to the
Future, London, British Film Institute, (BFI
Film Classics, 2010, 120 pages.
SPITZ, Elisabeth, Die Darstellung der Hexe
in Serien der letzten vierzig Jahre : eine
empirische Studie, Saarbrücken, VDM Verlag
Dr. Müller, 2009, 272 pages.
TSIKA, Noah, Gods and Monsters, Vancouver
(BC), Arsenal Pulp Press, (Queer Film Classic),
2009, 120 pages.
WASSERER, Annabel, Buffy : Im Bann der
Dämonen : Lieben, leben und Sterben in
Sunnydale. Eine wissenscaftliche Auseinandersetzung mit der Thematik der Serie,
Saarbrücken, VDM Verlag Dr. Müller, 2009, 188
pages.
WATSON, Devin, Horror Screenwriting :
The Nature of Fear, Studi City (CA), Michael
Wiese Productions, 2009, 167 pages.
WIECZOREK, Kirsten, Englische FantasyRomane und ihre filmästhetiche Umsetzung : dargestellt an Herr der Ringe, Harry
Potter und der Stein der Weisen und Die
Nebel von Avalon, Saarbrücken, VDM Verlag
Dr. Müller, 2008, 68 pages.
WILHELM, Maria & Dirk MATHISON, James
Cameron’s Avatar :The Movie Scrapbook,
New York, Harperfestival, 2009, 48 pages.
WILHELM, Maria, Dirk MATHISON, et al.,
Avatar : Rapport confidentiel sur l’histoire
biologique et sociale de la planète
Pandora, Paris, M. Lafon, 2009, 221 pages.
WOOD, Robert E., Destination : Moonbase
Alpha : The Unofficial and Unauthorized
Guide to Space : 1999, Prestatyn (UK), Telos
Publishing, 2010, 300 pages.
ZIEGENHAGEN, Sandra, Zuschauer-Engagement
:
die
neue
Währung
der
Fernsehindustrie am Beispiel der Serie
Lost, Konstanz, UVK – Verlag, (Alltag, Medien
und Kultur), 2009, 183 pages.

http://www.alysa316.com/buffology
http://slayageonline.com/essays/slayage
7/Badman.htm

A SIGNALER
Bibliography of Fantastic Films
Bibliographie des fantastischen Films
La remarquable banque de données
bibliographiques multilingues établie par
HOLGER SCHNELL
se trouve à l’adresse suivante :
http://www.bibfan.de

Foundation:

The International Review
of Science Fiction
no 104, autumn 2009
Viewpoints
Graham Sleight: Editorial
Letters from Ursula Le Guin and Alan Myers
Papers
Jason Bourget: Biological Determinism,
Masculine Politics and the Failure of
Libertarianism in Robert A. Heinlein's The Moon
is a Harsh Mistress - A. Robin Hoffman: The
Problem of Distance: Families and Land(s) in
Mary Shelley's The Last Man - Catherine Coker:
The Friends of Darkover: An Annotated
Bibliography and History - Lee Skallerup: ReEvaluating Suvin: Brown Girl in the Ring as
Effective Magical Dystopia - Gerard Gaylard:
Postcolonialism and the Transhistorical in Dune

Vous publiez ?
Faites-nous le savoir !
Vous changez d’adresse ?
idem !

21

even improve the social world that has been
threatened and fractured by a crime, usually
that of murder. It is a characteristic of much
detective fiction that the detective, the
pursuer, is a social outsider: this status creates
a complex web of relationships between
detective, institutional life and dominant and
subversive moralities. »
Note : faussement annoncé dans le
numéro 63 sous le titre : Pursuit of Evil .

récits et films
policiers

JAMES, P.D., Talking About Crime Fiction,
Oxford (UK), The Bodleian Library, 2009, 144
pages.
« Talking about the craft of detective writing
and sharing her personal thoughts and
observations on one of the most popular and
enduring forms of literature, P.D. James
examines the challenges, achievements and
potential of a genre which has fascinated her
for nearly fifty years as a novelist. From the
tenant of 221b Baker Street to the Village
Priest from Cubhole in Essex, from the Golden
Age of detective writing between the wars to
the achievements of the present and a glimpse
at the future, P.D. James explores the
metamorphosis of a genre which has gripped
and entertained the popular imagination like no
other type of novel. »

LITTÉRATURE
BESARON, Pablo, La Conspiracion : ensayos
sobre el complot en la literatura
argentina, Buenos Aires, Ediciones Simurg,
2009, 183 pages.
BOEHMER, Elleke & Stephen MORTON (eds.),
Terror and the Postcolonial, Hoboken (NJ),
Wiley-Blackwell, (Blackwell Concise Companion
to Literature and Culture), 2009, 395 pages.
BÜTTNER, Manfred & Christine LEHMAN, Von
Arsen bis Zielfahndung. Das aktulelle
Handbuch für Krimiauthorinnen und
Neugierige, Hamburg, Argument Verlag,
2009, 250 pages.

KABATCHNIK, Amnon, Blood on the Stage,
1925-1950 : Milestone Plays of Crime,
Mystery and Detection : An Annotated
Repertoire, Lanham (MD), the Scarecrow
Press, 2009, 868 pages.
In Blood on the Stage, 1925-1950: Milestone
Plays of Crime, Mystery, and Detection: An
Annotated
R e p e r t o i r e , author Amnon
Kabatchnik continues the focus of his previous
volume (1900-1925) and provides an overview
of the most important and memorable
theatrical works of crime and detection of this
period. Addressing the development of this
genre in the legitimate theatre, Kabatchnik
discusses more than 150 full-length plays
produced between 1925 and 1950.

