Catalog Radio Studio .pdf

FM-T V-DA B -MMDS

F A B R I CA N T

2014 Catalog

Radio Studio
Microphone & headphones
K7, MD, CD, SD card Player
Broadcasting & production mixer
HW / SW broadcasting & audio editing
Storage & archiving
Diffuser & monitoring
Streaming
B.BEAM Sprl - ZI les Plenesses, rue du progrès 8 - 4821 Andrimont Belgique
Tél.:+32(0)87228983 - Mob.:+32(0)475761453 - Fax:+32(0)87223400
sales@bbeam.com - www.bbeam.com

Table of contents
Table of contents - Radio Studio
ACCESSORIES FOR MOUNTING CABLING......................................................................4
STUDIO CONNECTORS...................................................................................................5
SOUND-ABSORBING PANELS..........................................................................................6
RADIO MIXING BOARD BUDGETMIX 12..........................................................................7
RADIO BROADCAST MIXING CONSOLE LITTLEMIX.........................................................14
PRODUCTION CONSOLE - AIRMIX USB...........................................................................18
MIXING TABLE - BROADMIX 14.......................................................................................22
RADIO MIXING BOARD - COMPACTMIX.........................................................................26
BROADCAST MIXING CONSOLE - MIDDLEMIX 10/20/30 MODULES..............................29

ELECTRET GOOSENECK MICROPHONE..........................................................................38
ELECTRET GOOSENECK MICROPHONE..........................................................................39
CONDENSER MICROPHONE STUDIO - ECO....................................................................41
ELECTRET PRODUCTION STUDIO
CONDENSER MICROPHONE USB CONNECTION............................................................42
STUDIO DYNAMIC MICROPHONE BEYERDYNAMIC........................................................43
MICROPHONE BROADCAST BCM 104 NEUMANN.........................................................45
MICROPHONE BROADCAST BCM 705 NEUMANN.........................................................47
STUDIO MICROPHONE TLM 103 NEUMANN...................................................................49
SWIVEL ARM MICROPHONE STAND................................................................................51
MINI WIVEL ARM MICROPHONE STAND.........................................................................52
MICROPHONE FLOOR STAND.........................................................................................53
DESKTOP MICROPHONE STAND/FLOOR STAND ............................................................54
HEAVY MIC ARMS...........................................................................................................55
PRO MICROPHONE DESK ARM.......................................................................................56
NOISE CANCELLING.......................................................................................................58
COLORED NOISE CANCELLING WINDSHIELD
BLACK NOISE CANCELLING WINDSHIELD.......................................................................59
AMBIENT NOISE ABSORBER............................................................................................60
MICROPHONE LOGO HOLDER.......................................................................................61
48V PHANTOM POWER (2 MICROPHONES) ..................................................................63
48V PHANTOM POWER (1 MICROPHONE) ....................................................................64
VOICE PROCESSOR 1 CHANNEL....................................................................................65
PRO STUDIO HEADSETS...................................................................................................67
CONNECTION PATCH.....................................................................................................68
AMP MULTI HEADSETS - ECO..........................................................................................70

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
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EN-04-06-2014

TEL-PORTE DISPLAY DEVICE ............................................................................................33
BLUE LED DISPLAY STUDIO CLOCK..................................................................................34
RED LED DISPLAY STUDIO CLOCK...................................................................................34
ON AIR STUDIO DISPLAY DEVICE....................................................................................35
RED ON AIR STUDIO DISPLAY PORTHOLE LAMP - ECO....................................................36
«ON AIR - MIC LIVE» STUDIO DISPLAY DEVICE - LED / PLEXI...........................................37

Table of contents
STEREO HEADPHONE AMPLIFIER 19’’...............................................................................71
AMPLIFIED ECO STUDIO SPEAKER...................................................................................73
AMPLIFIED STUDIO SPEAKER PRO...................................................................................74
PRO DUAL CASSETTE DECK.............................................................................................76
CD/USB/MP3 PRO PLAYER.............................................................................................77
CD AND MP3 PLAYER, WITH USB INTERFACE ..................................................................79
MP3 RECORDER, WITH USB INTERFACE AND SD/MMC CARD SLOT................................81
DOUBLE PRO MP3 PLAYER
WITH USB INTERFACE AND SD/MMC CARD INSERT........................................................83
DOUBLE CD/USB PRO PLAYER........................................................................................84
FM/AM RDS TUNER.........................................................................................................87
VU-METER........................................................................................................................88
BEAMTEL MK II - HYBRID GSM.........................................................................................89
DIGITAL PLATFORM SBOX (MOBILE TO PHONE INSERT)..................................................93
STUDIOTEL X1 DIGITAL TELEPHONE HYBRID.....................................................................95
STUDIO TELEPHONE HYBRID INSERT ITB 201 MKII (ANALOG).........................................97
STUDIO TELEPHONE HYBRID INSERT ITB 302 (DIGITAL)...................................................98
FIXED WIRELESS TERMINAL..............................................................................................100
GSM BROADCAST PHONE 2G/3G.................................................................................102
DIGITAL AUDIO CHANGEOVER.......................................................................................105
AUDIO DISTRIBUTOR........................................................................................................107
STUDIO FURNITURE..........................................................................................................109

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

ENCODER AND DECODER STREAMINGBOX...................................................................111

B roadc asting & Pro duc tion Studio
Ref. -17130-17132-17133-17134-17135-17136-22014-22018

Accessories for mounting cabling
Find this product on www.bbeam.com

Cables trays
99 To protect and guide the coaxial cables
99 Dimensions (l x h) :
- 100 x 70 mm, 100 x 35 mm (Ref. 17133)
- 50 x 70 mm, 50 x 35 mm (Ref. 17132)

Fasteners for cable trays
99 90 ° wall mounting (Ref. 17136)
99 Flat wall mounting (Ref. 17135a, 17135b)
99 Wall / ceiling mounting (Ref. 17134)
99 Mounting Hook (Ref. 17130)

Electrical accessories
99 convenience outlet panel - 4 sockets (Ref. 22014)
99 Support for convenience outlet panel (Ref. 22018)

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Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

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5

B roadc asting & Pro duc tion Studio
Ref. 19001-19007-19008-19014-19019-19022-19060

Studio connectors
Find this product on www.bbeam.com

CONNECTORS
Modele

Ref.

Designation

Type

19022

Jack 3,5 Male mono

Gold

19060

Jack 3,5 Male stereo

Gold

19019

Jack 6,5 Male mono

Gold

19014

Jack 6,5 Male stereo

Gold

19008

XLR Male

3P

19007

XLR Female

3P

19001

RCA Male

Black

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

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B roadc asting & Pro duc tion Studio
Ref. 16004-16005-16006

Sound-absorbing panels
Find this product on www.bbeam.com

TECHNICAL FEATURES

SOUND-ABSORBNG PANELS (Ref. 16004)
Dimensions

1000 x 500 mm

Thickness

25 mm

2pcs Packing (1m )
2

Provides good studio insulation
Securing by gluing
Option

glue

ACOUSTIC SLABS (Ref. 16005)
Dimensions

600 x 600 mm

Thickness

90 mm

2pcs Packing (1m )
2

Provides good studio insulation
Securing by gluing
Option

glue

WOOD ACOUSTIC SLABS (Ref. 16006)
Dimensions

2430 x 160 mm

Thickness

16 mm (grooves 3 mm)

2pcs Packing (1m2)
Provides good studio insulation
Fixing on wooden battens or metal framework

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

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9

B roadc asting & Pro duc tion Studio
Ref. 12155

Radio mixing board budgetmix 12
Find this product on www.bbeam.com

CHARACTERISTICS
99 12 channel PA-mixing console with very low noise
architecture.
99 ALT 3-4 bus (2 subgroups)
99 Internal 24bit DSP-effect unit with 100 presets &
foot switch input
99 USB in/out for direct recording to PC
99 8 balanced input channels, 4 Mono + 4stereo:


- Input gain



- Inserts on mono channels



- Peak indication @ -5dB



- High pass filter @ 75Hz



- 3band equalizer (12kHz/2,5kHz/80Hz)



- AUX send with pre/post switch



- EFX send for effects section (post)



- PAN/BAL control



- ALT 3-4 / Channel mute button



- LEVEL with 60mm fader control

99 48V Phantom power on all balanced micros
99 Use of external effects possible
99 Balanced Main L/R output control
99 Headphone and control room output
99 2x 10section LED VU-meters
99 External power transformer
99 19’’brackets voor rack mounting included

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

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B roadc asting & Pro duc tion Studio
CONTROLE
DU CANAL D’ENTREE
INPUT CHANNEL
CONTROL

3. HPF(High-Pass Filter) :
This switch toggles the HPF on or off. To turn the HPF on, press the
switch In ( ). The HPF cut frequencies below 75Hz.
4. ‘EQUALIZER’
This 3-band equalizer adjusts the channel’s high, mid and low
frequency bands. Setting the knob to the “0”
position produces a flat frequency response .Turning the knob to the
right boosts the corresponding
frequency band ,while turning to the left cuts the band.
The following table shows the EQ type, frequency, and maximum cut/
boost for each of the three bands.

