Portfolioamelieauffret .pdf

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Auffret Amélie
Portfolio
Post graduate course in interior design,
scenography, and landscape design.
- Ecole Boulle, Paris, France -

0

summary
P4

resume

P6

planning

P10 planning

P14 theater
scenography

amélie
auffret

cultivate
exchanges

a tale
sound

splendid’s
by jean genet

//education and
working experience

//In collaboration with
Fabien Maschi
//december 2011

//In collaboration with
Zoé Piter and Solène
Gastebois//october 2011

//february 2010

P18 theater
scenography

P22theater
scenography

P26Museography

P30product
design

le langue à langue
by daniel danis

3 carrés,
1 sphère

primitifs
of photography

sattelites

//In collaboration with
Zoé Piter
//may 2011

//Graduation project
//september - june 2013

//In collaboration with
Claire Dugeai
//march 2011

//In collaboration with
Lucie Denais
//january 2011

P34 installation

P38 installation
in situ

P42 photography

P46sketch

«Fog»

wind
mouvement

waiting

daily

//December 2010

//September 2010march 2013

//April 2011

//In collaboration with
Louise Jacamon and
Kim-Anne Pham
//April 2011

7

0.1
resume

Auffret Amélie
28 rue jeanne hornet
93170 Bagnolet

amelieauffret.aa@gmail.com
06-62-63-65-60

Studies
2011-2013 : Two year Post graduate course in interior design, scenography,
landscape design, urban design.
ESAA Ecole Boulle, National Top School of Applied Arts, Paris
2009-2011 : Two year Undergraduate course in eventn design,
ESAA Ecole Boulle, National Top School of Applied Arts, Paris
2009 : French Equivalent to the levels majoring in applied arts,
Lycée Vauban, Brest.

INTership
June-July 2012: Internship at «Calvi on the Rocks» festival of electronic music.
Collaboration in design and implementation of setting
Association « calvi on the rocks », In Calvi, Corsica.
April 2012 : Workshop «Wind Pavillion», Installation higlighting the wind and its
direction,
Hoëdic island in Brittany, France.
March 2012: Design and construction of scenography for «Buzzer» by Loïc Le Manach,
MPAA Saint Germain, Paris 6th, France.
December 2012: Workshop «Hidden Spaces Whitechapel» at the London Metropolitan
University.
London, England.
October 2011 : Design and construction of the setting «Fête de la chataigne»
at Eguzon, France.
May-June 2010: Internship in interior design at “Dragon Rouge architecture”
Suresnes, France.
January-June Research in the field of cosmetics (concept, packaging, new uses) in
2010 : partnership with LVMH Research. (Dior, Guerlain, Givenchy).
August 2009 : Design and construction of showcases for LPC, fashion clothing store
Caillan (83), France.
November 2008 : Assistant set designer for the 23rd “Festival du film court”
Association «Côte Ouest», Brest (29), France.

skills
Computer skills : Photoshop, Illustrator, In design, Sketchup, Flash,
Autocad
Languages : French (mother tongue), Anglais (intermediate), spanish
(basic)

MIscelleanous
Driving licence
2009-2011 : Theatrical training , Compagnie Arteact Paris 11, France
1997-2009 : Dance training, Claudine Roch Bodenez School, Morlaix, France

Hobbies
Visual arts (opera, dance, theater, circus), photography, cinema
Travels : Spain, England, Morocco, Switzerland, Czech Republic, Italy,
Croatia, Poland, Hungary, Germany, Portugal.
9

1

cultivate exchanges

- planning -

Development of a barter market
Context
Where ? : Vitry sur seine
WHEN ? : All year long
for whom? : the locals

Development of a barter market in des Lilas park in ring market time, it gives its users the opportunity to
Vitry-sur-Seine. As a symbol of exchange the table is occupy and stretch space according to their wishes. 1.44
placed at the crossroads between the city and the park. m2 plots are defined by a system of cases and drawers
that delimit fair individual spaces. The table unfolds on
This project presents a new way of buying, of creating two levels: first on the road, referring to fairs, then in
social ties and of establishing a network of mutual the park creating a close relationship with the displayed
know-how.
products. This organization allows a circular stroll facilitating communication between barterers.
This development uses the main features of the place.
The table comes to rest on an existing elevation. Du-

paris

vitry sur seine
Lilac Park, Vitry sur Seine, 8 km from Paris

11

cultivate exchanges

- planning -

Development of a barter market
At the crossroads between the city and the park

Proposer une promenade le long du parc
a walkway along the park

existing state

projected state

Development that offers unpredictable, privileged access for pedestrians

12

cultivate exchanges

- planning -

Development of a barter market

Spaces shared equitably

Market on two levels

13

2

a tale sound

- urban scenography -

event planning of Proudhon tunnel’s
Context
Where ? : Paris 12
WHEN ? : For the event "Nuits Blanches",
october 2013