DE LAËT, Danny, Les 4 faces du Polar,
Montracol, Librarie Jérôme Serme, 2010, 24
pages. Deuxième volume de L’Inventaire des
magazines policiers en France.
Consacré à la revue fétiche et mythique de
François Guérif. Disponible - en exclusivité pour
la France – au prix de 8 euros (+ 2,50 euros
d,expédition pour la France métropolitaire)
auprès de la Librairie Jérôme Serme, Le Village,
013010 Montracol et sur le site Le Rayon
Populaire :
www.le-rayon-populaire.com

KNIGHT, Stephen,
Crime Fiction since
1800 : Detection, Death, Diversity, New
York, Palgrave Macmillan, 2010, 336 pages.
[Nvle édition , 2004, augmentée]
LECERCLE, François, Marie LAURENCE et Zoé
SCHWEITZER (dirs.), Réécriture du crime :
l’acte sanglant sur la scène (XVIe-XVIIIe),
in Littératures classiques, no 67, Paris,
Honoré Champion, automne 2009, 252 pages.

EVANS, Mary, The Imagination of Evil :
Detective Fiction and the Modern World,
London & New York, Continuum, (Continuum
Literary Studies), 2009, 192 pages.
« In this monograph, Mary Evans examines
detective fiction and its complex relationship to
the modern and to modernity. She focuses on
two key themes: the moral relationship of
detection (and the detective) to a particular
social world and the attempt to restore and

22

LINDNER, Christopher (ed.),
The James
Bond Phenomenon : A Critical Reader,
Manchester, Manchester University Press,
2010, 272 pages. Rééd., 2003.
Contents :Preface to the Second Edition - Select
Bond Chronology - Introduction / Christoph
Lindner - Part I: Reading 007 - 1 The Moments
of Bond / Tony Bennett & Janet Woollacott - 2
Narrative Structures in Fleming / Umberto Eco
- 3 Licensed to Look: James Bond and the
Heroism of Consumption / Michael Denning - 4
Criminal Vision and the Ideology of Detection in
Fleming’s 007 Series / Christoph Lindner - 5
‘Entertainment for Men’: Uncovering the
Playboy Bond / Claire Hines
- Part II:
Screening 007_6 A Licence to Thrill / James
Chapman - 7 The James Bond Films:
Conditions of Production / Janet Woollacott - 8
Creating a Bond Market: Selling John Barry’s
Soundtracks and Theme Songs / Jeff Smith - 9
Doctor No: Bonding Britishness to Racial
Sovereignty / Cynthia Baron - 10 Hard-Wear:
The Millennium, Technology, and Brosnan’s
Bond / Martin Willis - 11 Body Politics and
Casino Royale: Gender and (Inter)National
Security / Colleen M. Tremonte and Linda
Racioppi - Part 3: Re-thinking 007 - 12 ‘Under
the very skirts of Britannia’: Re-reading
Women in the James Bond Novels / Christine
Bold - 13 Pussy Galore / Elisabeth Ladenson 14 Britain’s Last Line of Defence: Miss
Moneypenny and the Desperations of Filmic
Feminism / Tara Brabazon - 15 Dial ‘M’ for
Metonym: Universal Exports, M’s Office Space
and Empire / Paul Stock - 16 Kamasutra Bonding / Ajay Gehlawat - 17 James Bond’s Penis /
Toby Miller - 18 ‘The World Has Changed’:
Bond in the 1990s - and Beyond? / Jim Leach 19 Shaken, Stirred, Pixellated: Video Gaming
as Bond / Stefan Hall - Select BibliographyIndex

Colmeiro: Del barrio chino a la ciudad global –
el largo viaje de Pepe Carvalho / Antonio
Marcos Sánchez: Entre la luz y la tragedia – la
Marsella de Jean Claude Izzo / José Antonio
Cordón: La paradoja de los géneros – La
novela negra en el ámbito editorial / Enric Sullà
Álvarez: El gran reloj no oara nunca o cómo
escapar de una situación límite – A propósito
de „El gran reloj“ de Kenneth Freeling y sus
adaptaciones al cine / Javier Sánchez
Zapatero: El reflejo de la ciudad en „Días
contados“ – análisi comparatista y estudio de la
adaptción / María Marcos Ramos: ETA y el cine
español – un territorio en conflicto / Francisco
Javier Frutos Esteban: Crimen y ciudad en el
cine de los origens (1897 – 1912) / Joaquín
Leguina: Ciudad en negro / Lluís Gutiérrez:
Jazz y blues en la novela negra americana /
José Ángel Mañas: Madrid bajo la mirada de un
outsider / Antonio Jiménez Barca: Asesino en la
M-30 – Madrid y la novela negra / Joaquín
Guerrero-Casasola: Y Dashiell Hammett no
llegó … - la Cosecha Roja Mexicana / Jorge
Sánchez Cabezudo: Cine negro para una ópera
prima / Juan Madrid: Vidas por oficio / Amir
Valle: Los nudos invisibles.
MAYNARD, Katherine, Jarod KEARNEY & James
GUIMOND, Revenge versus Legality : Wild
Justice from Balzac to Clint Eastwood and
Abu Ghraib, New York Routledge, 2010, 224
pages.
MEYHOFF, Kartsen Wind, F o r b r y d e l s e n s
elementer. Kriminalliteraturens historia
fra Poe til Ellroy, Kopenhage, Informations
Forlag, 2009, 455 pages.
NIEBURHR, Gary Warren,
Caught Up in
Crime. A Reader’s Guide to Crime Fiction
and Nonfiction, Westport (CT), Greenwood
Press, 2009, 304 pages.
NISSI, Maria, Silent Cowboys and Verbose
Detectives. Masculinity as Rhetoric in
Owen Wister, Dashiell Hammett, and
Raymond Chandler, Saarbrücken, VDM
Verlag Dr. Müller, 2009, 64 pages.
NUSSER, Peter,
Der Kriminalroman,
Stuttgart, Metzler Verlag, 2009, viii, 223
pages. [4e édition]

MACKIE, Erin, Rakes, Highwaymen, and
Pirates : The Making of the Modern
Gentleman, Baltimore (MD), Johns Hopkins
University Press, 2009, x, 231 pages.
MARTIN ESCRIBA, Alex & Sanchez ZAPATERO
(eds.), Geografias en negro. Escenarios de
genero criminale, Barcelona, Montesinos,
2009, 300 pages.
Escenarios de la teoría; II. Escenarios de la
creación, III. Escenarios de la ficción. Die
Beiträger haben entweder einen akademischen
oder einen journalistischen Hintergrund – es
schreiben: Iván Martín Cerezo: Breve
urbanización del género policiaco / Àlex Martín
Escribà: Análisis de un escenario negro –
Barcelona como identidad literaria / José E.