1
2
3

5. AUX CONTROL
The AUX knob controls the signal level that the channel sends to the
AUX bus.
If you are using stereo channels, the signals from the L and R channels
are mixed and send to the AUX bus.
The AUX controls can be switched as pré fader or post fader controls.
Pré-fader aux outputs are not
influenced by the position of the channel fader and are mainly used to
control stage monitors. Post-fader Aux
outputs are also influenced by the channel faders and are mainly used
with effect modules.

4
5
6
7

6. PRE/POST SWITCH
This button determines whether the AUX signal will be used in Pre or
Post fader configuration. Pre means
not affected by the position of the channel fader. Post means is
affected by the position of the channel fader.

8
9

7.EFX CONTROL.
This knob controls the level of the signals sent to the EFX bus (to the
EFX SEND jack on the front panel and
to the internal effect module). The channel signals mixed by this bus
have their overall level set by the EFX SEND Control.
Since this control is placed after the channel fader, the signal level will
be affected by the channel fader’s setting.

12

1. PEAK LED INDICATOR
This LED indicator shows the level of the signal input of the
channel. The peak indicator lights up when the input signal
reaches 5dB below the channel’s clipping point. This
indicator shows the level of the Post-EQ/ pre-fader signal. If
the PEAK indicator lights more than briefly on high-level
transients, you should use the TRIM control to decrease the
input sensitivity of the channel. If this does not work, reduce
the output level of the connected source.
2. TRIM CONTROL
According to the level of the input signal, use this knob to
adjust the input to an appropriate level. The best balance of
S/N and dynamic range will be achieved if you adjust the
TRIM control so that the peak indicator lights occasionally.
This control adjusts the channel’s MIC input sensitivity
between -50dB and -6dB and the line input sensitivity
between -30dB and +14dB.
The mono/stereo combination input channels have a
sensitivity of +20dB to-20dB

8. PAN /BAL CONTROL PAN (Mono Channel)
This control pans the channel signal across the master L and R busses,
thus determining the perceived
position of the sound from that channel in the output stereo sound
field. If a PAN control is set all the way to
the left, for example, the sound from that channel will be heard from
the left speaker system only.
If it is set all the way to the right, the sound will be heard from the
right speaker system only.
Intermediate settings will cause the sound to appear at corresponding
locations in the stereo sound field.
BALANCE (Stereo Channel)
This control adjusts the balance or the L/R position of the stereo input
signal.
Turning the BALANCE control to the left of center moves the apparent
source toward the MAIN MIX L bus,
turning it to the right moves the source toward the MAIN MIX R bus.
9. MUTE/ALT 3-4 SWITCH
When the Mute/ALT 3-4 switch is pressed, the channel output will be
routed to the ALT 3-4 output instead of
the main L/R out.
The ALT 3-4 bus offers you a second independent stereo sub mix with
its own sub master stereo fader.
The switch lights up orange to indicate that the mute function is on.
10. PFL SWITCH
When this switch is pressed, the channel input signal can be routed to
the PFL bus. This switch allows you to monitor the pre-fader channel
input signal through the headphone outputs and the
control room outputs.

11

11. PFL INDICATOR
This indicator lights up when the PFL switch is turned on.

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

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B roadc asting & Pro duc tion Studio
12. CHANNEL FADER
This is the channel’s main level control. It determines the level of the
signal that is sent from the channel to
the master mixing, group outs and post fader effect busses. It is the
settings of the input channel faders that
determine the mix, or the balance of sound levels between the
instruments or other sources connected to the
inputs. When a channel is not being used, its fader should be set at the
minimum position to prevent the
addition of unwanted noise to the main program signal.

15. AUX PRE CONTROL
Adjust the level of the signal sent from the internal
Digital effect to the AUX bus. Like this you can also
send for example some effect into your stage monitors
16. DSP ON/OFF SWITCH
This switch turns the internal digital effect on/off.
17. PFL SWITCH
Set this switch on if you wish to output the effect
signal to the PFL bus.
18. PFL INDICATOR
This indicator lights when the PFL switch is turned on.
19. ALT 3/4 OUTPUT FADER
This fader adjusts the output level of the ALT GROUP.
20. TO MAIN SWITCH
When this switch is on, the output signal of the ALT
3/4 subgroup will be sent to the MAIN L/R busses.

MAIN CONTROL SECTION
13
31
30
29
14
28
15

27
26
25
23
24
22
16
20

11
17

21. MAIN L/R MASTER FADERS
Adjusts the final output level that is sent to the MAIN
L/R OUTPUTS.
22. LEVEL METER SIGNAL SWITCHES
These level-meter switches, together with the channel
PFL switches, select the signal that is sent to the
CONTROL ROOM OUT jacks, the HEADPHONE
jack, and the LEVEL METER.
• If the input channel’s PFL switch is on
, then only the channel’s
PFL output is sent to the CONTROL ROOM OUT jacks, the HEADPHONE
jack, and the LEVEL METER.
• If the input channel’s PFL switch is off , then the MAIN L/R signal, the
ALT 3-4 signal or the
TAPE IN signal can be monitored via the CONTROL ROOM OUT jacks,
the HEADPHONE jack, and the LEVEL METER.
23. CTRL ROOM /PHONES CONTROL
Controls the signal output level of the PHONES and CONTROL ROOM
outputs.
24. TAPE IN CONTROL
This knob controls the level of the playback signal that is coming from
the TAPE IN RCA connectors, and that will be routed to the MAIN L/R
output.
25. MASTER AUX/FX SEND
• AUX Control :
Controls the general output level of all the channel AUX signals, that
will be sent to the AUX SEND jack outputs. ;
• EFX Control :
Controls the general output level of all the channel EFX signals, that
will be sent to the EFFECT unit and to
the EFX jack output.
Remark: if this level is set to zero, no audio signal will be sent to the
effect unit.
26. PFL INDICATOR
This indicator lights when a PFL switch is turned on

12

18
13. DSP PROGRAM DISPLAY
The selected DSP effect number is shown on the display.
14. DSP PROGRAM SELECT SWITCH
Turn the program knob to select one of the 100 built-in
digital effects. The 24 Bit Digital Effects processor
provides high quality effects like Delay, Chorus and Reverb.

28. RETURN CONTROL
• AUX Control:
Adjust the level of the signal coming from the RETURN jacks (L (MONO)
and R), routed to the AUX1 and AUX2 Busses.;
• MAIN Control:
Adjusts the level of the signal coming from the RETURN jacks (L
(MONO) and R), routed to the MAIN L/R bus.
29.POWER INDICATOR
This indicator lights when power switch of the mixer is turned on.
30. PHANTOM POWER SWITCH
This switch toggles the phantom power on or off. If you set the switch
on, the mixer supplies power to all channels that provide XLR MIC
input jacks.

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

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19

27. LEVEL METER
This LED display shows the level of the signal selected like described
in the LEVEL METER SIGNAL
SWITCHES (11) above. The “0” point corresponds to the standard
output level of +4dB.

B roadc asting & Pro duc tion Studio
Set this switch on when using one or more condenser microphones
that need to receive external power from the mixer.
NOTE: When this switch is on, the mixer supplies DC +48V power to
pins 2 and 3 of all XLR-type MIC INPUTS.
Be sure to leave this switch off ( ) if you do not need phantom
power.
When tuning the switch on ( ), be sure that only condenser MICs are
connected to the XLR input jacks.
Devices other than condenser MICs may be damaged if connected to
the phantom power supply.
Note, however, that the switch may be left on without problem when
connecting to balanced dynamic microphones.
* To avoid damage to speakers, be sure to turn off amplifier (on
powered speakers) before turning this switch on or off.
We also recommend that you turn all out controls (MAIN master fader,
ALT3/4 fader, etc.) to minimum settings before
operating the switch, to avoid risk of loud noises that could cause
hearing loss or device damage.