The tunnel connects two neighbourhoods, Reuilly and
Bercy and is surmounted by many railroads from the
station Gare de Lyon. The project aims to highlight one
of the most important constraints of the tunnel, noise
that will guide the planning of the renovation of the
Proudhon tunnel. When mastered, it will become a
musical score establishing a story and sequencing its
crossing. It will also be linked to a light show to suggest
a telled crossing. It will be a real experience and become a performance rather than a test.
The increasing sound follows two different stories on

the two sidewalks. Spatial characteristics and feelings
inside the tunnel determine different themes: chasing,
mystery, nature and contemplation. Light and sound
- coupled or softened by other sounds - express different times in the crossing. Sound gets a decisive part.
Combined with moods, it makes sense and reduces the
fears generated by the tunnel. The planning is determined by a system of walls fitted with light and sound
devices that operate according to the environment.
They appear as an extension of the existing wall and
allow the establishment of a sound-proofing system.

Lachambeaudie instead

Coriolis Street

Proudhon tunnel’s

15

a tale sound

- urban scenography-

event planning of Proudhon tunnel’s
shema of the sound as it is today

mystery
disorientation,
 floating

progression,
atmosphere heavier
mysterious

1

Return to the ride,
calmer atmosphere

2

3

3

1
2
16

a tale sound

- urban scenography-

event planning of Proudhon tunnel’s
shema of the sound as it is during the event

evocation
of a chase
acceleration

4

opening
contemplation
slowness

fall:
floating zone

5

6

7

4

6

5

7
17

3

3 squares, 1 sphere

- Graduation project / ongoing -

Theatrical composition for the city of Bordeaux
Context
Where ? : Bordeaux
WHEN ? : 3 weeks in june 2014
for whom? : the locals

Bordeaux is a city in transition so, in order to plan its
coming reorganization, the city has commissioned
an anthropological study to collect its old centre inhabitants’ words and know their feelings and wishes
concerning the new town.
The project proposes a literary and contemporary form
from the speech of the inhabitants
This project is close to the people and aims at accompanying them throughout the period of urban transformation thanks to cultural events. The show interferes

in remarkable places where existing and reinterpreted
buildings play the role of stage setting.
This is a unique approach to artistic creation where
text and stage design are invented simultaneously.
Above all, the project should take into account the
context in which it will be performed.
What stages to create in a changing city?

Acte 2

Acte 1
Acte 3

19

3 squares, 1 sphere

- Graduation project / ongoing -

Theatrical composition for the city of Bordeaux

the act 1 takes place in «ateliers saint françois».

the act 2 takes place in a parking.

20

3 squares, 1 sphere

- Graduation project / ongoing -

Theatrical composition for the city of Bordeaux

21

4

FOG

- expression -

Installation sensitive and sound

The installation is based on a meteorological phenomenon, fog, which is composed of a mass of microscopic droplets that reduce visibility.
Fog is an installation that awakens the senses. It recreates a micro-world, a kind of floating environment,
disconnected from reality.
The viewer is immersed in a visual space whose borders are erased. The other senses are asked to locate
themselves in space. The body wanders blindly into a
heavy luminescent mass. The usual spatial markers no

longer exist. However, this walk is disturbed by strange
sounds that the viewer tries to locate. Indeed, each
sound is interspersed and comes from different places.
This is an installation that plays with the senses and
the feelings, meant to disrupt the visitors through the
creation of a strange world inspired by a real phenomenon : fog.

23

FOG

- expression -

Installation sensitive and sound

24

FOG

- expression -

Installation sensitive and sound

25

5

satellites

- product design -

Creation of collection of 3 lamps

This lamp explains light reflection.
Light that was initially diffused downwards then reflects upwards thanks to reflective devices – mirrors- that are
placed on different adjustable ribs of the umbrella. Thus the user can adjust the direction of the light source.

27

satellites

- design product -

Creation of collection of 3 lamps

The Telstar can move around everywhere according to your wishes. It can illuminate the space
differently depending on its orientation and thus
create different moods. It illustrates the transmission of light through different materials.

28

satellites

- product design -

Creation of collection of 3 lamps

The change in the direction of light is explained by
the lamp SPOT which divides one light beam in several ones and sends them to different directions
to create a pattern on the ground. This lamp only
exists when placed on a support. Then the box disappears in favour of a bright show in which the
lamp seems to be floating in the air.

