exposé mackintoshj .pdf
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SCHOOL OF
GLASGOW
AND CHARLES RENNIE
MACKINTOSH
(1868-1928)
INTRODUCTION /
How the ar3sts can create a7er the Industrial Revolu3on ?
Glasgow is an industrial city by excellence
-‐ opening to the world : ar3sts are exposed to many different
influences
-‐ Europe is a gateway to Japanese culture : major role in the
arts of this 3me.
Create the new face of the industrial city.
-‐ The city search to offer a pres0gious showcase in contrast
with the industrial landscape.
I SCHOOL OF GLASGOW / appearance of the school of Glasgow : crea3on of the group
« the Four »
Towards 1890: alliance between 4 students of the Glasgow School of Art form the group "The Four" that
characterizes the style of the School of Glasgow.
Charles Rennie Mackintosh Margaret Macdonald Mackintosh Herbert MacNair Frances Macdonald MacNair
(1868-‐1628) (1864-‐1933) (1868-‐1955) (1874-‐1921)
I SCHOOL OF GLASGOW / influence
-‐ Issue of Art and Cra>s
-‐ Openness to the world ar3sts are imbued with the spirit of reform of the Arts
& cra7s + of the simplicity of Japanese art
I SCHOOL OF GLASGOW / Works
THE GLASGOW INSTITUTE OF THE FINE ARTS, Herbert MacNair,
Margaret Macdonald, Frances Macdonald, 1896
Lithograph in colors, H 218 cm ; L 87,7 cm
I SCHOOL OF GLASGOW / Conclusion
-‐ The crea3ons are simple combina3on of volumes simple and geometric with a minimal presence of
ornament, and the counterweight of some human forms and highly stylized plant.
II CHARLES RENNIE MACKINTOSH (1868-‐1928) /
-‐ Architect, furniture designer and painter Scots
-‐ Much of his work mixes his own style to the style of
his wife more flexible and floral, enhancing his work
more formal and straight = collabora0on
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ public building
GLASGOW SCHOOL OF ART, 1897 à 1909
-‐ A masterpiece of style Glasgow
-‐ Reflec3on on the natural and ar3ficial light
-‐ Sobriety set of full and empty.
-‐ Slight relief that enliven the facade.
-‐ Rhythm of lines (ver3cal curve)
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ public building
GLASGOW SCHOOL OF ART,
1897 à 1909
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ Individual House
HILL HOUSE, 1902 -‐ 1903
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ Individual House
HOUSE FOR AN ART LOVER, 1901, dessin
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ individual
HOUSE FOR AN ART LOVER, 1989 – 1996, recons3tu3on par MacMillan
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ Tearoom
THE ARGYLE STREET TEA ROOMS, 1897
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Furniture
High-‐backed chair, 1897
II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Conclusion
-‐ one of the most representa3ve of Art Nouveau architecture he develops in
architecture and decora3ve art a very personal style, original and incomparable.
-‐ He had a great thinking on the natural and ar3ficial light.
-‐ He explores new spa3al concepts, based on tradi3onal Scoqsh elements and
adapted to a modern lifestyle.
-‐ He sees his home as total works of art, where every detail is incorporated into a
set of aerated sleek.
-‐ He became a pioneer of ra3onal architecture of the twen3eth century by
looking for the synthesis of the building, the interior and the furniture .
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