ORR, Stanley,
Darkly Perfect World :
Colonial Adventure, Postmodernism, and
American Noir, Columbus (OH), Ohio State
University Press, mai 2010, 296 pages.
The continental operations of Dashiell Hammett
-Raymond Chandler’s semi-tropical romance Late romantic adventure and film noir Veterans of noir : rewriting the good war with
Chester Himes, Dorothy B. Hughes, and John
Okada - Noir and the postmodern novel - To

23

look at him or read him : the confidence man
in postmodernist film noir - Conclusion.
Connected guys : the reconstructed subject of
1990s film noir.

ZIMMERLING, Katja, Die Kriminalautorin :
als Beobachterin der zeitgenössischen
britischen Gesellchaft und Kultur,
Saarbrücken, VDM Verlag Dr. Müller, 2009, ,
148 pages.

RZEPKA, Charles & Lee HORSLEY (eds.), A
Companion to Crime Fiction, Malden (MA),
Wiley-Blackwell, 2010, 616 pages [recueil de
47 essais sur le polar]
SAXTON, Kirsten, Narrative of Women and
Murder in England, 1680-1760, Farnham
(UK), Burlington (VT), Ashgate, 2009, 151
pages.
SCHMIDT, Jochen, Gangster, Opfer, Detektive. Eine Typengeschichte des Kriminalromans, 2009, Hillesheim, KBV Verlag, 1150
pages. [Réédition, 1989].
SMITH, Jeff, The Presidents We Imagine :
Two Centuries of White House Fictions on
The Page, on the Stage, Onscreen, and
O n l i n e , Madison, University of Wisconsin
Press, (Studies in American Thought and
Culture), 2009, 391 pages.
TIEMANN, Hans-Peter,
Krimis für Kids :
Hochspannung im deutschen Unterricht,
Kerpen, Kohl Verlag, 2009, 48 pages. [ouvrage
pédagogique]
TREUHEIT, Norbert (dir.),
Literarischer
Krimi-Kalender 2010, Cadolzburg, Verlag Ars
vivendi, 2009, 53 pages.

A NOTER
Le site Polar Noir de notre ami Etienne Borgers
change d’adresse :
http://polarnoir.net16.net/
SUR LA SCÈNE QUÉBÉCOISE
Dire que le polar québécois est mal-aimé est
un euphémisme. Il est surtout peu connu et
mériterait d’être découvert. Fait curieux, c’est
en Pologne que l’on trouve les études les plus
intéressantes à son sujet...
SAWICKA, Sylwia, « les utopies sociales dans le
roman policier québécois :
La Trace de
l ’ e s c a r g o t , de Benoît Bouthillette et L a
Vengeance d’un père de Pan Bouyoucas », in
Transcanadiana, no 2, 2009, pp. 178-189.
SAWICKA, Sylwia, « Zombi Blues, de Stanley
Péan : esthétique du jazz dans le polar
montréalais », in La Perspective interdisciplinaire des études françaises et
francophones (Anna Kielisczyk & Ewa Pilecka,
dirs.), LEKSEM, Lask, 2009, pp. 331-336.
SAWICKA, Sylwia, « Le roman d’espionnage
québécois face aux enjeux de la modernité :
l’étude des romans de Jean-Jacques Pelletier »,
in De la fondation de Québec au Canada
d’aujourd’hui (1608-2008) : rétrospectives, parcours et défis, (Krysztof Jarosz, et
al., ), Katowice, Para, 2009, pp. 255-262.

WETZEL, Michael & Stefan HÖLTGEN (dirs.),
Killer/Culture : Serienmord in der populär
Kultur (Medien/Kultur), Berlin, Bertz & Fischer
Verlag, 2010, 160 pages.
Der Serienmord ist von Anfang an kein
alleiniger Gegenstand der Kriminalistik. Die
Täter faszinieren die Öffentlichkeit seit Jack the
Ripper derartig, dass sich etliche kulturelle
Bereiche den Serienkillern angenommen haben
und an ihrer Ästhetisierung arbeiten: Neben
Literatur und bildender Kunst sind dies vor
allem Film, Comics, Pop-Musik, Videospiele und
Fernsehserien. Der Sammelband Killer/Culture
stellt die verschiedenen Zugangsweisen zum
Serienmord in der Kunst und den Medien vor
und analysiert die breit gefächerten Beispiele in
kriminologischer, soziologischer, psychoanalytischer, zensur-, begriffs- und kunstgeschichtlicher Perspektive: Damit liegt einer der
ersten Versuche vor, das Phänomen in seiner
ganzen kulturellen Breite darzustellen.

Ma compilation annuelle des polars
québécois et canadiens parus en 2009 est
disponible sur le site de la revue Alibis :
www.revue-alibis.com
A lire aussi :
SPEHNER, Norbert, « Les mystères de Nikola
Tesla », in Alibis, no 32, vol. 8, no 4, autome
2009, pp. 109-118.
TESSIER, Mario, « Le détectibe en toge...et
antique », in Alibis, no 33, vol. 9, no 1, hiver
2010, pp. 91-112. [sur le polar historique]
A venir sur le site de la revue Alibis une
compilation du roman d’espionnage publié en
français depuis le début du siècle, compilation
qui complète mon article sur l’espionnage qui
doit paraître dans le numéro 34 de la revue.