31. PHANTOM POWER INDICATOR
This indicator lights up when the phantom power is switched on.

CONNECTORS

2
1.CHANNEL INPUTS
BALANCED MIC XLR Connectors
These are balanced XLR-type input jacks (1: Sleeve, 2: Hot, 3:Cold)
BALANCED LINE IN JACK Connectors
A standard 1/4” TRS phone jack is used for balanced or unbalanced
line level signals, like used with most
electronic keyboards, synthesizers, tape decks and the line outputs
from other mixers.
2.CHANNEL INSERT I/O JACK
These are input/output jacks located between the head-amplifier and
the high pass filter.
These jacks can be used to independently connect these channels to
devices such as graphic equalizers,
compressors, and noise filters. These are 1/4” TRS (tip, ring, sleeve)
phone jacks that support bi-directional
operation.
NOTE: Connection to an INSERT I/O jack requires a special separatelysold insertion cable such as illustrated below.

3

5

8 9

6

4

7

10

11

12

3. CHANNEL INPUT JACKS
These are unbalanced stereo line input connectors. Two types are
provided: Jack type and RCA pin type.
For stereo signals, you need of course to connect both Left and Right
channels.
Channels CH9/10 and CH11/12 can also be used for mono signals. If
you need to connect a mono signal,
then use only the L MONO Jack input. When the mixer detects no
connector in the R input, it will spread the
signal of the L MONO Jack input over both L and R channels.
NOTE: Channels 9/10 and 11/12 provide 2 types of inputs: jack and
RCA connectors. Please use only one
of these inputs for each channel. Never use both input types at the
same time on the same channel.
4. STEREO RETURN L (MONO), R JACK
These are unbalanced 1/4” TRS phone-type line input jacks. The signal
received by these jacks is sent to the
MAIN bus and AUX buss. These jacks are mainly used to receive a
return signal from an external effect
(reverb, delay, etc.)
NOTE: These jacks can also be used as an auxiliary stereo input. If you
need to connect a mono signal, then
use only the L MONO Jack input. When the mixer detects no connector
in the R input, it will spread the
signal of the L MONO Jack input over both L and R channels.
5. TAPE IN RCA connectors
Use these RCA connectors when you want to connect a CD, DAT or
other external sound source directly to
the mixer for monitoring.

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B roadc asting & Pro duc tion Studio
You can adjust the signal level using the TAPE IN control in the MAIN
CONTROL SECTION.

speakers, or you can use them when you wish to record the signal that
is also influenced by the main output faders.

6. REC OUT RCA connectors
The REC OUT connectors send the pre-fader signal from the master
bus. U can use this output for recording.

11. CONTROL ROOM OUTPUT JACKS
These unbalanced 1/4” Jack outputs are controlled by the CTRL ROOM
/PHONES CONTROL and are
generally used to connect a monitoring system.
NOTE:The signal monitored by these outputs is selected by the settings
of the LEVEL METER SIGNAL
SWITCHES, the TAPE IN switch, and the PFL switches on the input
channels.

7. SEND JACKS
These are unbalanced phone jacks
* AUX
These jacks output sends the signal form AUX bus. You can use this
jack, for example to connect powered stage monitors.
* EFX
You can use this jack for example to connect an external effect unit.

12. PHONES JACK
Stereo headphones connector.

8. FOOT SWITCH JACK
A foot switch can be connected to this phone input jack and can be
used to turn the digital effects ON/OFF.
9. GROUP OUT (ALT3/4 ) JACKS
Unbalanced 1/4” Jack outputs for the signals of ALT3/4.
10. MAIN L/R OUTPUT JACKS
Balanced 1/4” Jack outputs. You can use these outputs to connect the
power amplifiers for you main

NOTE:
The signal monitored by these jacks is selected by the settings of the
LEVEL METER SIGNAL SWITCHS, the TAPE IN
switch, and the PFL switches on the input channels.

REAR PANEL
1

2

1. POWER SUPPLY CONNECTOR
Connect the included power supply here. Replace this power supply
only with exactly the same type number.
Use of a different adaptor may result in fire or electric shock.
2. POWER SWITCH
Used to switch the mixer on/off. We strongly advise to set the master
output faders of the mixer and the gain
controls of your amplifier to zero before you switch the mixer on or off

4

4. USB PORT
The built-in stereo USB audio interface allows you to connect your
mixer to a PC for recording or playback.
Virtually any digital recording software can be used.
The PC/Mac will detect your mixer as a sound card, so normally no
drivers are needed. This means also you
will be able to use the standard audio interface controls in the MAC or
Windows operating system to make all the settings.

3. MAIN L/R OUTPUT.
Used to connect the master output (Main L/R) of the mixer to a power
amplifier (or other equipment)

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EN-04-06-2014

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B roadc asting & Pro duc tion Studio
RADIO BROADCAST STUDIO

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EN-04-06-2014

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B roadc asting & Pro duc tion Studio

16

Power Supply :

CA 230 V, 50 Hz

Power consumption :

36 W

Max output level (0.5% thd @
1kHz) :

+26 dB (MAIN L/R) @ 10 kOhm
+20 dB (ALT 3/4, AUX/EFX, CTRL ROOM) @10 kOhm
+20 dB (INSERT)
Plus de 100 mW (HEADPHONES) @ 33 Ohm

T.H.D. :

< 0,1% @ + 14 dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM)
@ 10 kOhm

Frequency response :

20 Hz~20 kHz, + 1/-2 dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM)
@ 10 kOhm

Hum and Noise (average
Rs=150Ohm) :

-127dB equivalent input noise
-95dB residual noise (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL
ROOM)
-88dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) Master
fader at nominal level and all channel assign switches off.

Maximum Voltage Gain :

74 dB MIC IN TO MAIN L/R
74 dB MIC IN TO ALT 3/4
66 dB MIC IN TO AUX (PRE)
76 dB MIC IN TO AUX (POST)
76 dB MIC IN TO EFX
80 dB MIC IN TO CONTROL ROOM L/R
52,2 dB IN TO REC L/R
54 dB LINE IN TO MAIN L/R
54 dB LINE IN TO ALT 3/4
46 dB LINE IN TO AUX (PRE)
56 dB LINE IN TO AUX (POST)
60 dB LINE IN TO CONTROL ROOM L/R
44 dB STEREO IN TO MAIN L/R
44 dB STEREO IN TO ALT 3/4
16 dB AUX RETURN IN TO MAIN L/R
20 dB TAPE IN TO MAIN L/R

Crosstalk (@ 1kHz) :

- 70 dB entre les canaux d’entrée
- 70 dB entre les canaux d’entrée et de sortie

Gain Control (mono input
channel) :

44 dB variable (- 50 dB ~ - 6 dB) (- 30 dB ~ + 14 dB)

Gain Control
(combined mono/stereo input
channel):

40 dB Variable (- 20 dB ~ + 20 dB)

Input channel Equalization :

HIGH: 12kHz shelving
MID: 2.5kHz peaking
LOW: 80Hz shelving
*Turnover/roll off frequencies: located 3dB below max. boost/cut

LED Meters :

2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFL

Internal Digital Effect :

100 selectable presets
FOOT Switch control (ON/OFF)

Channel indicators

Peak: an indicator for each channel turns on when the pré-channel
fader signal is 5dB below clipping

Phantom Power (balanced
input):

+ 48 V CC

Weight :

4,6 kg

Dimensions :

328 (W) x 90 (H) x 420 (D) mm

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

TECHNICAL FEATURES

17

B roadc asting & Pro duc tion Studio
Ref. 12071

Radio broadcast mixing console
Littlemix
Find this product on www.bbeam.com

CHARACTERISTICS
99 Le Littlemix a été spécialement conçu pour satisfaire
aux demandes des stations TV et radio.
99 Very competitive price
99 Wide range of functions in small dimensions
99 2 built-in telephone hybrids
99 9 stereo inputs
99 3 micro inputs
99 Very easy to operate
99 Perfectly adapted to computerized stations
99 Pro 110 mm potentiometers
99 The potentiometers and switches are manufactured
at ALPS.
99 For broadcast and production
99 The frame is inox steel & aluminium made
99 The internal construction is modular for an easy
maintenance
99 Electronic components have been selected from the
best on the market.
99 The slider opening is also associated with the
Monitor output cut-off and with an insulated contact
closing for On Air lamp control.