29

6

wind movement

- Installation in situ -

Context
Where ? : Island of Hoëdic
WHEN ? : April 2011

The system backs onto the dune and uses the existing
lines of the landscape. On the one side the land, on the
other the sea. The installation provides a transition
between those two worlds by creating a response to the
movement of water and waves on the shore. It comes
to life thanks to the wind. Large strips from different
fabrics are angled with the direction of the wind whose
intensity, in turn, is resulted in the installation by small
chimes. The stronger the wind blows, the stronger the
chimes tinkle.

The installation becomes a landmark, a measuring element that reflects the character of the wind on Hoëdic
Island.

a sign in the landscape

31

wind movement

- installation in situ -

evocation of currents and water ripples

32

wind movement

- installation in situ -

installation who lives with the wind

33

2

le langue à langue

- theater scenography -

text by Daniel Danis
Context
Where ? : "Atelier Berthier", PAris 17
WHEN ? : november 2014

Two main ideas emerge from the text. First, the story
was not born nor will it die; it flows again and again
like the tide. Moreover the body is violently involved in
all the play, and is always opposed to the mind which
is tortured while the body is manhandled. We chose to
transcribe these concepts by working on the stage design of the floor.
An uneven ground, witness to what has already occurred, is made of sloping geometric panels (in all directions,) like colliding tectonic plates that determine the
performing and create permanent discomfort for the
actors. This concept of space recreates the physical
and verbal violence and the tension found in the text
thanks to the body. The chaotic floor allows the space

to define itself as a place and because of the lighting
and of its inclination, it determines the different places
of the story. The floor is a strong symbolic element of
the stage design that the actors use in their constant
quest for identity. Their search for their roots is assimilated to an archaeological dig in a ground rich in
history. A unifying ceiling space is created by a canvas
which diffuses light and its colours depend on scenes
and on the different times of the day.
These two spaces transcribe their dual world, divided
between reality and fantasy.

35

le langue à langue

- theater scenography -

text by Daniel Danis

36

le langue à langue

- theater scenography -

text by Daniel Danis

From dawn to early morning

On a late afternoon at dusk

Suspended time

37

8

primitifs of photography

- museography-

Project in partnership with the National Library of France
Context
Where ? : BNF richelieu
WHEN ? : November 2014
for whom? : photography fans

This experimental side is what we wanted to enhance
in our project. So we switched the moulding, usually
vertical, to horizontal. Art is no longer seen as in a
museum where its vertical display imposes a distance
between the viewer and the work. Now it is seen as if
on a drawing board. It’s reminding the experimental
aspect of this technique throughout the exhibition in
which movement is made through different themes
like experimenting, disseminating, travelling, painting
/ drawing, using / creating, enabling the prioritisation
of many presented photographs. The scenography
is based on three stages: first the title, then the text

(questioning) and finally the image playback (response).

3
1

2

Reading three times

39

primitifs of photography

- museography -

Project in partnership with the National Library of France
2 - broadcast
1 - appear

3 - experiment

5 - travel

4 - document

Beginning of the exhibition . Appear, broadcast, experiment

40

7 - practice /
create
6 - paint /
draw

- museography -

primitifs of photography
Project in partnership with the National Library of France

Middle of the exhibition. disseminate, document.

end of the exhibition documenting, traveling, painting / drawing, experiment

41

9

Splendid’s

- theater scenography -

text by Jean Genet

Splendid’s is a play written by jean genet in 1948, which
was never published in his lifetime. The action takes
place in the closed-in hall of a luxury hotel: the Spendid’s. Seven gangsters and a policeman have taken a
billionaire’ daughter hostage and they are surrounded
by the police inside the palace. Genet addresses the
themes of the image, oppression, and illusion.

lume reflect them so that the viewer can have a double
reading of the play, one real and one through the reflection. This process enables the display of the false
appearances the gang members want to believe in.
The inside vertical distorting mirror increases the anxiety and discomfort experienced by the thugs.