WITTKOWSKI, Joachim (dir.), Auf Streife im
Revier. Der Krimi im Ruhrgebiet, Bottrop,
Verlag Henselowsky Boschmann, 2009, 175
pages.

24

A PROPOS DES AUTEURS

KAMPA, Daniel, et al., (dirs.),
Georges
Simenon, sein Leben in Bildern, Zürich,
Diogenes verlag, 2009, 335 pages.

BARNES, Nigel, A Dream within a Dream :
The Life of Edgar Allan Poe, London (UK) &
Chester Springs (PA), Peter Owen, 2009, 348
pages.
BLACKSTOCK, Peter (ed.), Secret Symbol
Original Masonic Document Behind Dan
Brown’s Bestseller, London, Profile Books,
2009, 256 pages.
CABELL, Craig, Ian Rankin & Inspector
Rebus : The Officila Story of the
Bestselling Author and The Ruthless
Detective, London, John Blake Publishing,
2010, 288 pags. [Biographie autorisée]
CARDWELL, Margaret (ed. + introduction +
notes ),
The Mystery of Edwin Drood
(Charles Dickens), Oxford & New York,
Oxford University Press, 2009, xxiv, 239 pages.
COLLECTIF, James Bond Encyclopedia, New
York & London, Dorling Kindersley, 2009, 333
pages.
COLLINS, Tim,
Les Secrets révélés du
Symbole perdu, Paris, le Pré aux Clercs,
2010, 165 pages.
CONANT, Jennet, The Irregulars : Roald
Dahl and the British Spy Ring in Wartime
Washington, New York, Simon & Schuster,
2008, xx, 391 pages.
COQUET-CARDINAL, Dominique, Identité de
l’écriture et écriture de l’identité dans
« The New York Trilogy » de Paul Auster,
Metz, Université Paul Verlaine-Metz, Centre de
recherches Écritures, 2009, 510 pages.
DIXON, Brian A., Sex for Dinner, Death for
Breakfast : James Bond and the Body,
doctorat –PhD, University of Rhodes island,
2009, 167 pages.
FERRARI, Grazia, L’uomo in noir : indagine
su Carlo Lucarelli, Reggio Emilia, Aliberti,
2009, 238 pages.
GIACOMETTI, Eric & Jacques RAVENNE, Le
Symbole retrouvé : Dan Brown et le
mystère maçonnique, Paris, Fleuve Noir,
2009, 277 pages.
GÖHRE, Frank, Seelenlandschaften. Annährungen. Rückblicke, Bielefeld, Pendragon
Verlag, 2009, 222 pages.
GREER, John Michael, Les Secrets du
Symbole perdu, Montréal, les Éditions du
Jour, 2010. Ed. or. : Secrets of The Lost
Symbol : The Unauthorized Guide to
Secret Societies, Hidden Symbols &
M y s t i c i s m , Woodbury (MN), Llewellyn
Publications, 2010, 240 pages.
HAYES, Kevin, Edgar Allan Poe, Chicago, The
University of Chicago Press, 2009, 192 pages.

KEIRANS, James E., John Dickson Carr in
Paperback (An English Language Bibliography), special issue no 12 of CADS (Crime
and Detective Stories), 2009, 80 pages.
Avec 32 illustrations de couvertures en
couleurs + 755 editions en langue anglaise.
Publié par Geoff Bradley, 9 Vicarage Hill, South
Benfleet, Essex SS17 1PA, England.
KUHN, Cynthia & Lance RUBIN (eds.),
Reading Chuck Palahniuk : American
Monsters and Literary Mayhem, New York,
Routledge, (Routledge Studies in Contemporary Literature, vol. 2), 2009, vii, 231 pages.
LEAHY, Aoife, The Victorian Approach to
Modernism in the Fiction of Dorothy
Sayers, Newcastle, Cambridge Scholars, 2009,
203 pages.
« Sayers’ admiration for the Victorian sensation
author Wilkie Collins is widely recognised. This
book examines Sayers’ attention to equally
important Victorian influences from John
Ruskin and George Eliot to Oscar Wilde,
particularly in relation to the topic of education.
She often questions the boundaries between
“popular” and “serious” literature. Sayers’
personal views on the connections between
mid-Victorian, late Victorian and high
modernist authors are also considered. »
MACASKILL, Hilary,
Agatha Christie at
Home, London, Frances Lincoln, 2009, 144
pages.
« This book will explore and illustrate the
significance of Devon in her work and of
Greenway in particular - its magnificent
gardens, its beautiful setting on the estuary,
and her relationship with its servants and staff
- another favourite Christie motif. Illustrated
with rarely-seen archive images and evocative
photographs of Greenway and the surrounding
countryside, Agatha Christie at Home provides
an insight into the life and work of a muchloved author. »
NINDL, Sigrid,
Wolf Haas und sein
kriminalliterarisches Sprachexperiment,
Berlin, Schmidt, 2010, 326 pages.
PAGE, Leanne Nicole, Masochistic Pleasures
of Detection in the Sensations Novels of
Wilkie Collins, mémoire de maîtrise,
Vancouver, University of British Columbia,
2009. [ressource électronique].