99 The Master module has 5 outputs: 2 stereo balanced,
unbalanced stereo and 2 mono unbalanced. The
same section also allows the use of a talk over.
99 The monitor module has an external input tuner
broadcast control and 3 different outputs for
headphones. Stereo monitor. Pre listening DJ
headphones for private communications through
talk back.
99 Littlemix has two large LED meters with peak
memory allow a constant and fine control of Master
and Monitor signals.
99 Littlemix offers an optional XLR / SubD cable
connectors for balanced output. Broadcasters cut
back controlled by the activation of microphones.
99 The external switching power supply, operating
between 90 and 260 Vac, assures maximum
reliability and a world-wide use.

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

18

B roadc asting & Pro duc tion Studio

1
2

3
4
5

6

OUT

CH 5

CH 4

CH 3

CH 2

CH 1

INPUT B

INPUT B

INPUT B

INPUT B

INPUT B

R

R

R

R

R

R

FIXED
R

R

CH 6
INPUT B

L

R

L

R

L

L

L

L

L

L

L

L

MONO

LINE

LINE

PHONE

PHONE

CALL

CALL

MICRO BAL.

MICRO BAL.

MICRO BAL.

FRONT FACE
Switch B selects the input terminal B when the button is pressed and
the input A when it is not pressed.
LED lights green when the input B is selected.
Input A is set to the micro level on channels 1-3 for the line level
on channels 4 and 5 and phono level on channel 6 unless otherwise
stated.
2. Rotary GAIN potentiometers : The GAIN potentiometers offer a
range of 24 dB variable (from - 12 to + 12 dB) depending on the source
connected to the internal 0 dBu. level
3. The equalizer: it has three settings. The upper treble button (HIGH)
can increase and decrease of +6 to -12 dB at 13 kHz and the lower bass
button (BASS) is used to increase and decrease +6 / -12 dB at 60 Hz
The center button is activated as a midrange setting (MID), with an
attenuation / amplification adjustment of + 6 to - 12 dB for a frequency
range from 80 Hz to 10 kHz.
Set the button of each section to the center-detented position when no
adjustment is necessary.

5. PFL: The pre listening stereo key (PFL) (enabled only in locked
mode) allows listening pre (post-EQ) with the closed channel fader.
Even when the channel is active, the PFL system is active. It always
works in the ADDITIVE mode (eg. You can listen to one or more PFL at
the same time by pressing one or more keys PFL).
To listen to a PFL:


1) Select the PFL button on the control input channel;



2) Release the EXT-IN MASTER and MONITOR section of the keys.

6. Potentiometers: 100mm slide potentiometers in very smooth
running mans series. The scale shows the attenuation. Normal
operating position is at the top: brand ‘0 ‘, providing typically 0 dB gain.
7. CANAL Module 1 (labeled DJ Mic-Line) can be considered a
«priority» channel: POST-EQ signal (pre-fader) is always routed to the
internal circuit TALKBACK and telephone channels for communication
(Off air) «private» with callers. Post-Fader Output Channel Master is
also directed to the TALKOVER section for mixing voice / automatic
music. We recommend that you use the First Channel as a «micro»
connected to the DJ / Announcer microphone channel.

4. MASTER key: The input channel signal can be routed to the main
mix stereo (MASTER L / R) by pressing the MASTER switch. There is a
green LED that lights up accordingly.

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

19

EN-04-06-2014

1 Selector A / B:

B roadc asting & Pro duc tion Studio
8. Phone module: It includes a telephone hybrid.
This module has two gain settings, PFL, the Master output, hybrid
controls answer / call. It has connections to a regular phone line
(POTS) and an external standard (eg for dialing) telephone. Automatic
compensation of the line is also available.

7

8
9

The audio sent to the caller phone is a Mix-Minus (N-1). Mix-Minus
signal is the output of the program with the phone signal removed (the
voice of the caller).

10

The presenter can talk offline with a caller (while the main program
is production) through its own microphone (connected to channel 1
module).

11

9 Key HOOK. It allows answering. This switch picks up / hang up the
hybrid from the telephone line.

13
14

12

The «hook» LED lights accordingly. The same LED flashes when a call
(ring) is in progress. Please note: the LED lights only if the telephone
line is connected.
10. RECEIVE Key: This adjusts the level of the incoming signal caller
phone in the range of + / - 12 dB.
11. SEND Key: This adjusts the signal level Mix-Minus which is sent to
the caller phone in the range of + / - 12 dB.
12. MEETING Key: It allows the signal to be heard also by the other
calling party telephone.
13. MASTER key: It connects the output of the phone to the master
output. The LED in the button lights up accordingly.
14. PFL Key: pre stereo listening (PFL) (enabled only in locked mode)
allows a caller to listen to the presenter / DJ microphone (connected to
channel 1) and to be heard without being on the show (ie with the fader
closed).
15. rotary potentiometer OUTPUT 1: It controls the signal level at the
output labeled OUTPUT 1 (symmetrical).
16. rotary potentiometer OUTPUT 2: Controls the signal level at the
output labeled OUTPUT 2 (symmetric).
17. BALANCED rotary potentiometer: It controls balance signal on
OUTPUT FIXED labeled 1-2-3 and outputs.

15
16
17
18

18. rotary potentiometer OUTPUT 3: It controls the level of the output
signal on output labeled OUTPUT 3 (asymmetrical).

19

19. The Talk Over section enables the compression of all signals of CH
2-6 and telephone channels for the output signal CHANNEL1 (Master).
This means that you can automatically lower the level of music signals
(from the stereo module) based on the signal level of microphone MIC
1. This section will affect the MASTER outputs.

20
21
22

20. rotary potentiometer DEPTH: Controls the compression ratio: the
lower the value, the lower the level of compressed audio. The Talk Over
feature can be disabled by turning the depth to the position 10.
21. THR adjustment potentiometer (ESHOLD): This is the hole and
sets the intervention threshold level of the compressor (Use a small
screwdriver to avoid damage to the potentiometer).
22. adjustment potentiometer REL (EASE): It adjusts the release time of
the compressor: the higher the value (turn clockwise), and more time
is required to return to the old audio level. (Use a small screwdriver to
prevent damage to the potentiometer).
23. The Monitor section supports a pair of headphones over a Line Out
with separate level controls

25. Setting EXT IN: It adjusts the EXT IN the level of the input signal (eg,
a signal tuner)

24

25
26
27

26. Setting OUT: It controls the monitor output (line level) on the rear
panel.
27. Setting HEADPHONE: It controls the output headphones connected
to the headphone jack ¼’’ jack.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

20

24 POWER switch: It switches the mixer in On / Off. The LED in the
button lights up accordingly.

23

B roadc asting & Pro duc tion Studio
TECHNICAL FEATURES
INPUT
TYPE

CONNECTEUR

NIVEAU

IMPEDANCE

INPUT A

unbalanced stereo

RCA

-12 ÷ +12 dBm

47 kW

INPUT B

unbalanced stereo

RCA

-12 ÷ +12 dBm

47 kW

balanced mic

balanced mono

XLR Female

-36 ÷ -60 dBm

12 kW

Ext. input

unbalanced stereo

RCA

-inf to + 6 dBm

47 kW

Phone

2 son

phone connection

-12 ÷ +12 dBm

SORTIE
TYPE

CONNECTEUR

NIVEAU

IMPEDANCE

Fix

Stereo

RCA

0 dBm

100 W

Sortie 3

unbalanced stereo

RCA

-inf to + 6 dBm

100 W

Sortie 1-2

unbalanced stereo

DB 15

-inf to + 6 dBm

100 W

Mono

unbalanced mono

RCA

0 dBm

100 W

MONITOR output

unbalanced stereo

RCA

-inf to + 6 dBm

100 W

TALK BACK

unbalanced stereo

DB 9

0 dBm

100 W

Rec.tel.

unbalanced stereo

RCA

0 dBm

100 W

Headset

unbalanced stereo

Stereo Jack

-inf to + 6 dBm

100 W

EXTERNAL POWER SWITCHING
Primary

90 to 260V

Consumption

20W

DIMENSIONS
Height

178 mm

Length

483 mm

Depth

340 mm

Weight

5 kg

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

21

B roadc asting & Pro duc tion Studio
Ref.: 12111

Production console - airmix usb
Find this product on www.bbeam.com

DESCRIPTION
We designed the Airmix-USB to fulfill the requirements for a high grade low cost radio production mixer.
Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that
needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web).
A heavy duty 19» rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely
found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two
stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And every line
level line B input can be converted into a phono (gramophone) channel by simply fitting an optional stereo R.I.A.A.
equalized phono pre-amp.
Availlable inputs are :
99 6x Mic inputs, 12x stereo line inputs
99 4x inserts on Mic input 1-4
99 2x USB stereo send/return
99 2x Built Telephone Hybrids

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BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

22

B roadc asting & Pro duc tion Studio

Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your
PC.

Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to
interface with a POT line and a telephone appliance.
R-BALANCE: Internal potentiometer (screwdriver control) to adjust for maximum
side tone attenuation via top panel hole.
C-BALANCE: 16 position rotary switch to select the optimum side tone attenuation.
TALKBACK: By pushing the TB switch on the Hybrid module, the internal talkback
microphone is activated and allows you to talk to the caller without being ON-Air.
CONN: This switch (when pushed) picks up the phone line when a call comes in.
CUE: This switch allows you to check the signal before you mix it with your other
channel signals in the mixer.
TELCO SEND: With this control you adjust the level of the outgoing signal to the
telephone line.
ON: The ON switch is used to activate the module and generate a signal to start
turntables, CD players, and cart or jingle machines.
Microphones modules faders, once raised, allow the lightning of the “ON AIR” signal
and cut the control room feedback.
Each microphone input has a bass filter.
LINE - USB: The stereo line input is a high impedance input for connecting any
stereo line level device such as CD players, iPods, tape decks etc. The USB switch
changes the module into a USB in and out module. The USB connector will
communicate with play-record devices such as computers using a DAW (Digital
Audio Workstation), Windows Media Player, and/or CD players using a USB output
connector. It is an input that can be connected to any standard USB connector on
PC’s to make an easy interface with music programs running on the PC. When the
USB connection is made between the Airmix-USB and your PC, your computer will
recognizes the USB device as new hardware. A small green led lights when data is
sent over the USB cable. In Windows Media Player, you can change settings to allow
it to work as a player or recorder.
More information about the ASIO technology : http://en.wikipedia.org/wiki/Audio_
Stream_Input/Output
The Airmix has the MASTER (L/R) level stereo output and the stereo auxilaries
management AUX (outcome and income), monitor MON and headset PHONE,
and FOLLOW PHONES butons that allow the broadcaster to not use
the
headset but the feedback monitors.

23

A SPLIT button allow to split the audio signal (CUE and Pre-fader).

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

SELF-OP: This switch mutes the monitor output (control room monitor
speakers) as soon as a microphone input is opened.

B roadc asting & Pro duc tion Studio

CLEANFEED: By jumpering only those channels that are not returning Telephone Hybrid signals you avoid
feedback and have a perfect set-up for talk shows. The Clean feed output is only used when an external Hybrid
is used.
A TB talkback button on the MASTER side allow to manage OFF-AIR this additional phone input.
The possibilities offered by AIRMIX made it one of the best production control table in his category with an
exeptional report price/quality.
Exeptional audio characterisics, perfectly adapted for a digital station.

TECHNICAL FEATURES
INPUTS
Mic inputs: bal, 2kOhm, XLR. Phantom:

48 volt

Noise:

- 122 dBr (A-weighted)

Sensitivity:

- 70 dB min, O dB max.

Insert:

-10dBv in/out.

LINE input:

unbal., 10kOhm, Cinch.

Gain:

range of 40 dB

Phono inputs:

unbal. / 47 kOhm / 5 mV

2 Track return:

- 10 dBV à 10kOhm

Aux returns

- 10 dBv à 10 kOhm stereo

USB
Fully compliant with USB 2.0 playback and record mode.
HID Functions:

Volume / Mute

TELEPHONE HYBRIDS
RJ-11 connectors for phone line/dialler
Mix Minus rejection @1kHz -60dB.

OUTPUTS
Left/Right:

+ 4 dBu bal. XLR

Monitor/Aux :

+ 4 dBu unbal. on Cinch

Cleanfeed/Announcer:

+ 4 dBu / Jacks / Tape outp : -10 dBv / unbal. / Cinch

Headphone:

16-600 Ohm / Jack

Announcer:

16-600 Ohm / Jack

EQUALIZER
High:
Mid:
Low:

± 12 dB at 12 kHz shelving
± 12 dB at 1 kHz bell curve
± 12 dB at 60 Hz bell curve

24
Frequency response:

10 - 60.000 Hz. Distortion: < 0.009% max at 1 kHz

Start switch:

reed relay

Ledbars:

21 segment

Power Consumption:

25 VA

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

OVERALL

B roadc asting & Pro duc tion Studio
RED LIGHT Stereo jack connector to intern relay (24volt/50mA max.)
Contact RED LIGHT

OPTO COUPLER

Distortion:

<0.009% max at 1 kHz.

Dimensions:

483x356x95 mm ( 8HE ) .

Weight:

10 kg.

Left-Right 19’’ rack mountable
Width:

482mm

Front-Back:

356mm (8HE).

Height:

95mm.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

25

B roadc asting & Pro duc tion Studio
Mixing table - broadmix 14

Ref. 12004

Find this product on www.bbeam.com

DESCRIPTIF
Compact, cost effective and versatile… the Broadmix 14 is designed for a broad range of applications from small radio
or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community
radio. The Broadmix 14 is equipped with a wealth of features specifically for broadcasters, including telephone
communication modules for telephone callers, mic fader start sensing for external connection and internal automatic
muting of the speaker outputs, stereo channel start/cue outputs for CD deck transport control, separate headphones
mix & outputs for guests, an audition bus, and much more!

Mic/Line Pre-amps
The Broadmix 14’s two stage pre-amp design, offers an expansive and controlled gain range (69dB). Most of the gain
comes from the first stage, so unwanted noise is kept to a minimum, and the second stage is padless, with line level
signals simply plugged in using the input jack socket, which means lower noise when using the line input.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

26

B roadc asting & Pro duc tion Studio
EQ
The Broadmix 14 is equipped with a 3-band equaliser circuit on each mono input and a 2-band EQ on the Telco and
stereo channels. The frequency and response of each has been carefully chosen to give the maximum performance
when using the EQ on a variety of sources.

AUX Bus and MIX B stereo Bus
Broadmix 14 has a single Auxiliary bus that can be used for external processing, effects, recording or auditioning. A
separate stereo mix bus is provided for recording an independent mix to the main program mix, or creating a clean
feed source with selected channels.

Remote Control
The mono mic/line channels have fader start logic switching, enabling them to control external equipment or
automatically mute the speaker outputs to prevent acoustic feedback in localised or self-operated applications.
The stereo channels have ‘start & cue’ logic outputs to connect to external equipment such as CD players. There
are also options to mute the mono inputs remotely using an external “cough” switch or similar.

USB
Just plug in a USB lead and select the USB routing to enable quality audio to and from your PC or Mac. (source 10).

Self or Producer Operated
Separate monitor mixes can be created for operator, guests or presenter so the engineer can check levels and cue
sources while the presenter or guest can listen to a different source. The engineer/producer can communicate to
the studio using the ‘Talk’ feature, or off-air to telephone callers.