This stage designed adaptation highlights feelings of
violence, oppression and confinement which derive
from Genet’s text and that are materialized by a small
stage area. At the beginning, the actors perform in a
strict and cold parallelepiped «box» which suggests the
lobby of the Splendid’s. Mirrors placed inside this vo-

43

splendid’s

- theater scenography-

Aménagement d’un marché au troc

Un décor en m

4

1

5

2

3

6

Stage setting in motion.
Stage design evolves with the drama. The more complicated the relationships between the characters, the
stronger the tension: lighting intensifies, chandeliers
swing. Anxiety rises. Dramatic intensity increases. The
stage setting collapses. Nothing is certain. The chandelier sways; the walls of the box fall down violently.
Once free, we can see some relaxation in the thugs’

eyes. However, their feelings quickly become contradictory. The characters find themselves in a huge
and disproportionate space. They are lost. They can’t
control anything anymore.
Meanwhile, the gangsters move in this heavy atmosphere …

44

Le décor n'est pas ine
pièce. Plus les relatio
les tensions augmen
s'intensifie, plus les lu
tension qu'éprouve l
cute dans l'espace. L'
L'intensité dramatiqu
bouge. l’avenir est in
boug
cedent de tomber. Le
chutent violemment

1- Atmosphère calme
Policier et Jean sont s
dans la boîte.
2- Bob et Bravo entre
du hall tombent viole
3- Le décor s’éteint. J
parition sur l’avant sc
4- La lumière s’intens
soulève, le policier pr
5-Les gangsters piéti
des traces derrière eu
6- Dernières séconde
les lustres s’explosen

splendid’s

- theater scenography -

Aménagement d’un marché au troc

Poids du passé.
Poids du passé.

Poids
du passé.
La fin est proche. Les évène-

La fin est proche. Les évènements se précipitent,le
rythme s’emballe. A l’heure du
jugement dernier, remonte au
ments
se précipitent,le
coeur
de chacun
du gang son
passé
personnel
de malfrat
rythme
s’emballe.
A l’heure
du et
le dernier,
poids deremonte
leurs relations
jugement
au
so à la fois
communes: ils sont
coeurindividus
de chacun
du gang
son
et bande.
Ils jouent
les derniers
passé personnel
deinstants
malfrat de
et la
pièce les pieds chargés de
le poids
de leurs relations
pigments blancs et laissent
communes:
so
la foisdu
ainsi sur le ils
solsont
leursàtraces
passé.
Elles évoquent
leurs
individus
et bande.
Ils jouent
lou
lourdes
expériences comlesmunes
derniers
instants
de
la
qu’ils ne peuvent efpièce les pieds chargésfacer.
de
C’est aussi
pour chacun
d’eux
pigments
blancs
et laissent
facon de laisser la
ainsi marque
sur leune
sol
leurs
traces
du
de son passge et de
passé.
Elles
évoquent
ne pas
sombrer
dans leurs
l ‘oubli.

lourdes
lou
expériences communes qu’ils ne peuvent effacer.
C’est aussi pour chacun d’eux
une facon de laisser la
marque de son passge et de
ne pas sombrer dans l ‘oubli.

C'est l'assaut final. La situation est inLa fin est proche. Les évèneC'est l'assaut final. La situation est incontrôlée et incontrôlable. La vioet incontrôlable.
lencecontrôlée
gagne encore
du terrain. UnLa vioments se précipitent,le
lourdlence
sentiment
menace
gagnedeencore
dus'abat
terrain. Un
rythme s’emballe. A l’heure du
sur les personnages. On entend le
lourd sentiment de menace s'abat
Policier crier : " Salauds ! Haut les
jugement dernier, remonte au
sur les
personnages.
On entend
mains.Et
n'essayez
pas un geste
ou je le
vousPolicier
détruis"crier
L’oppression
et la! Haut
vio- les
: " Salauds
coeur de chacun du gang son
lence explosent, montent toujours
mains.Et
n'essayez
pasviolente
un geste ou je
crescendo
jusqu’à
la chute
passé personnel de malfrat et
L’oppression et la viovous détruis"
des lustres
sur le sol.
le poids de leurs relations lence explosent, montent toujours
jusqu’à la chute violente
so à la fois crescendo
communes: ils sont
des lustres sur le sol.
individus et bande. Ils jouent
les derniers instants de la
pièce les pieds chargés de
pigments blancs et laissent
ainsi sur le sol leurs traces du
passé. Elles évoquent leurs
Obscurité.
lou
lourdes
expériences
L’’espacecomscénique est sombre, obscure. La couleur
noire domine le décor, reforçant la sensation de malmunes qu’ils ne peuvent
efaise, et de mort.
facer.
C’est aussi pour chacun d’eux
une facon de laisser la
marque de son passge et de
L’’espace scénique est sombre, obscure. La couleur
ne pas sombrer dansnoire
l ‘oubli.
domine le décor, reforçant la sensation de mal-

Obscurité.
aise, et de mort.

45

10

waiting

- photography -

47

waiting

- photography -

48

waiting

- photography -

49

10

Sketch

- expression -

51



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