25

REDMOND, Christopher, Sherlock Holmes
H a n d b o o k , Toronto, Dundurn, 2009, 336
pages. [2e edition]
SCHENKAR, Joan, The Talented Miss Highsmith : The Secret Life and Serious Art of
Patricia Highsmith, New York, St. Martin’s
Press, 2009, 704 pages.
SCHWEIGGERT, Alfons, Edgar Allan Poe und
König Ludwig II. Anatomie einer Geistesfreundschaft, St Ottilien, EOS Verlag, 2008,
176 pages.
SIMPSON, Philip L., Making Murder : The
Fiction of Thomas Harris, Santa Barbara
(CA), Praeger, 2009, 328 pages.
SINCLAIR, David,
Sherlock Holmes’s
L o n d o n , London, Robert Hale, 2009, 224
pages.
SNODGRASS, Mary Ellen,
Reading Nora
R o b e r t s , Portsmouth (NH), Heinemmann
Educational Books, (Pop Lit Book Club), 2009,
160 pages.
TAYLOR, Greg, The Guide to Dan Brown’s
The Lost Symbol :Freemasonery, Noetic
Science, and the Hidden History of
America, s.l., Daily Grail Publishing, 2009, 220
pages.
THOMAS, Thierry, Cependant Fantômas,
Paris, La Pionnière, 2009, 40 pages. [Contient
16 reproductions des illustrations de couverture
des éditions de fantômas publiées de 1911 à
1913 réalisées à partir des aquarelles originales
deGino Starace.

CINÉMA & TÉLÉVISION
BRUNCKHORST, Inga, Gentleman’s Girls
and Guns. James Bond und die Frauen,
Marburg, Tectum Verlag, 2009, 99 pages.
« James Bond, ein ewiger Macho der
Leinwand?Inga Brunckhorst interpretiert in
exemplarischen Filmen das dort gezeichnete
Männer- und Frauenbild. Die Filmanalyse
erlaubt symptomatisch Rückschlüsse auf eine
Divergenz zwischen idealen und realen
Rollenvorstellungen. »
BUSFIELD, Steve, The Wire Re-Up : The
Guardian’s Guide to the Greatest TV Show
Ever Made, London, Guardian Books, 2009,
304 pages.
CHASE, David, The Sopranos : The Classic
Quotes, Kennebunkport (ME), Cider Mill Press,
2009, 128 pages.
FREDERIKSEN, John C., Honey West, Albany
(GA), Bear Manor Media, 2009, vii, 215 pages.
[série tv policière américaine, 30 épisodes,
1965-1966]
GRAYSMITH, Robert, The Girl in Hitchcock’s
Shower, New York, Berkley Books, 2010, 320
pages.
Enquête sur la doublure de Janet Leigh (la
scène de la douche dans Psycho)... qui, croyezle ou non, a été assassinée à coups de couteau
par un tueur en série fétichiste, adepte des
films d’Alfred !

WADDELL, Nathan, Modern John Buchan : A
Critical Introduction, Newcastle, Cambridge
Scholars, 2009, x, 147 pages.
« This book offers an introduction to the
breadth and diversity of the literary and nonliterary work of John Buchan (1875-1940). It
stakes a claim for him as an engaged
interpreter of twentieth-century modernity, and
provides evaluative readings of his output. In
addition to demonstrating how Buchan’s work
complicates the reductive view of early
twentieth-century literature as neatly
cordoned-off into “low” and “high” forms of
production, this book discusses his theories of
empire and imperialism, his account of
historiography, and his response to the First
World War. »

LANCRY,
Pierre-Jean,
Les
Tontons
flingueurs : l’album culte, Toulouse, Milan,
2009, 93 pages.
LARKE-WALSH, George S., Motion Picture
Mobsters : Masculinity, Technicity, and the
Mafia from The Godfather to the Sopranos,
Jefferson (NC), McFarland, 2010, 304 pages.
LETORT, Delphine, Du film noir au néonoir : mythe et stéréotypes de l’Amérique
( 1 9 4 1 - 2 0 0 8 ) , Paris, et al., L’Harmattan,
2010, 330 pages.
Cet ouvrage retrace la filiation esthétique et
thématique entre le film noir et ses avatars
(polar, néo-noir). Fiction urbaine et criminelle,
oeuvre de propagande ou acte subversif, le film
noir explore la face sombre de l'Amérique à
travers le récit de personnages marginaux dont
l'indépendance d'esprit est tantôt glorifiée
(détective privé), tantôt condamnée (femme
fatale).

WEBER, John, An Illustrated Guide to The
Lost Symbol, New York, Pocket books, 2009,
192 pages.

26

LIARDET, Didier,
Anthologie des séries
d’espionnage américaines et britanniques,
Draguignan, Éditions Yris, 2009, 256 pages.
LUDWIG, Corinne Franke, The 24 Universe.
How a Television Series Promotes the War
on Terror, Saarbrücken, VDM Verlag Dr.
Müller, 2009, 64 pages.
MILLER,, Frederic P., et al. (eds.), Associated
British Corporation, Emma Peel, The New
Avengers, List of The Avengers Episodes,
Get Smart, I Spy, Mauritius, Alphascript
Publishing, 2009, 136 pages.
MOORE, Roger, My Word is Bond, New York,
It Books, 2009, 336 pages.
MORTON, Lisa & Kent ADAMSON, Savage
Detours : The Life and Work of Ann
Savage, Jefferson (NC), McFarland, 2010, 248
pages. + 85 photos. [Vie et oeuvre d’Ann
Savage qui a a brillé dans Detour, un film noir
qui a fait d’elle une des 10 meilleurs femmes
fatales du cinéma]
MÖSSMER, Margit, Run Away or Die Trying :
die Verfolgungsjagd im Film, Saarbrücken,
VDM Verlag Dr. Müller, 2010, 124 pages.
NOLAN, Petra, Harboiled Heroes, Deadly
Dames : Modernity and 1940s Film Noir,
Saarbrücken, VDM Verlag Dr. Müller, 2008, 308
pages.
PROSTEDER, Magdalena, Referenzsysteme
bei Quentin Tarantino : Untersuchung der
Stilmerkmale und exemplarische Analyse
von Death Proof, Saarbrücken, VDM Verlag
Dr. Müller, 2009, 108 pages.
PULVER, Andrew, Night and the City, London,
British Film Institute, (BFI Film Classics), 2010,
96 pages. [Film noir, Jules Dassin, 1950]
ROSIN, James, Adventures in Paradise :
The Television Series, Philadelphia (PA),
Autumn Road Company, 2009, 144 pages.
[Série TV d’aventures dans les mers du Sud
(1959-1962) avec Gardner McKay.]
RUDITIS, Paul, Bones : The Forensic Files
(Season 3), London, Titan Books, 2009, 160
pages.
SCHNEIDER, Martin, Zwischen Held und
Bedrohung : die Figur des Vigilanten im
modernen Hollywood Kino, Sarrebrück, VDM
Verlag Dr. Müller, 2010, 112 pages.
STATTLEGGER, Eva, Film Noir und HardBoiled Fiction : Klassiker des Film Noir und
ihre literarischen Vorgänger, Saarbrücken,
VDM Verlag Dr. Müller, 2008, 144 pages.
TAVERNIER, Bertrand, Pas à pas dans la
brume électrique, Paris, Flammarion, 2009,
267 pages. [Récit de tournage]
THIELLEMENT, Pacôme, La Main gauche de
David Lynch. Twin Peaks et la fin de la
télévision, Paris, Presses Universitaires de
France, mai 2010, 144 pages.