99 Audition/clean feed bus
99 3-band EQ on mono channels
99 4 mic/line and 4 stereo channels
99 2-band EQ on Telco/stereo channels
99 2 stage, padless pre-amp design
99 Fader start sensing on mono channels
99 ALPS pro length 110mm potentiometer

99 Start/cue logic on stereo channel switches

99 USB connectivity to interface with PC/MAC

99 2 Telco telephone communication channels

99 Separate headphones mix for engineer/producer and 2
guests

99 Optional built-in brackets for mounting
99 Vertically-mounted PCB construction with nutted rotary pots
99 Aux and separate stereo busses for processing/recording
99 Control room outputs with auto and remote mutes

27

99 Remote mute facility on mic channels
99 Balanced main outputs with inserts

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

99 Input signal and peak metering

B roadc asting & Pro duc tion Studio
PGM LEFT
PGM RIGHT
PGM MONO
AUX
MIX B LEFT
MIX B RIGHT
PFL
PFL DETECT
CLF PGM-T1
CLF AUX-T1
CLF PGM-T2
CLF AUX-T2

XB-14 BLOCK DIAGRAM
+48V
PEAK
SIGNAL

METER

MONO CHANNEL

GAIN

LINE IN
+
-

+
-

MIX B

LF

HM

FADER

FADER

3 BAND EQUALISER
INSERT

100Hz

RECORD
OUT

R

MAIN PGM

L INSERT
REMOTE MUTE

HPF

EXT METER

PAN

HF

L

R INSERT

MUTE

MAIN PGM
OUT

ON

+4dBu

+
-

HPF

LF

M

MONO PGM
AUX

2 BAND EQUALISER

100Hz

PRE

METER

PEAK
SIGNAL

AUX OUT

PFL

HF

MIX B

L

FADER

R

MIX B LEVEL

PAN

L
MIX B OUT
R 0dBu

MUTE

TELCO CHANNEL (T1)

ON

TALK

DISABLE ON

CLEANFEED + COMMS

AUX

SWITCH
LOGIC

LOW=FADER UP

COMMS MIC INPUT

AUX +MONO

AUX

MONO PGM
CLEANFEED SOURCE

USB STEREO I/O

USB DEVICE
PRE

MONO PGM - T1

MIX B

MIX B

AUX - T1

13

BLOCK DIAGRAM

LEVEL

SWITCH
LOGIC

LOW=FADER UP

R

AUX

DISABLE ON
MONO CHANNEL
TALK SELECTION
FACTORY SET TO M1
CAN BE CHANGED
AT SERVICE CENTRE

USB
RETURN

PRIORITY SWITCHING

USB
RETURN

METER

ST6

STEREO CHANNEL

GAIN

L
R

A/B
ST2&4

PEAK
SIGNAL

LF

AUX

PFL

PFL

MIX B
MIX B

2 BAND EQUALISER

METERS

PRIORITY SWITCHING

FADER

HF

USB RTN

USB RTN

EXT MON

EXT MON

PAN

CRM
PHONES
LEVEL

MUTE
L

ST1,3,5&7

GAIN

PFL ACTIVE
PULSE LOW = START

R

PULSE LOW = STOP

SWITCH
LOGIC

PFL ACTIVE

ON

DIM

DISABLE ON

AUX
PRE

L
R

EXT MON IN

REMOTE B
1
9
2
10
3
11
4
12
5
13
6
14
7
15
8

REMOTE INTERFACE
REMOTE A

ST1 START PULSE
ST1 STOP/CUE PULSE
ST2 START PULSE
ST2 STOP/CUE PULSE
ST3 START PULSE
ST3 STOP/CUE PULSE
ST4 START PULSE
ST4 STOP/CUE PULSE
ST5 START PULSE
ST5 STOP/CUE PULSE
ST6 START PULSE
ST6 STOP/CUE PULSE
ST7 START PULSE
ST7 STOP/CUE PULSE
GROUND

1
9
2
10
3
11
4
12
5
13
6
14
7
15
8

M1 FADER UP LOGIC
M2 FADER UP LOGIC
M3 FADER UP LOGIC
M4 FADER UP LOGIC
T1 FADER UP LOGIC
T2 FADER UP LOGIC
MUTE_M1
MUTE_M2
MUTE_M3
MUTE_M4
MUTE_T1(POSSIBLE NR)
MUTE_T2 (POSSIBLE NR)
CUT CRM SPEAKERS (INPUT)
N/C
GROUND

D SUB 3 (METERS)
1
2
3
4
5
6
7
8
9

CRM
HEADPHONES
L

CUT/DIM

R

CRM
SPEAKERS

PRIORITY SWITCHING

AUX

+15V
DISABLE STEREO
-15V
MUTE CIRCUIT (JAM ON)
GND
BUT
LEFT METER (POST FADE PGM L)
LEDs FOLLOW SWITCH
RIGHT METER (POST FADE PGM R)
ON ALL 4 STEREO CHs
GND
DISABLE ON SWITCHES
GND
(MAKE PERMANENTLY ON)
GND
(LED'S ALWAYS ON)
+10V
MONO INPUTS
STEREO INPUTS
1 2 3 4

T1 T2 1 2

3 4

ON ON ON ON

ON ON ON ON

ON ON ON ON

STANDARD OPERATION
OPTIONAL OPERATION

CRM
SPEAKERS

ENABLE
PFL TO GUESTS

MIX B
USB RTN
EXT MON

MIC CHANNELS
1 - 4 PREFADE

USB RTN

CUT CRM SPKRS
FROM MIC FDRS
GUEST
HEADPHONES

EXT MON

TALKBACK
TALK
TO GUEST

GUEST
HEADPHONES

FACTORY SET TO M1
MONO CHANNEL
CAN BE CHANGED
TALK SELECTION
AT SERVICE CENTRE

TECHNICAL FEATURES

Allen & Heath

MIC IN

L

PFL

XB-14 User Guide

GLOBAL 48V SWITCH

PP

Input
Mono channel Mic input (XLR)

+6 to –63dBu for nominal (+17dBu in max)

Mono channel Line input (TRS Jack socket)

+10 to –26dBu (+30dBu maximum)

Insert point (TRS Jack socket)

0dBu nominal +21dBu maximum

Stereo input (TRS Jack sockets)

0dBu nominal (control = Off to +10dB)

Stereo input (RCA phono sockets)

0dBu nominal (control = Off to +10dB)

Telco channel input (XLR)

+10 to –26dBu (+30dBu maximum)

External monitor inputs (RCA phono sockets)

0dBu Nominal

Output
+4dBu nominal. +25dBu maximum.

PGM Mono output (RCA phono)

0 dBu nominal. + 21 dBu maximum

PGM L & R inserts (TRS jack sockets)

- 2 dBu nominal. + 21 dBu maximum

Aux output (Jack socket)

0 dBu nominal. + 21 dBu maximum

Mix B outputs (RCA phono sockets)

0 dBu nominal. + 21 dBu maximum

Rec outputs (RCA phono sockets)

0 dBu nominal. + 21 dBu maximum

Telco output (XLR)

0 dBu nominal. + 21 dBu maximum

CRM Speaker outputs (RCA phono sockets)

0 dBu nominal. + 21 dBu maximum

THD+n
Mic in to PGM L/R Out, 0dB gain 1kHz +10dBu out

0,003%

Mic in to PGM Out, 30dB gain 1kHz

0,007%

Line in to PGM L/R out 0dB gain 0dBu 1kHz

0,004%

Stereo in to PGM out 0dB gain +10dBu 1kHz

0,003%

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
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EN-04-06-2014

28

PGM L & R outputs (XLR)

B roadc asting & Pro duc tion Studio
USB Audio CODEC (Coder/Decoder)
USB Audio IN/OUT

USB 1.1 compliant 16bit.

Sample Rate

32, 44.1, or 48kHz

Noise
Mic Pre EIN @ max gain 150R input Z 22-22kHz

-127 dBu

PGM out, PGM fader = 0 dB, 22-22 kHz

-92 dBu

Aux out, Mono out, Mix B out = 0dB, 22-22 kHz

-90 dBu

Headroom
Analogue Headroom from nominal (0Vu) Outputs

21 dB

Analogue Headroom from nominal (0Vu) Mix point

24 dB

USB in & out headroom from nominal (0Vu)

14 dB

Crosstalk & Attenuation (dB 22-22kHz)
Mono fader attenuation (dB relative to +10dBu)
1kHz/10kHz

-100/-90

Mono ON switch attenuation (dB relative to +10dBu)
1kHz/10kHz

-100/-90

TELCO fader attenuation (dB relative to +10dBu)
1kHz/10kHz

-99/-92

TELCO ON switch attenuation (dB relative to +10dBu)
1kHz/10kHz

-100/-100

Stereo fader attenuation (dB relative to +10dBu)
1kHz/10kHz

-99/-86

Stereo ON switch attenuation (dB relative to +10dBu)
1kHz/10kHz

-100/-93

PGM fader attenuation (dB relative to +10dBu)
1kHz/10kHz

-102/-99

TELCO clean-feed isolation from I/P (dB relative to
+10dBu) 1kHz/10kHz

-77/-56

Stereo separation, L in to PGM R out. dBr 1kHz/10kHz

-77/-56

Frequency Response
Mic in to PGM L/R Out, 30dB gain

+0.5/-1dB 20Hz to 20kHz.

