exposé mackintoshj par Coralie BARTHE

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SCHOOL OF
GLASGOW
AND CHARLES RENNIE
MACKINTOSH
(1868-1928)

INTRODUCTION /

How the ar3sts can create a7er the Industrial Revolu3on ?
  Glasgow is an industrial city by excellence

-‐ opening to the world : ar3sts are exposed to many diﬀerent
inﬂuences

-‐ Europe is a gateway to Japanese culture : major role in the
arts of this 3me.
  Create the new face of the industrial city.
-‐ The city search to oﬀer a pres0gious showcase in contrast
with the industrial landscape.

I SCHOOL OF GLASGOW / appearance of the school of Glasgow : crea3on of the group
« the Four »
Towards 1890: alliance between 4 students of the Glasgow School of Art  form the group "The Four" that
characterizes the style of the School of Glasgow.

Charles Rennie Mackintosh Margaret Macdonald Mackintosh Herbert MacNair Frances Macdonald MacNair
(1868-‐1628) (1864-‐1933) (1868-‐1955) (1874-‐1921)

I SCHOOL OF GLASGOW / inﬂuence

-‐  Issue of Art and Cra>s
-‐ Openness to the world  ar3sts are imbued with the spirit of reform of the Arts
& cra7s + of the simplicity of Japanese art

I SCHOOL OF GLASGOW / Works
THE GLASGOW INSTITUTE OF THE FINE ARTS, Herbert MacNair,
Margaret Macdonald, Frances Macdonald, 1896
Lithograph in colors, H 218 cm ; L 87,7 cm

I SCHOOL OF GLASGOW / Conclusion

-‐ The crea3ons are simple  combina3on of volumes simple and geometric with a minimal presence of
ornament, and the counterweight of some human forms and highly stylized plant.

II CHARLES RENNIE MACKINTOSH (1868-‐1928) /

-‐ Architect, furniture designer and painter Scots
-‐ Much of his work mixes his own style to the style of
his wife more ﬂexible and ﬂoral, enhancing his work
more formal and straight = collabora0on

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ public building
GLASGOW SCHOOL OF ART, 1897 à 1909

-‐ A masterpiece of style Glasgow
-‐ Reﬂec3on on the natural and ar3ﬁcial light
-‐ Sobriety  set of full and empty.
-‐  Slight relief that enliven the facade.
-‐ Rhythm of lines (ver3cal curve)

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ public building
GLASGOW SCHOOL OF ART,
1897 à 1909

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ Individual House

HILL HOUSE, 1902 -‐ 1903

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ Individual House

HOUSE FOR AN ART LOVER, 1901, dessin

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ individual

HOUSE FOR AN ART LOVER, 1989 – 1996, recons3tu3on par MacMillan

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Architecture_ Tearoom

THE ARGYLE STREET TEA ROOMS, 1897

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Furniture
High-‐backed chair, 1897

II CHARLES RENNIE MACKINTOSH (1868-‐1928) / Conclusion
-‐ one of the most representa3ve of Art Nouveau architecture  he develops in
architecture and decora3ve art a very personal style, original and incomparable.
-‐ He had a great thinking on the natural and ar3ﬁcial light.
-‐ He explores new spa3al concepts, based on tradi3onal Scoqsh elements and
adapted to a modern lifestyle.
-‐ He sees his home as total works of art, where every detail is incorporated into a
set of aerated sleek.
-‐ He became a pioneer of ra3onal architecture of the twen3eth century by
looking for the synthesis of the building, the interior and the furniture .