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The submarine base can’t be destroyed. It is eroding in places leaving rubble. The installation is
composed of copy of these fragments made from candle’s wax. They would be enlarged, disposed
like anti-tanks in the basin of the port of Saint-Nazaire, France. Lightened during the night, waxen
blocs would melt slowly. This piece brings to light the fragility of this huge armed concrete building.

Untitled, visual installation, paraffin wax sclupture, flame, 2015.

Untitled, two installation’s proposal, variable dimensions, candle wax, 2018.

Untitled, sculpture, acrylic and foam on wood, installed in different places (construction site and
forest), 2016.

Several colour charts of Mexico’s landscapes are painted on modules taking the shape of the
numerous circular fields of this country. This project would be exposed on the wall of the Jacques
Brel’s room during the nautical race “La solidaire du chocolat” that begins at the Saint-Nazaire’s
harbour and ends at Progreso, Mexico.
Travel, installation’s proposal , acrylic on the Jacques Brel room’s wall, 2015.

In her book « La géométrie dans le monde végétal » (Geometry in the vegetable world), Elisabeth Dumont develops and explors the contours of the vegetable world. They form “a regular and imperfect geometry”. This serie, inspired from this thesis, is composed of regular but imperfect geometric shapes..
The vegetable world, painting, 100x100 cm each, acrylic on paper, 2017.

Leaf, drawing, 100x130 cm, graphite pencil and charcoal on paper, 2017.

Forest, 42X29,7 cm each, graphite pencil on paper, 2017.

Spaces, drawing, 29,7X42 cm each, graphite pencil on paper, 2017.

scenes, drawing, 43X29,7 cm each, graphite pencil on paper, 2018.

Untitled, installation, variable dimensions, newsprint, 2017.

With their sobriety and their geometry, the façades of the Nantes
Island’s buildings seem to be a huge scale maquettes, rhythmed by
windows, looming in hollow. Lightened, they paint the presence of the
human and life. The maquettes are inhabited.
The paper used is a directory paper. The directory informs us about
the inhabitants of those buildings. The fragility of this material makes
this work ephemeral. The sickly and temporal aspects of this work
are in contradiction with the hardness and the durability of the Nantes
Island’s buildings.
This work highlights the paradox between the progress feeling among
fragile and animate maquettes and the reality: hard and inhabited

installation’s details

This work resumes the same issues as the previous one. The wallpaper cover walls at the edges
of inside a room.
In the installation, an element of the exterior street is cut out : a window. Isolated, the window becomes a grid. Taken-out of the wall, the wallpaper molts and becomes sculpture.

Untitled, installation, variable dimensions, wallpaper, 2017.

Amandine Rousseau
6, rue Gabriel Péri
44600 Saint-Nazaire
0033 647 727 141

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