THOMSON, David, The Moment of Psycho :
How Alfred Hitchcock Taught America to
Love Murder, New York, Basic Books, 2009,
183 pages.
TZIOUMAKIS, Yannis, The Spanish Prisoner,
Edinburgh, Edinburgh University Press, 2009,
xi, 154 pages. [Film à suspense de David
Mamet (1997)]
WILD, Christiane, Frauenfiguren by David
Lynch : der Einfluss des Film Noir auf die
Heldinnen von Blue Velvet und Mulholland
Drive, Saarebrücken, VDM Verlag Dr. Müller,
2009, 124 pages.
WITTKOWER, D. E., (ed.), Mr. Monk and
Philosophy, Chicago, Open Court, (Popular
Culture and Philosophy), 2010, 288 pages.
« Mr. Monk and Philosophy is a carefully and
neatly organized collection of eighteen chapters
divided into exactly six groups of precisely
three chapters each. Drawing on a wide range
of philosophers—from Aristotle and Diogenes,
to Siddhartha Gautama and St. Thomas
Aquinas, to David Hume and Karl Popper—the
authors ask how Adrian Monk solves his cases,
why he is the way he is, how he thinks, and
what we can learn from him. »

westerns

Note : comme il y a relativement peu de titres,
j’ai regroupé les études littéraires et les livres
sur le cinéma.
BARSON, Michael, True West : An Illustrated Guide to the Heyday of the
Western, Fort Worth (TX), Texas Christian
University Press, 2008, 175 pages. Préface de
Robert B. Parker.
Boasting hundreds of rare and colorful movie
posters, pulp magazines, comic books, comic
strips, television memorabilia, advertisements,
paperback books, record album jackets, toys,
and clothing, True West covers such hugely
popular television series as Gunsmoke, T h e
Lone Ranger, and Bonanza, along with classic
western novels, including S h a n e , The

27

Searchers, Welcome to Hard Times, and that
epic of all epics, Lonesome Dove. It also bows
to the icons who ruled the silver screen—Tom
Mix, Gene Autry, Roy Rogers, John Wayne, and
Clint Eastwood, to name a few.

ROSIN, James,
Wagon Train : The
Television Series, Philadelphia (PA), The
Autumn Road Company, 2008, 270 pages.
A look back at the memorable television series
(1957 - 1965) depicting the emotion and
hardship of the traveling pioneers agaist the
backdrop of the western frontier. Featuring
commentary from several of the series lead
actors and guest stars. Included are episode
summaries, photos and bigraphies. A must
have companion guide for any fan of the show.

DONATI, Roberto (dir.),
Sergio Leone :
l’America, la nostalgia e el mito,
Alessandria, Falsopiano, 2009, 256 pages.
FOURNY, Jean-François, Les Tourments de
Sam Peckinpah : du vieil Ouest à l’état de
sécurité nationale, Biarritz, Séguier, 2009,
107 pages.
HAINSCH, Wolfgang, Autobiographie als
Verteidigung : Karl Mays Mein Leben und
Streben, Saarbrücken, VDM Verlag Dr. Müller,
2008, 104 pages.
HERTFURTNER, Robert,
Western von
Gestern ? Postklassiche Formen des
umgangs mit den Konventionnen des
Westergenres in Spiel mir das Lied vom
Tod und McCabe, Saarebrücken, VDM Verlag
Dr. Müller, 2008, 124 pages.
JACKSON, Ronald,
50 Years ot The
Television Western, Bloomington (IN),
AuthorHouse, 2008, 372 pages.
KOTAR S. L. & J. E. GESSLER, Riverboat : The
Evolution of a Television Series, 19591961, Albanay (GA), BearManor Media, 2009,
300 pages.