Line in to PGM L/R out 0dB gain

+0.5/-1dB 10Hz to 30kHz

Stereo in to PGM L/R out

+0.5/-1dB 10Hz to 30kHz

Mechanical
Dimensions (L*l*h /mm)

465*585 + 24 (fix. plate)*92

Weight (Kg)

Unpacked : 7,5
Packed: 11,5

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

29

B roadc asting & Pro duc tion Studio
Ref. 12138

Radio mixing board - compactmix
Find this product on www.bbeam.com

CHARACTERISTICS
99 The COMPACT is a user-friendly console perfectly
adapted to the field of radio broadcasting.
99 Without taking up a great deal of space, the
COMPACT has all the functions necessary to satisfy
the most demanding of requirements whether it be
in a studio, post-production or even on-air.

MODULES SPECIFICATIONS
INPUT CHANNELS
Common features
Two switchable inputs (from front panel) one input level, on pan, 1 AUX
stereo output (before or after fader at user will), one CUE key, input/
output for remote control allowing control of remote equipement or
remote control of Compact II, one 100mm fader, and first of all, a VCA
gain control preserves the maximum sound quality (the signal does nots
pass through the fader).

LINE1 / LINE2
Two line level inputs one is XLR balanced, the other unbalanced on RCA.

Applications
This channel allows the maximum of external equipments in the
minimum room. Furthermore the balanced/unbalanced inputs match
various sources outputs.

LINE / MICROPHONE
One XLR stero balanced line level input plus one XLR balanced
microphone input with phantom supply and insert connector (for
external sound processor).

Applications
This input intended for microphone can connect an other equipment not
often used, without using an other channel.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

30

B roadc asting & Pro duc tion Studio
OUTPUT CHANNELS
99 Concentrate functionality in a minimum of space!
Functions
Microphone order routing to EXT, HYBRYD, STUDIO and DJ .
Aux input Ext for monitoring.
DIM key fading MONITOR.
Telefone hybrid management for ANT or PGM2, and CUE.
TUNER input with R/L settings.
Stereo effet return.
PGM2 ouput (with gain control and cue).
STUDIO output (switched to ANT or PGM2 or TUNER bus).
MONITOR listen to ANTor PGM2 or TUNER or CUE)
1 AUX output
Headphone output
2 Red/green lamps switching (SUDIO and CONTROL ROOM)
Option - accessories
Talkback
Remote input channel to speak table

DIMENSIONS

WEIGHT

Console

600 x 445 x 90 mm

13 Kg

Power supply

267 x 90 x 75 mm

2 kg

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

31

B roadc asting & Pro duc tion Studio
INPUT

EMBASE

TYPE

IMPED.

SENS MINI

SENS MAXI

SATURATION

CONDITIONS

Micro 1 to 5

XLR

SYM

2200 Ω

-13 dBu /
175 mV

-70 dBu/
0,245 mV

-4 dBu/
490 mV

Out Antenna
+ 6 dBu

Sym line

XLR

SYM

15 KΩ

+13 dBu /
3,45 V

-13 dBu/
175 mV

+ 22 dBu/
9,75 V

Pot 100 mm
à 0 dB

Asy line

CINCH

ASY

22 KΩ

+14 dBuU /
3,85 V

-12 dBu/
195 mV

+ 26 dBu/
15,5 V

-

Aux return

Sub 9

SYM

15 KΩ

-

-5 dBu/
435 mV

+ 14 dBu/
3,9 V

-

Hybrid

Sub 15

SYM

15 KΩ

-

+6 dBu/
1,55 V

+ 22 dBu/
9,75 V

-

Tuner In

Sub 15

SYM

15 KΩ

+12 dBu /
3,1 V

-11 dBu/
0,280 mV

+26 dBu/
15,5 V

Out monitor
+ 6 dBu

Ext In

Sub 15

SYM

15 KΩ

-

+6 dBu/
1,55 V

+20 dBu/
7,55 V

-

Order

XLR

ASY

3 KΩ

-23 dBu / 55 -62 dBu/
mV
0,62 mV

0 dBu/
775 mV

Out ext
order
+ 6 dBU

OUTPUT

EMBASE

TYPE

IMPED.

NIV. Nom Min

NIV. Nom Max

LEVEL MAX

CONDITIONS

Antenna

XLR

SYM

200 Ω

-1 dBu/
690 mV

+14 dBu/
3,9 V
+6 dBu/
1,55 V

+26 dBu/
15,5 V

Entrée sur
voie ligne

Aux Out

Sub 15

SYM

200 Ω

-

+6 dBu/
1,55 V

+26 dBu/
15,5 V

Pot 100 mm
au max

Insert out

Sub 15

SYM

200 Ω

-

+6 dBu/
1,55 V

+26 dBu/
15,5 V

Sensibilité
au milieu

Pgm 2

XLR

SYM

200 Ω

-

12 dBu pot
au max

+26 dBu/
15,5 V

-

Monitor

XLR

SYM

200 Ω

-

+6 dBu/
1,55 V

+26 dBu/
15,5 V

-

Ext Order

Sub 15

SYM

200 Ω

-

+6 dBu/
1,55 V

+26 dBu/
15,5 V

-

Out Studio
DJ

Sub 15

SYM

200 Ω

-

+6 dBu/
1,55 V

+26 dBu/
15,5 V

-

Headphone

Jack

ASY

68 Ω

-

-

+18 dBu/
6,15 V

-

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

32

33

B roadc asting & Pro duc tion Studio
Ref. 12139

Broadcast mixing console middlemix 10/20/30 modules
Find this product on www.bbeam.com

CHARACTERISTICS
99 Pro video broadcasting approved
99 Competitive prices
99 Modular structure
99 Reduced size
99 Wide range of feature
99 Integrated hybrid phone
99 2 outbound dialling
99 Potentiometer Pro 110 mm
99 For broadcast and production

DESCRIPTION
99 Middlemix console is available in three frame sizes: the
frame 10, which can contain 10 overall modules, the
frame 20 and the frame 30.
99 A script try (10 module wide) is fitted for frame 30
version. The frames are inox steel & aluminium made,
with wood finishing touch.
99 Electronic components have been selected from the
best on the market. In particular, the parts mostly
subject to tear and wear (such as switchers, faders and
potentiometers) are by Alps.
99 Middlemix’s wide range of functions provides the most
immediate and complete control of the emission.
99 All relevant functions are built-in, such as TalkBack twoway communication circuit, the OnAir lamp control, Studio
- Control Room speakers cut-off, phantom microphone
powering…

99 All input / output audio connections are balanced on 1/4”
jacks. Four Vu / Peak meters come with the equipment.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

34

99 Middlemix features 2 output buses (Master and Sub), 2
recording outputs (assignable Mst/Sub) and a versatile
Monitor section.

B roadc asting & Pro duc tion Studio
TECHNICAL SPECIFICATIONS
STEREO INPUT MODULE
INPUT A

Stereo

Bal.

Jack ¼”

-15 ÷ +15 dB gain

INPUT B

Stereo (jumper
select)
Phono Stereo
(jumper select)

Bal.

Jack ¼”

-15 ÷ +15 dB gain

Unbal.

Jack ¼”

-15 ÷ +15 dB RIAA

MONO INPUT MODULE
INPUT A

Mono

INSERT A
INPUT B

Bal.

XLR

-15 ÷ +15 dB gain

Micro Mono (gain adj. Unbal.
–40 ÷ -80 dB)

Jack ¼”

0 dB

Mono

Jack ¼”

-15 ÷ +15 dB gain

Bal.

TELEPHONE MODULE
SEND / RECEIVE
separation

20 dB**

In / out level on tel.
line

- 12 dBm

Compensation
mode

Electronic /
automatic

Impedance

600 Ohms

** It can vary depending on telephone line characteristics

TELCO INPUT MODULE
SEND

Mono

Bal.

Jack ¼”

-15 ÷ +15 dB gain

RECEIVE

Mono

Bal.

Jack ¼”

-15 ÷ +15 dB gain

MASTER / SUB MODULE
SUB Output

Stereo

Bal.

Jack ¼”

0 dB

MASTER Output

Stereo

Bal.

Jack ¼”

0 dB

REC1 – REC2

Mono/Stereo

Bal.

Jack ¼”

inf ÷ +15 dB gain

MONITOR OUTPUT MODULE
TUNER IN

Stereo line

Bal.

Jack ¼”

-15 ÷ +15 dB gain

STUDIO Output

Spk - Stereo Line
Phones - Stereo
Line

Unbal.
Unbal.a.