ROSSO, Stefano (dir.), Le frontiere del Far
West : forme di rappresentazione del
grande mito americano, Milano, Shake, (il
libri di acoma), 2008, 187 pages.
Introduzione: attualità di un genere sempre al
tramonto, di Stefano Rosso / La tesi della
frontiera tra mito e storia, di Bruno Cartosio
Dagas, pistolas y cuernos de chivo: la
rappresentazione del ribelle e del fuorilegge
messicano nel corrido di frontiera, di Erminio
Corti / Il cinema western visto dagli indiani.
Vendetta e violenza in Sentieri selvaggi di John
Ford e Indian Killer di Sherman Alexie, di
Giorgio Mariani / Post-western esemplari:
Lonesome Dove, di Larry McMurtry e Blood
Meridian di Cormac McCarthy, di Stefano Rosso
“Indians walk softly”: il mito della wilderness e
dei suoi abitanti, di Marcella Schmidt di
Friedberg / Sempre in sella. Costruzioni e
ricostruzioni del mito del cowboy tra geopolitica
popolare e relazioni internazionali, di Elena
dell’Agnese / Western o northern?, di Sergio
Arecco / Lontano ovest: ai margini della
metropoli, di Nuccio Lodato / Una buona
lezione. Scazzottate nel western classico, di
Stefano Ghislotti / Appunti su un motivo
paesaggistico del genere western, di Barbara
Grespi.

MACNEIL, Denise Mary, The Emergence of
the American Frontier Hero, 1682-1826,
New York, Palgrave Macmillan, (American
Literature Readings in the Twenty-First
Century), 2010, 240 pages
The American Frontier Hero in Mary
Rowlandson's Narrative of the Captivity and
Restauration _Mythological Roots of the American
Frontier Hero _Mary Rowlandson, Puritan Hero
_Mothering the Adamic Hero _Transcending
Gendered
English
American
Social
Positions: Gender and Racial Multiplicity in The
Female American; or, the Adventures of Unca Eliza
Winkfield _Dancing between Ferocity and
Delicacy in Edgar Huntly; or, Memoirs of a SleepWalker
by Charles Brockden Brown
_Reconstituting the American Frontier Hero
through James Fenimore _Mary Rowlandson in
Jeans: The John Ford/John Wayne Film T h e
Searchers and the Mary Rowlandson Heroic
Archetype.

SANDERS, Alain,
Le Who’s Who des
cowboys chantants, Anet, Atelier Fol’fer, (Go
West), 2009, 165 pages.
SEUL, Jürgen,
Old Shatterhand vor
Gericht : die 100 Prozesse des
Schriftstellers Karl May, Bamberg, Karl-May
verlag, 2009, 623 pages.
SPINDLER, Robert,
Recent Westerns :
Deconstruction and Nostalgia in Contemporary Western Film, Marburg, Tectum
Verlag, 2008, 127 pages.
VIENNE, Patrick, « D’ouverture en fermeture :
l’image du désert dans le western », in
L’Imaginaire du désert au XXe siècle (Jaël
Grave, dir.), Paris, et al., L’Harmattan (Làbas), 2009, 189 pages.

ORELLANA, Margarita de , Filming Pancho :
How Hollywood Shaped the Mexican
Revolution, London, Verso Books, 2009, 206
pages. Préface de Kevin Brownlow.
RITZER, Ivo, Walter Hill :Welt in Flamen,
Berlin, Bertz & Fischer, 2009, 288 pages.

28

GLUNTZ, Claudia & Thomas F. SCHNEIDER,
Krieg und Literatur/War and Literature,
Göttingen, V&R unipress , 2009, 179 pages.
(vol. XIV, 2008).
GRAFTY, Julian, Chapaev, London, I.B. Tauris,
(Kinofiles Filmmakers Companions), 2010, 128
pages. [Le film de guerre russe que Staline
aurait visionné une cinquantaine de fois...]
HANNA, Emma, The Great War on the Small
Screen : Representing the First World War
in Contemporary Britain, Edinburgh,
Edinburgh University Press, 2009, viii, 190
pages.
KAGELMAN, Andre, Der Krieg und die Frau :
Thea von Harbous Erzählwerk zum Ersten
Weltkrieg, Kassel, Media Net-Ed., 2009, 361
pages.
KELLNER, Douglas,
Cinema Wars :
Hollywood Film and Politics in the BushCheney Era, Hoboken (NJ), Wiley-Blackwell,
2009, 279 pages.
LAMBERTI, Elena & Vita FORTUNATI (dirs.),
Memories and Representations of War :
The Case of World War I and World War
II, Amsterdam, New York, Rodopi, 2009, vii,
343 pages. [Sommaire détaillé sur le site de
Rodopi]
MILBERG, Doris, World War II on the Big
Screen, Jefferson (NC), McFarland, 2010, 224
pages.
O’SAUGHNESSY, Martin, La Grande illusion,
London, I. B. Tauris, 2009, 126 pages.
RAABE, Bianca, Filmkriege ? Visualisierungsformen gewaltsamer Konflikte,
Marburg. Tectum Verlag, 2009, 257 pages.
TESSIER, Laurent, Le Vietnam, un cinéma
d’apocalypse, Paris, Éditions du Cerf & Condé
sur Noireau, Éditions Corlet, 2009, 315 pages.
VENNER, Dominique,
Ernst Jünger : un
autre destin européen, Monaco & Paris,
Éditions du Rocher, 2009, 234 pages.
[Biographie]
ZILER, Ulrike, « I have no gun, but I can
spit » : satirische Darstellungen des
Zweiten Weltkriegs und des Vietnamkriegs : eine Untersuchung ausgewählter
amerikanischen und britischer Romane,
Frankfurt am Main, et al., Peter lang, 2010,
xiv, 320 pages.