Jack ¼”
Jack ¼”

inf ÷ +15 dB
0 ÷ +44 Vpp
Amplified

DIMENSIONS
Console
10 modules Frame
20 modules Frame
30 modules Frame (with Script Tray )

Size (lenght)
416 mm
802 mm
1188 mm

Rear side, connexion view

Antenne FM
Side view

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

35

B roadc asting & Pro duc tion Studio

20 modules frame with Bar graph

20 modules frale with recording level gauge pin



30 modules frame with Bar graph

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

36

B roadc asting & Pro duc tion Studio
DESCRIPTION
MONO
• Micro and mono Line switchable inputs
(balanced)
• Insert function on microphone input
• Trimmer for Micro level fine adjustment
• Gain control
• Phantom powersupply
• Three band parametric equalizer (optional)
• Master & Sub output assignment
• PFL function
• Monitor speaker muting control
• 2 relays activation

STEREO
• Two balanced stereo inputs
• Input B configurable for Line or Phono sources
• Three band equalizer (optional)
• Start / Stop command interface (optional)
• Master e/o Sub output assignment
• PFL function
• Gain Control

TELEPHONE
• Built-in analog telephone hybrid
• Automatic Line compensation
• Send & Receive level controls
• Trimmer for fine adjustment of Receive level
• Master & Sub output assignment
• Ring LED for incoming calls
• Private/ PFL function for ‘off-air’ communications
• Hook key for line hooking
• Socket for external telephone set

TELCO
• Balanced Send output and Receive input
• Send & Receive level controls
• Remote control capabilities of external hybrid
(e.g. Boxtel and Macrotel
series by Axel Technology)
• Master & Sub output assignment
• Ring LED for incoming calls
• Private/ PFL function for ‘off-air’ communications
• Hook key for line hooking

MASTER SUB
• Balanced Master output (Mono/Stereo switchable)
• Balanced Sub output (Mono/Stereo switchable)
• Sub output fader
• PFL function applied to Sub signal
• Sub output assignable to the Master output
• Two balanced Rec outputs (Mst/Sub switchable)
• Rec output independent level controls

37

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

MONITOR
• Studio + Ctrl Room outputs (separated for headph / spk)
• Independent control sections for Studio and Ctrl Room
• Auxiliary balanced Tuner input
• Tuner input level control
• Talk Back to Studio capability
• Built-in Talk Back microphone
• Selectable source for 2nd Meter couple

B roadc asting & Pro duc tion Studio
Tel-porte Display device

Ref. 24.110

Find this product on www.bbeam.com

CHARACTERISTICS
99 12 digits changed on request (silence, tel 1, tel 2, door ...).
99 5 x 7 LED matrix by digit.
99 Powerful LED: 60 to 80mcd (max.).
99 LED Color selection available (specify when ordering).
99 Microprocessor technology.
99 Power supply: 12 Vdc autonomous (supplied with the equipment).
99 Protection against polarity reversal.
99 Consumption: 500 mA.
99 Box dimensions: 482 x 85 x 25 (mm).
99 Control by external isolated contact.
99 Can be ordered via optocoupler (specify when ordering).
99 Connected to the BBE control box to cut audio feedback from the studio.
99 Perfect fit with models of mixers Budgetmix, littlemix, middlemix and highmix

APPLICATIONS
99 Light indication studio, alarm, telephone line, showroom ...
99 Elegant display, design and economic on demand (12 digits maximum).

Interrogez nous,
nous étudierons vos demandes
d’applications particulières.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

38

39

B roadc asting & Pro duc tion Studio
Ref. 24052

Blue LED display studio clock
Find this product on www.bbeam.com

CHARACTERISTICS
99 Scrolling LEDs are the needle
99 LED number height : 45mm
99 24-hour format display
99 Ø 25 cm
99 Power supply : 230 VAC / 9V (included) adapter
99 Backup battery : CR2032 lithium cell (included)

Red LED display studio clock

Ref. 24053

Find this product on www.bbeam.com

CHARACTERISTICS
99 Applications : studio, hall, train station, school, theater
99 Clock showing the date and time - 24-hour format
99 Hauteur de l’affichage de l’heure : 125 mm
99 Power supply : 230 VAC / 9V (included) adapter
99 Dimensions : 830 x 230 x 40mm
99 With built-in backup battery (CR2032)

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

40

41

B roadc asting & Pro duc tion Studio
ON AIR studio display device

Ref. 24029

Find this product on www.bbeam.com

CHARACTERISTICS
99 12 digits changed on demand (SILENCE, ON AIR, RELIEF ...)
99 5 x 7 LED matrix by digit
99 Powerful LED: 60 to 80mcd (max.).
99 Microprocessor technology.
99 Power supply: 12 V dc
99 Protection against polarity reversal.
99 Consumption: 500 mA.
99 Box dimensions: 482 x 85 x 25 (mm)
99 Control by external isolated contact.
99 Blinking and scrolling program possible
99 Connected to the BBE control box to cut audio feedback from the studio.

APPLICATIONS
99 Light indication studio, alarm, telephone line, showroom ...
99 Elegant display, design and economic on demand (12 digits maximum).
99 Micro ON - Talkback OFF

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

Ask us, we will consider your request
for specific applications.

B roadc asting & Pro duc tion Studio
Red ON AIR studio display
porthole lamp - eco

Ref. 17030

Find this product on www.bbeam.com

APPLICATIONS
99 [ON AIR] Bright indication
99 Visible from the outside, it can alert when there is a live microphone in broadcast studios.

TECHNICAL FEATURES
99 Lighting device for fixed installation - 60W
99 Thermoplastic base, polycarbonate diffuser
99 Wall mount or ceiling
99 E27 incandescent lamp or LED
99 Aluminum reflector
99 Insulation: Class II
99 Suitable for installation on inflammable surfaces
99 Great versatility: Cable entries on all sides and the bottom of the base, different fastening systems
99 Compliance with European standards EN 60598-1 and EN 60598-2-1, IEC 598-1 corresponding to IEC 598-2-1
standards.
99 IP44 or IP55.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

44

45

B roadc asting & Pro duc tion Studio
Ref. 24.111
Ref. 24.112

«On air - mic live» Studio display
device - led / plexi
Find this product on www.bbeam.com

CHARACTERISTICS

APPLICATIONS

99 Five ignition modes are available:

99 The light signals can be configured simply on site as
required.

- Constant Lighting
- Ignition pulse - then blink off repeatedly

99 They can be configured in one of the 8 standard
colors: white, green, red, blue, yellow, orange, cyan
and magenta.

- Gradual Extinction

99 The kit below provides a ceiling mount.

- Ignition flashing regularly

- Extinction
99 Single or double light signals
99 Each light signal is 200mm or 400mm long. Panels
models 400 mm are available in single and dual
display. Rack models can be divided into two sides
of 200 mm that can be controlled separately or
jointly. For example, a double unit can combine ‘ON
AIR’ and ‘MIC LIVE’ on the same light panel.
99 The signals are supplied complete with standard AC
power adapter and fixed power cable.
99 Power: DC 5-7 V, 500 mA maximum (400 mm panels)
99 Input Connector: screw terminal block 4 channels.
99 Dimensions of plexiglass 80 x 200 (h x W) mm, 80 x
400 (h x w) mm

Custom lights
Custom texts light with other signals, including in
other languages can be manufactured on special
order, price on request. Please contact our sales
department for more information.

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

46

Mounting kit
Ref. 24.112

47

B roadc asting & Pro duc tion Studio
Ref. 12090

Electret gooseneck microphone
Find this product on www.bbeam.com

CHARACTERISTICS
99 Perfect for use in radio and TV studio.
99 Discrete model with a high audio quality to be placed on guests table.
99 Transformer balanced
99 Cardioid
99 Micro windsock protection
99 Red LED indicating the activation
99 XLR 3-pin male
99 Total length 440 mm
99 Suitable for mixing consoles with phantom output.

48

System

electret / cardioid

Bandwidth

50-16000 Hz

Impedance

300 Ω

Sensitivity

4 mV/Pa/1 kHz

Max. sound pressure

-

Alimentation

9-48 V DC phantom

Operating temperature

0 - 40 °C

Connector

XLR 3-pole

Dimensions

Ø 13/19 mm x 440 mm

Weight

175 g

Antenne FM

BBEAM SPRL - Z.I. les Plenesses - E40 37bis - rue du Progrès - 4821 Andrimont - BELGIUM
Tel.: +32 87228983 - Fax : +32 87223400 - Mob : +32 475761453 - sales@bbeam.com - www.bbeam.com

EN-04-06-2014

TECHNICAL FEATURES