RÉCITS DE GUERRE

Note : comme il y a relativement peu de titres,
j’ai regroupé les études littéraires et les livres
sur le cinéma.
ARICH-GERZ, Bruno, Mittelbau-Dorau :
American and German Representations of
a Nazi Concentration Camp : Literature,
Visuel media and the Culture of Memory
from 1945 to the Present, Bielefeld,
Transcript verlag, 2009, 180 pages.
BISKUPSKI, M.B.B., Hollywood’s War with
Poland, 1939-1945, Lexington, University
Press of Kentucky, 2009, 362 pages.
BARRETT, Jenny, Shooting the Civil War :
Cinema, History and American National
Identity, London, I. B. Tauris, (Cinema and
Society), 2009, xii, 220 pages.
« No fewer than seven hundred Civil War films
have been made by Hollywood from early silent
days to the present, from the epoch-making
Birth of a Nation, through The Red Badge of Courage
and Gone With the Wind to the recent Glory, Ride
with the Devil and Cold Mountain. This readable and
innovative book on the American Civil War as
presented in Hollywood cinema goes deep into
the best of these films, arguing that rather
than belonging to a single genre, Civil War
films are to be found across genres, as
domestic melodramas, Westerns or combat
films for example. As such, they have fresh
insights to give into the war and into America's
sense of itself. »
BURUCCA, Constanza,
Confronting the
« Dirty War » in Argentine Cinema, 19831993 : Memory and Gender in Historical
Representations, Woodbrige, Suffolk (UK),
Rochester (NY), Tamesis, 2009, 231 pages.
CROSTHWAITE, Paul, Trauma, Postmodernism and the Aftermath of World War
II, New York, Palgrave Macmillan, 2009, vii,
222 pages.
FAVRET, Mary A.,
War at a Distance :
Romanticism and the Making of Modern
W a r t i m e , Princeton, Princeton University
Press, 2010, ix, 262 pages.

Ils nous informent (vous devriez
prendre exemple...) : Roger Bozzetto,
Jean-Louis Sarro, Jerome Serme,
Françoise Hache-Bissette, Nathalie
Prince, Thomas Przybilka, Jordi Canal,
Philippe Gindre, Guy Astic, Paul
Bleton, Elizabeth Miller, Stéphane
Bourgoin. Merci à tous...

29

« La première partie de ce livre fait le point sur
la place d’Astérix dans la culture française. La
deuxième se penche sur les relations entre les
créateurs de bandes dessinées, les
archéologues et les historiens : les uns ont lu
enfants les bandes dessinées qui ont marqué
leur imaginaire et leur façon de se représenter
l’Antiquité, les autres lisent les travaux des
historiens et dessinent les objets qu’ils ont mis
au jour.La troisième partie dresse le portrait du
quartier, une cité en pleine expansion,
qu’Uderzo habita pendant dix ans. »

Bandes dessinées

MAGUIRE, Gregory, Making Mischief : A
Maurice Sendak Appreciation, New York,
Harper/Collins Morrow, 2009, 200 pages.
PORRET, Michel (dir.),
Objectif Bulles :
Bandes dessinées et histoire, Genève,
Georg, 2009, 302 pages.
ROSENBERG, David & Pierre STERCKEX,
Vraoum ! Trésors de la bande dessinée et
art contemporain, Lyon, Fage éditions &
Paris, Maison Rouge, 2009, 224 pages.
ROUSSEL, Isabelle, Imaginaire des anges et
des superhéros dans la bande dessinée, in
Les Cahiers Robinson, no 26, Arras,
Université d’Artois, 2010, 256 pages.
SAMSON, Jacques, Benoit PEETERS & Chris
WARE,
La Bande dessinée réinventée,
Bruxelles, Les Impression Nouvelles, (Réflexions faites), 2010, 160 pages.
SPIEGELMAN, Art & Françoise MOULY (eds.),
The Toon Treasury of Classic Children’s
Comics, New York, Abrams Comics, (A Toon
Book), 2009, 350 pages.
VERHOEST, Eric & Micha KAPETANOVIC (dirs.),
Regards croisés de la bande dessinée
belge, Gent, Snoeck, 2009, 229 pages.
VAN NESS, Sara J., Watchmen as Literature : A Critical Study of the Graphic
Novel,2010, 219 pages.

En raison d’un manque d’espace, (la
version imprimée de ce bulletin ne peut
excéder 30 pages) les titres concernant le
film d’animation sont reportés au prochain
numéro.
BERONÄ, David A., Le Roman graphique :
des origines aux années 1950, Paris,
Éditions de la Martinière, 2009, 255 pages.
Introduction par Peter Kuper.
COLLECTIF, Astérix & compagnie, Paris, Les
Éditions Albert, 2009, 48 pages. [Publié à
l’occasion du 50e anniversaire d’Astrix]
COMTOIS, Pierre, Marvel Comics in the
1960s : An Issue-by-Issue Field Guide to a
Pop Culture Phenomenon, Raleigh (NC),
TwoMorrows Publishing, 2009, 224 pages.
DUFFY, Damien & John JENNINGS, Out of
Sequence : Underrepresented Voices in
American Comics, Champaign (IL), Krannert
Art Museum and Kinkead Pavilion, 2008, 151
pages. Avec des textes de Sheanon K. Garrity,
Jerry Craft, et al.,
DUNCAN, Randy & Matthew J. SMITH, The
Power of Comics : History, Form and
Culture, New York, Continuum, 2009, x, 346
pages. Introduction par Paul Levitz.
GARCIA, Bob,
Hergénéalogies, Paris,
McGuffin Éditions, 2008, 121 pages.
GASCA, Luis & Roman GUBERN, Diccionario
de onomatopeyas del comic, Madrid,
Catedra, 2009, 428 pages.
ISABELLA, Tony, 1000 Comics You Must
Read, Iola (WI), Krause Publications, 2009,
271 pages.
KANE, Brian M.,
The Definitive Prince
Valiant Companion, Seattle (WA), Fantagraphics Books, 2009, 160 pages.
LESCURE, Jean-Claude (dir.),
Drôles de
Gaulois : autour d’Astérix, Paris, Berg
International, 2010, 208 pages.

30




Télécharger le fichier (PDF)

Marginalia64.pdf (PDF, 1.5 Mo)

Télécharger
Formats alternatifs: ZIP







Documents similaires


marginalia62
57marginal57
western2
33marginal33
34marginal34
53marginal53

Sur le même sujet..